Richard Jackson / David Kornanksy
September 10, 2011 — October 20, 2011
The Little Girl's Room, 2011, fiberglass, steel, stainless steel, mdf, acrylic on canvas, wood, rubber, motor, acrylic paint, 190 x 288 x 312 inches (482.6 x 731.5 x 792.5 cm)
According to it’s press release, “The Little Girl’s Room consists of an immersive environment designed to resemble the room of a child…
The work’s centerpiece is a monumentally-scaled sculpture of a unicorn balanced on its horn, embraced by a life-size sculpture of a strangely doll-like little girl, that spins atop a motorized platform. Like many of the objects that Jackson has developed over the course of his career, the piece will be activated at the time of its installation in the gallery space. As it spins, paint will be pumped through the horse’s genitals and spray and drip across the other elements of the installation. These include the large-scale canvases that depict fluffy clouds and geometric forms borrowed from Frank Stella, as well as an array of other objects that feel at once familiar and disturbingly out of place in the context of a child’s room.”
http://www.davidkordanskygallery.com
What attracts me to Richard Jackson's work is that, in the same vein as a Paul McCarthey, he is not afraid to have fun and be ridiculous. In fact the boundaries of acceptibility and what is ludicrous
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