Noh Mask, National Museum by kristi-san on Flickr.
Jules of Nature
Cosmic Funnies
Sade Olutola
i don't do bad sauce passes

Origami Around
$LAYYYTER
Sweet Seals For You, Always

JBB: An Artblog!
Alisa U Zemlji Chuda
noise dept.
2025 on Tumblr: Trends That Defined the Year

No title available
YOU ARE THE REASON
AnasAbdin
Peter Solarz

Product Placement
trying on a metaphor
Show & Tell
hello vonnie

★
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@mooneyelabs
Noh Mask, National Museum by kristi-san on Flickr.
Head of a girl, 1483, Leonardo Da Vinci
Medium: metalpoint,paper,silverpoint
The Anarchist, 1892, Felix Vallotton
Medium: woodcut
The Passage of the St. Gothard, 1804, William Turner
Medium: watercolor
Chinchin Hsu by Dan Martensen for Vogue Taiwan Magazine - March 2020
Diana Rigg and Helen Mirren between takes of “A Midsummer Night’s Dream” (1968)
Bonus
Happy Birthday, Mark Rothko
While Rothko embedded his own emotions into his abstractions, he believed these were universal elements of the human experience, not unique to his situation. “I don’t express myself in my paintings,” he once whispered to critic Harold Rosenberg, while waxing on Abstract Expressionism at a party. “I express my not-self.”
The most poignant example of Rothko’s intent to remove ego from art is his theoretical manuscript “The Artist’s Reality,” which was published by his family in 2004, long after the artist’s 1970 suicide (Rothko suffered from depression throughout his adult life). While the text presents many of Rothko’s most developed theories on art and creativity, he very rarely uses the word “I,” and doesn’t mention his own paintings or practice. Indeed, his transcendent abstractions, too, are absent of any “I.” Instead, they express emotions that are universally understood and experienced by humans.
Castles - art by Alan Lee (1984)
Michael Whelan - Passage
Rest in peace, Sean Connery, you gorgeous, sexy, warm and intelligent man
The John Schoenherr illustrations on which Chewbacca was based.
The Row
Sunshine, Fanny Brate, 19??, Nationalmuseum, SWE
En påklistrad lapp på målningens baksida ger titeln: Solsken. En flicka ligger i röd soffa.Hennes utrsträckta hand kastar en skugga mot soffans rygg.Till vänster finns ett fönster med ljusa gardiner.
http://collection.nationalmuseum.se/eMuseumPlus?service=ExternalInterface&module=collection&objectId=133064&viewType=detailView
After the Death, Wilhelm Kotarbinski
https://www.wikiart.org/en/wilhelm-kotarbinski/after-the-death