pov: you’re coming to cathedral cove with me
Cosmic Funnies
Show & Tell

Andulka
I'd rather be in outer space 🛸

Origami Around
2025 on Tumblr: Trends That Defined the Year
PUT YOUR BEARD IN MY MOUTH
Sweet Seals For You, Always
h

Product Placement
NASA

pixel skylines

Jar Jar Binks Fan Club
Aqua Utopia|海の底で記憶を紡ぐ
𓃗

roma★
Stranger Things
"I'm Dorothy Gale from Kansas"
No title available

ellievsbear
seen from France
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seen from Canada

seen from Czechia

seen from United States
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seen from United States
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@mouchefska
pov: you’re coming to cathedral cove with me
smoking that shit that made the Miocene epic
new creature discovered. how to proceed?
impressive
hmm
Isaiah
Reblog to give mutuals a break from whatever they're been going through
"L’Océan", Erté (Romain de Tirtoff), 1926.
Late for an appointment this morning because my beautiful son child stole a wrapped and bagged bologna sandwich containing roughly 300% his maximum safe sodium intake out of the lunch box in my backpack while I was on the shitter and refused to spit it out
⬆️ Documented evidence of my sweet and perfect and beautiful firstborn son furiously defending his hard-won right to shit his brains out
Had to draw
Avatar Korra in AVATAR: SEVEN HAVENS
The way the cheek bones are drawn to emphasize her age made me think she'd been given a Glasgow smile for a moment
i get that’s it’s not always obvious when i’m on my lunch but you’d think people would notice not to bother me when i’m hunched over eating a vegetarian burger like that bitch eating his son
hold on what is this gif
Your pronouns sound like someone clearing their throat
you guys find new ways to hate crime every day
my gender is now canceled everyone stop perceiving it
love my pumpkin
violence my pumpkin
Performance art is good and listening to people who don't understand art talk about performance art is a unique type of torture.
Which is probably a thought that could be the core of a pretty fun, masturbatory piece of performance art.
Oh. Oh actually. Actually.
Okay, so the name of the piece is "It's what you make of it" and you have a setup that's a cross between a zoltar fortune-teller machine and a crank penny press. The room the piece is performed in has a warning about recording the performance and cautions the viewer to only interact with the piece of they consent to being recorded and photographed.
The artist is in the box, made up as a marionette and the viewer can use pulleys and switches to position the artist's limbs and to change the background and lighting of the box and can type a short prompt for the artist to repeat and act out verbatim.
The viewer has to drop a token (provided as part of the piece) into a coin slot and work a crank to complete the prompt. While the artist is acting out the prompt, the prompt is printed on a photo strip that includes a picture of the prompter (taken by a hidden webcam on the booth). One copy of the prompt and photo is spit out along with the cranked token (which has the phrase "it's what you make of it" and an image of a clown pressed into it) for the viewer to keep, one copy of the prompt and photo is spit out inside the booth where the artist can collect it after completing the prompt.
What the artist is going to do with the photo strip is not explained, the artist doesn't speak or move except as a response to a prompt.
People will prompt the artist to say "this is stupid." People will prompt the artist say explicit phrases, or to swear incessantly. People will prompt the artist to say slurs.
And they will walk away with their prompt attributed to them with their photo and a coin they used their energy to mint into a reminder that the art is what they made of it. And their creation is documented in the hands of the artist as well. What did they put into the world? What did they decide to say when they had a chance to say anything? What were they comfortable saying before they realized that someone would quote them on it? What did they make of it, and how would they feel if their photo was attached to their prompt in a book or video or somewhere that people might see it?
How did they approach the piece? How would they approach it a second time?
Also the artist goes hog fucking wild on the prompts. They're acted out *loudly* and melodramatically with as much emotion as the artist can put into the performance.
And whenever the machine is not in motion the artist is still and vacant, but the performance of the prompt involves as much eye contact and emoting as possible.
The piece is dead and meaningless until you approach it, and as soon as you start interacting with it it should become disconcertingly alive with your intention.