Movie Posters Separated at Birth

Homages and happy coincidences in the world of movie poster art.

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Festival poster for IN THE FADE (Fatih Akin, Germany, 2017) and teaser poster for COCO (Lee Unkrich, USA, 2017).

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US one sheet for THEO WHO LIVED (David Schisgall, USA, 2016) and festival poster for BLADE OF THE IMMORTAL (Takashi Miike, Japan, 2017) 

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US one sheet for IN COLD BLOOD (Richard Brooks, USA, 1967) and US one sheet for I AM NOT YOUR NEGRO (Raoul Peck, USA, 2016)

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Polish poster by Bronislaw Zelek for FAR FROM THE MADDING CROWD (John Schlesinger, UK, 1967) and the Spanish poster for YOU WILL MEET A TALL DARK STRANGER (Woody Allen, USA, 2010).

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German poster for KNIGHT OF CUPS (Terrence Malick, USA, 2015) and US one sheet for CAROL (Todd Haynes, USA, 2015)

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US one sheet for PORKY’S (Bob Clark, Canada, 1982) and German poster for LA FEMME NIKITA (Luc Besson, France, 1990).

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Posters for DIANA (Oliver Hirschbiegel, USA, 2013) and THE SECRET LIFE OF WALTER MITTY (Ben Stiller, USA, 2013).

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Posters for TOM AT THE FARM (Xavier Dolan, Canada, 2013) and JULIEN DONKEY-BOY (Harmony Korine, USA, 1999).

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Mexican poster for THE TURIN HORSE (Béla Tarr, Hungary, 2011) and US one sheet for THE HOBBIT (Peter Jackson, NZ/USA/UK, 2012)

“The work of the sombre Hungarian auteur Béla Tarr, whose grinding tale of apocalyptic poverty The Turin Horse ran to a mere 155 minutes, feels nippy by comparison.” –Robbie Collin review of The Hobbit in The Telegraph (UK).

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1993 Polish poster for DANTON (Andrzej Wajda, Poland/France, 1983) by Wieslaw Walkuski and 2012 US one-sheet for THE POSSESSION (Ole Bornedal, USA, 2012) by Ignition Print.

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PALINDROMES (Todd Solondz, USA, 2004) and MOONRISE KINGDOM (Wes Anderson, USA, 2012)

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INDEPENDENCIA (Raya Martin, Philippines, 2009) and THE WOMAN IN BLACK (James Watkins, USA, 2012)

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THE RITE (Mikael Håfström, USA, 2011) and RISE OF THE PLANET OF THE APES (Rupert Wyatt, USA, 2011)

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STARRY STARRY NIGHT (Tom Lin, Taiwan, 2011) and MIDNIGHT IN PARIS (Woody Allen, USA, 2011)

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THE PAPERBOY (Lee Daniels, USA, 2012) and THE BANK JOB (Roger Donaldson, UK, 2008)