Benedict Cumberbatch at DUNLOP Tires TVCF of 2014 ad released in TAIWAN.
Here can see this TVCF :) https://www.facebook.com/photo.php?v=867128459982559
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Benedict Cumberbatch at DUNLOP Tires TVCF of 2014 ad released in TAIWAN.
Here can see this TVCF :) https://www.facebook.com/photo.php?v=867128459982559
new tab for high res.
Black Mass filming, June 30 2014
Click for 2400 x 2134 -Source
Benedict Cumberbatch on the set of Black Mass at the Harvard Club in Boston - [x] [x] [x] [x] [x] [x] [x] [x]
I spy Benedict. [x]
Benedict Cumberbatch and Dame Judi Dench at Hay Festival (performing and the Richard III question).
(source/buy)
Judi: “You’ve not got a very big part i’m afraid, Ben..” BC: “It’ll do.. it’s not the first time that’s been said..” LoL. Great performance, short but sweet…
“But mostly, I feel, compared with Cumberbatch, like someone going through existence with the contrast dial turned down. To him, it seems, everything is neon bright. The barbs may sting more sharply, but his sun must shine that much brighter.” - Stuart McGurk, British GQ (x)
Open in new tab for HQ - Benedict Cumberbatch at Roland Garros in Paris
Benedict Cumberbatch reads the 8am news from D-Day (2:08)
Open in new tab for HQ
@VoteMalcolm2014
Benedict Cumberbatch says #VoteMalcolm in the @EquityUK elections. pic.twitter.com/sT8WuecYoh
"Thank you to #benedictcumberbatch for all his efforts at the inaugural shoot at my new studio for our ongoing @standuptocancer campaign. @looloolondon”
Some good footage of Benedict at the Hay Festival at 16:45. Via The Bookish Bunny
Full Transcript of the letter from Kurt Vonnegut to McCarthy (1973) from Letters Live 2014 (Hay Festival):
November 16, 1973 Dear Mr. McCarthy: I am writing to you in your capacity as chairman of the Drake School Board. I am among those American writers whose books have been destroyed in the now famous furnace of your school. Certain members of your community have suggested that my work is evil. This is extraordinarily insulting to me. The news from Drake indicates to me that books and writers are very unreal to you people. I am writing this letter to let you know how real I am. I want you to know, too, that my publisher and I have done absolutely nothing to exploit the disgusting news from Drake. We are not clapping each other on the back, crowing about all the books we will sell because of the news. We have declined to go on television, have written no fiery letters to editorial pages, have granted no lengthy interviews. We are angered and sickened and saddened. And no copies of this letter have been sent to anybody else. You now hold the only copy in your hands. It is a strictly private letter from me to the people of Drake, who have done so much to damage my reputation in the eyes of their children and then in the eyes of the world. Do you have the courage and ordinary decency to show this letter to the people, or will it, too, be consigned to the fires of your furnace? I gather from what I read in the papers and hear on television that you imagine me, and some other writers, too, as being sort of ratlike people who enjoy making money from poisoning the minds of young people. I am in fact a large, strong person, fifty-one years old, who did a lot of farm work as a boy, who is good with tools. I have raised six children, three my own and three adopted. They have all turned out well. Two of them are farmers. I am a combat infantry veteran from World War II, and hold a Purple Heart. I have earned whatever I own by hard work. I have never been arrested or sued for anything. I am so much trusted with young people and by young people that I have served on the faculties of the University of Iowa, Harvard, and the City College of New York. Every year I receive at least a dozen invitations to be commencement speaker at colleges and high schools. My books are probably more widely used in schools than those of any other living American fiction writer. If you were to bother to read my books, to behave as educated persons would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life. Especially soldiers and hardworking men speak coarsely, and even our most sheltered children know that. And we all know, too, that those words really don’t damage children much. They didn’t damage us when we were young. It was evil deeds and lying that hurt us. After I have said all this, I am sure you are still ready to respond, in effect, “Yes, yes–but it still remains our right and our responsibility to decide what books our children are going to be made to read in our community.” This is surely so. But it is also true that if you exercise that right and fulfill that responsibility in an ignorant, harsh, un-American manner, then people are entitled to call you bad citizens and fools. Even your own children are entitled to call you that. I read in the newspaper that your community is mystified by the outcry from all over the country about what you have done. Well, you have discovered that Drake is a part of American civilization, and your fellow Americans can’t stand it that you have behaved in such an uncivilized way. Perhaps you will learn from this that books are sacred to free men for very good reasons, and that wars have been fought against nations which hate books and burn them. If you are an American, you must allow all ideas to circulate freely in your community, not merely your own. If you and your board are now determined to show that you in fact have wisdom and maturity when you exercise your powers over the education of your young, then you should acknowledge that it was a rotten lesson you taught young people in a free society when you denounced and then burned books–books you hadn’t even read. You should also resolve to expose your children to all sorts of opinions and information, in order that they will be better equipped to make decisions and to survive. Again: you have insulted me, and I am a good citizen, and I am very real. Kurt Vonnegut
[McCarthy had demanded that all 32 copies of Slaughterhouse-Five be burned in the school’s furnace as a result of its “obscene language.” He did not respond to Vonnegut’s letter.]
