oozey mess
The Bowery Presents
Monterey Bay Aquarium
pixel skylines
Sweet Seals For You, Always
$LAYYYTER
trying on a metaphor
Sade Olutola
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Cosimo Galluzzi
Love Begins
sheepfilms
KIROKAZE
almost home
he wasn't even looking at me and he found me
PUT YOUR BEARD IN MY MOUTH
ellievsbear
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official daine visual archive
Misplaced Lens Cap
seen from Malaysia
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@muppcts
welcome.
hi besties. it’s me cait back at it again with a brand new blog. i was previously @ kcrmits !! so you might know me from there. this is my personal and rph all wrapped into one. take a peak around and lemme know if i can do anything for u.
guidelines . nav . ko-fi . my content.
rps im in:
currently working on:
none.
just fyi all gif packs i reblog are on @kcrmitgifs
READY OR NOT 2019 | dir. Tyler Gillett & Matt Bettinelli-Olpin
CLUTTER . PSD
hi my angels ! i've been really into bright & colourful things right now so i've decided to create a psd that'll work best with photos that have a lot of varying colours ! if you have any queries or feedback , don't hesitate to send me an ask . as always , a like + reblog would be greatly appreciated ! enjoy ♡
click the source link to download this psd
I don’t wanna keep you up, but show me, can you keep it up? Cause then I’ll have to keep you up, shit, maybe I'ma keep you up, boy.
ARIANA GRANDE, DOJA CAT & MEGAN THEE STALLION 34+35 Remix (2021)
OLIVIA DEAN Man I Need (Live from The Brit Awards 2026)
ALEXA DEMIE via IG
AEW: DYNAMITE | 07.15.26
brawling birds = brits with the t!ts AEW: DYNAMITE | 07.15.26
AEW: DYNAMITE | 07.15.26
CHASE INFINITI via IG
immaculate little brother vibes MONDAY NIGHT RAW | 07.13.26
📸 Grayson Lang
Thomas O'Malley ✦ Thomas O'Malley ✦ Wilson Bethel ✦ The Aristocats
KILL THE CHAOS, FIND THE BALANCE
CURRENT AGE: forty seven
SPECIES: human
OCCUPATION: jazz musician / owner of scat cat records
AVAILABILITY: open
AROUND WE GO, THOMAS O'MALLEY
thomas o’malley has never belonged to anyone, anything, or anywhere for too long and he likes it that way. there’s a kind of ease to him that can’t be manufactured, the sort of presence that feels like a song you swear you’ve heard before but can’t quite place. he drifts through life on instinct and rhythm, following whatever feels right in the moment and trusting that it’ll lead him somewhere worth being. most of the time, it does. in old elias, he’s known as the owner of scat cat records.a tucked-away, warmly lit shop that smells like vinyl, espresso, and something just a little nostalgic. it’s the kind of place that doesn’t rely on foot traffic so much as it collects the right people over time. musicians, collectors, late-night thinkers... they all find their way there eventually. thomas keeps it running not with any real business strategy, but with taste. his shelves are curated like a personal archive, jazz-heavy and soul-deep, full of records that matter more than they sell. if you ask him for a recommendation, he won’t ask what you like but he’ll hand you something you didn’t know you needed. music, for thomas, has never been about success in the traditional sense. he’s a jazz musician first, everything else second. a guitarist and vocalist who plays like he’s telling a story only he fully understands. his performances are scattered across the city, never over-advertised, always memorable. one night it’s a dim bar with a crowd that leans in close; the next, it’s an impromptu set on a rooftop with nothing but city lights for ambiance. there’s a looseness to the way he plays, a refusal to be pinned down to structure or expectation. he doesn’t chase perfection. he chases feeling. there’s an undeniable charm to him, the kind that feels effortless but is rooted in something genuine. thomas knows how to talk, how to listen, how to exist in that easy space between strangers and something more. he flirts like it’s second nature, all half-smiles and low-voiced confidence, but there’s no real edge to it -- no pressure, no pretense. he doesn’t promise anything he can’t give, and what he gives is always honest, even if it’s fleeting. commitment has never been his strong suit, not because he’s incapable of it, but because he’s never quite been convinced he needs it. still, there are moments. rare, fleeting. where something catches him off guard. a voice, a presence, a person who doesn’t quite fit into the rhythm he’s built for himself. lately, that something has a name: dana baek. he’s seen her, of course, everyone has, but it’s not her reputation that holds his attention. it’s the contrast. the control. the way she seems to exist in a world so carefully constructed it borders on untouchable. she doesn’t belong in his orbit. and maybe that’s exactly why she’s caught his eye. thomas o’malley isn’t looking to be tied down, to be rewritten, to become part of someone else’s story. but if there’s one thing he’s learned from a life spent following music, it’s this: sometimes the best things aren’t planned. sometimes, they just find you.
