Ariana

[slayerbuffy]

THE X-FILES REWATCH: FALLEN ANGEL (1x10).

[bladesrunner]

Lady and the Tramp (1955) dir. C. Geronimi, W. Jackson, H. Luske

[fridayindulges]

[prncssguya]

nice to see miyazaki has the same writing process as me

[emptyportrait]

It couldn't get more dystopian than the fact that we live in a world where most people are so morally apathetic that not even the massacre of children shake their feelings; instead, they choose to ignore the suffering of others with willful ignorance. The way so many people have shown absolutely zero regard for Palestinian genocide and ethnic cleansing should terrify us all.

[wynsvre]

snoopy as lady macbeth

[angmars]

I would break my body to pieces to call you once by your name.

[lightgate]

[tlirsgender]

Classic lit isn't relatable TO YOU. I have something wrong with me though

[h-arleen]

SABRINA THE TEENAGE WITCH | 1.05 - A Halloween Story

[typhlonectes]

[silver-tongues-blog]

the left isnt radical, the right just shifted the overton window a horrifying amount in a short time period

[fweet-prince]

Tired of people comparing every forbidden love story to Romeo and Juliet, especially ones about class or racial divides. It’s important to how the story works that the Capulets and Montagues are alike in dignity and that the feud is baseless and petty on both sides. If the Capulets had spent centuries systematically disenfranchising the Montagues, it wouldn’t be Romeo and Juliet. The play relies on both families facing roughly equal losses and being able to make roughly equal apologies and roughly equal reparations. Romeo and Juliet is a play about two kids who weren’t allowed to love in a world full of senseless hatred, and if you give one side a valid reason to hate the other—if either the Capulets or the Montagues are right—it stops being that and starts implying that the opressed have as much to do with the environment of hatred as their opressors do

[rylandsgrace]

Barbie (2023) // The Good Place (2016-2020)

[taminoamirfouad]

gq middle east photographed by emil pabon (x)

[fandomsandfeminism]

There's something so deeply profound about Suzume's ideas about how people love the land, and how in return the land loves its people. That the separation of people from the places they love is a trauma so deep, not just in the people but in the land itself, these lonely places that are abandoned, that it ripples and builds and breaks the world again.

That you heal that wound by remembering how people loved that place, and then let it go. You remember the love and happiness. And then you return it to the gods. That you grieve the land like you grieve a person- you have to remember it, love it, before you can really heal from its loss.

[disneydaily]

“Oh, come on now, fellas! You haven’t fallen for that old line have you?”

[gresit]

ERNEST & CELESTINE (2012) dir. Stéphane Aubier, Vincent Patar, Benjamin Renner