audio source and permission generously granted by cumberbatchweb (x)
(y) / (z)
For more Letters Live audio, go here (a)
Dame Judi Dench is to star opposite Benedict Cumberbatch in Richard III after the Sherlock actor ambushed her during a Shakespeare masterclass. The veteran actress will play Queen Margaret to Cumberbatch’s hunchbacked monarch in a BBC production this autumn.
Appearing before an audience on the final day of the Hay Festival, in conversation with Sir Richard Eyre, Dame Judi was initially coy about whether she would take the part.
Cumberbatch approached her several months ago, it emerged, and has been trying to persuade her to take the role.
But she was put on the spot when the audience were invited to participate in the discussion and Cumberbatch, from his seat in the front row, seized his opportunity.
"Would you like to be in Richard III with me?" he asked. "Yeah," Dame Judi replied after a theatrical pause, prompting cheers from the crowd.
The play will be directed by Dominic Cooke, former artistic director of the Royal Court. It is the concluding part of The Hollow Crown, a series of Shakepeare history plays for the BBC which began in 2012.
Queen Margaret is one of the few Shakespearean roles that Dame Judi, 79, has not tackled during her illustrious career.
During the Hay masterclass, she gave performances from plays ranging from Antony and Cleopatra to Twelfth Night, with Cumberbatch joining her for the latter as Orsino to her Viola.
She starred in a 1987 production of Antony and Cleopatra and recalled that her casting did not meet with critical approval.
"They just laughed when it was announced," she said. "You had to be a very tall girl, I think."
(Source)
Well, that cheeky little bastard!! Well done!
Benedict Cumberbatch reads a letter from Richard Avedon.
Edit: I found the text of the letter on Facebook https://www.facebook.com/permalink.php?story_fbid=10150821970716249&id=154175331248
Last one for today as I’m knackered but I’ll put up more over the next couple of days.
Text below as not everyone likes Facebook:
Richard Avedon’s letter to his father…
“In 1970, I showed my father for the first time one of the portraits that I had made of him in the years just before. He was wounded. My sense of what is beautiful was very different from his. I wrote to him to try and explain.
Dear Dad,
I’m putting this in a letter because phone calls have a way of disappearing in the whatever it is. I’m trying to put into words what I feel most deeply, not just about you, but about my work and the years of undefinable father and son between us. I’ve never understood why I’ve saved the best that’s in me for strangers like Stravinsky and not for my own father.
There was a picture of you on the piano that I saw every day when I was growing up. It was by the Bachrach studio and heavily retouched and we all used to call it “Smilin’ Jack Avedon”—it was a family joke, because it was a photograph of a man we never saw, and of a man I never knew. Years later, Bachrach did an advertisement with me—Richard Avedon, Photographer—as a subject. Their photograph of me was the same as the photograph of you. We were up on the same piano, where neither of us had ever lived.
I am trying to do something else. When you pose for a photograph, it’s behind a smile that isn’t yours. You are angry and hungry and alive. What I value in you is that intensity. I want to make portraits as intense as people. I want your intensity to pass into me, go through the camera and become a recognition to a stranger. I love your ambition and your capacity for disappointment, and that’s still as alive in you as it has ever been.
Do you remember you tried to show me how to ride a bicycle, when I was nine years old? You had come up to New Hampshire for the weekend, I think, in the summer when we were there on vacation, and you were wearing your business suit. You were showing me how to ride a bike, and you fell and I saw your face then. I remember the expression on your face when you fell. I had my box Brownie with me, and I took the picture.
I’m not making myself clear. Do you understand?
Love, Dick