CONNECTIONS LOADING...
duchess, marie, toulouse, and berlioz baek, felix fox, beatrice hawthorne, james hook, naveen baksh, dominic kayitesi.
Dana "Duchess" Baek ✦ Duchess ✦ Sandra Oh ✦ The Aristocats
KILL THE CHAOS, FIND THE BALANCE
CURRENT AGE: fifty-five
SPECIES: human
OCCUPATION: editor and chief of luxe
AVAILABILITY: open
AROUND WE GO, DANA BAEK
dana “duchess” baek has never entered a room quietly a day in her life. not because she’s loud, but because the air seems to rearrange itself around her. poised, immaculate, and impossibly controlled, she is the editor-in-chief of america’s most influential fashion magazine, a woman whose approval can crown a designer or quietly end a career with a single raised brow. her signature look: sleek lines, sharper opinions, and sunglasses that rarely come off, has become as iconic as the publication she rebuilt from the ground up. people say she sees trends before they exist. the truth is, she creates them. born into luxury and armed with unnerving ambition and a smile, dana carved her way into an industry that was cut throat. she learned early that reinvention was power, and she wielded it beautifully. like a living myth draped in silk and steel, she curated not only the magazine’s image but her own -- each chapter of her life edited as carefully as a cover shoot. marriages came and went, each one passionate, consuming, and ultimately fleeting. she falls in love the way others breathe: instinctively, urgently, and without apology. there is something cinematic about her romances, the kind that burn bright and end before the credits roll. she does not regret them. she collects them. in new elias, dana lives in a penthouse that feels more like a gallery than a home... all glass, light, and deliberate beauty. but beneath the polished surface exists the only part of her life she’s never managed to fully control: her children. marie, toulouse, and berlioz -- each brilliant, each different, each a reflection of a love story that once felt like forever. though they carry different fathers, they are unmistakably hers: sharp, expressive, and impossible to ignore. motherhood softened her in ways the industry never could, though she would never admit it aloud. with them, she is less myth, more woman. her true soft self. to the world, dana baek is untouchable, the woman behind the curtain of fashion’s most powerful empire. but those who look closely will notice the quiet contradictions: the way her fingers linger on old photographs a second too long, the fleeting softness when her children laugh, the barely perceptible pause before she says goodbye to someone she once loved. she has spent her life mastering the art of image, of narrative, of illusion. but even a woman like dana cannot edit her own heart forever.
CONNECTIONS LOADING...
marie, toulouse, and berlioz baek, thomas o'malley, anita radcliffe, cruella de vill, jasmine multani, francesca furtuna.
Berlioz Baek ✦ Berlioz ✦ Lee Do-hyun ✦ The Aristocats
KILL THE CHAOS, FIND THE BALANCE
CURRENT AGE: thirty one
SPECIES: human
OCCUPATION: composer and pianist.
