simultanea

Archivo Fermín Moreno Martín

[andren]

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[beautiful-contrast]

[beautiful-contrast]

Forte de Nossa Senhora da Graça, Elvas - Portugal

[darquitectura]

Renee Gailhoutet - Jean Renaudie, Ivry sur Seine social housing, 1969-75

Source:Divisare Photography: Lorenzo Zandri

[design-is-fine]

Saul Bass, matchbooks, 1965. Available online via Present & Correct

[garadinervi]

From: Atlas of the Munsell Color System, Wadsworth, Howland & Co., Boston, MA, 1915 [Ursus Books & Gallery, New York, NY]

Details: letterpress introduction, illustrated with 15 colour charts with colour samples tipped on to board; oblong folio; bound in publisher’s boards, blue cloth spine

[garadinervi]

Ken Isaacs, Knowledge Box, (exterior view), 1962 [MAAT – Museu de Arte, Arquitetura e Tecnologia, Lisboa. Courtesy the University Archives and Special Collections, Paul V. Galvin Library, Illinois Institute of Technology, Chicago, IL]

In Ken Isaacs, the Matrix and the Establishment of the Quintessentially Modern, Interview with Susan Snodgrass by Maria Kruglyak / maat, MAAT – Museu de Arte, Arquitetura e Tecnologia, Lisboa, August 17, 2022

[bartleby-company]

1964, Szymon Kobylinkski, Fables for Robots

[yama-bato]

Chuck Kelton

[garadinervi]

Victoria Burge, Figure B, (ink and typewritten ink on paper), 2022 [Krakow Witkin Gallery, Boston, MA. © Victoria Burge]

[ilcontephotography]

Hotel Concorde, by Salvador Fábregas (1969).

Las Palmas de Gran Canaria - Canary Islands, Spain.

© Roberto Conte (2023)

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[formlab]

Space X Starship, Photographed by John Kraus

[formlab]

Revox Emotion B 26, 1993

[marcolikestowatch]

Garden house in Viksberg by Tham & Videgård Arkitekter

[monopole]

[totheark]

1-14-2007

[0022th]

Amy Brier’s limestone carvings

[nevver]

Tastes like fascism, Doug Aitken