AVAILABILITY: open
AROUND WE GO, BERLIOZ BAEK
berlioz baek learned early that silence could be as commanding as sound. as the eldest child of dana “duchess” baek, he was raised in a world where presence mattered... where a glance could shift power, where restraint was often more effective than excess. while the world watched his mother shape fashion into something near-magical, berlioz was watching something else entirely: the spaces between her words, the discipline behind her perfection, the cost of always being composed. he absorbed it all, internalizing the quiet expectation that he, too, would become something extraordinary... not loudly, but undeniably. music was never a choice so much as it was a necessity. the piano became his language long before he found ease in conversation, a place where he could express the emotions he had been taught to temper. what began as structure: scales, repetition, precision, evolved into something far more complex. now a world-renowned composer and pianist, berlioz is known for work that feels almost surgical in its construction, each piece meticulously layered yet emotionally devastating. critics describe his compositions as restrained until they are not, moments of control unraveling into something raw and consuming. his performances are similarly captivating: still, deliberate, almost distant... until the music takes over, revealing something far more vulnerable beneath the surface. there is an unmistakable gravity to berlioz, the kind that comes with being the eldest in a family built on intensity. he carries responsibility like a second skin, often stepping into roles that were never explicitly asked of him. for his siblings, he has always been a quiet constant. the one who shows up, who steadies, who listens. for his mother, he is both her greatest pride and the one who understands her most intimately, though neither of them would ever say it aloud. their relationship exists in a space of mutual recognition: two people who built themselves carefully, aware of exactly what was sacrificed in the process. in his personal life, berlioz is careful, almost to a fault. he loves deeply, but in ways that are measured, intentional. offering presence rather than spectacle, loyalty rather than grand gestures. there is a part of him that fears the chaos he witnessed growing up, the fleeting nature of love that defined so much of his mother’s life. and yet, that same intensity exists within him, buried beneath layers of control. when it surfaces, it is all-consuming. if dana baek is the architect of image and reinvention, berlioz is the architect of feeling. building worlds out of sound, holding emotions others cannot name, and carrying the quiet weight of being the one who never falls apart, even when he wants to.
CONNECTIONS LOADING...
duchess, toulouse, and marie baek, thomas o'malley, ambrosius goldenlion, channing charmont, hercules zervos, victor van dort.
Toulouse Baek ✦ Toulouse ✦ Hudson Williams ✦ The Aristocats
KILL THE CHAOS, FIND THE BALANCE
CURRENT AGE: twenty five
SPECIES: human
OCCUPATION: art curator for the elias museum of history and art / artist
AVAILABILITY: open
AROUND WE GO, TOULOUSE BAEK
toulouse baek has always existed slightly outside the frame. not because he was overlooked, but because he refused to be contained. growing up in the orbit of dana baek meant living inside something meticulously curated, a world where every detail was intentional and every image carefully constructed. for toulouse, that kind of precision felt suffocating. where his mother saw perfection, he saw limitation. where his older brother found structure, he found something to push against. from a young age, it was clear that toulouse would not follow the same rules... not in art, not in life, and certainly not in how he defined himself. his relationship with creativity is instinctual, almost visceral. painting, sculpture, mixed media -- toulouse moves between forms without hesitation, guided more by emotion than by technique. his work is often described as immersive and provocative, pieces that demand reaction rather than passive admiration. as a curator at the elias museum of history and art, he has developed a reputation for challenging traditional narratives, bringing in emerging artists, recontextualizing established works, and creating exhibitions that feel alive rather than preserved. his shows are the ones people talk about sometimes with admiration, sometimes with criticism, yet always with intensity. outside the museum, toulouse teaches at the aurora art center, where his approach is as unconventional as his work. he encourages his students to abandon the idea of perfection entirely, to embrace mistakes, to create without the pressure of being understood. to him, art is not about approval... it is about truth, even when that truth is messy or uncomfortable. his classroom is less about instruction and more about permission, a space where boundaries are meant to be tested and redefined. personally, toulouse is as dynamic as his art. he is magnetic in a way that feels effortless, drawing people in with charm, wit, and a sense of unpredictability that makes him impossible to ignore. he loves boldly, without hesitation, often diving headfirst into relationships with the same intensity he brings to his work. like his mother, he has a tendency to fall quickly, though where dana’s love stories are polished and cinematic, toulouse’s are raw, chaotic, and deeply felt. he does not fear heartbreak. if anything, he seems to accept it as part of the experience. despite his independence, toulouse is deeply connected to his family. berlioz’s steadiness grounds him in ways he rarely acknowledges, while marie’s perspective challenges him to think beyond instinct. with dana, his relationship is more complicated. a mix of admiration, resistance, and an unspoken understanding that they are more alike than either of them would comfortably admit. if dana baek built a world defined by control and image, toulouse exists to disrupt it. adding color where there was restraint, movement where there was stillness, and proving that beauty does not have to be perfect to be powerful.
CONNECTIONS LOADING...
duchess, marie, and berlioz baek, thomas o'malley, cornelious aurion, milo thakker, naveen baksh, aladin ahmad.
