blixa.official With @gutgudrun at the Art Director Club @adc_germany award show in Hamburg
cherry valley forever
The Bowery Presents
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Today's Document
The Stonewall Inn
One Nice Bug Per Day
Fai_Ryy
Mike Driver

Jar Jar Binks Fan Club
Cosmic Funnies

ellievsbear
he wasn't even looking at me and he found me
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gracie abrams
noise dept.
sheepfilms

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Game of Thrones Daily
Claire Keane
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@musentango
blixa.official With @gutgudrun at the Art Director Club @adc_germany award show in Hamburg
Nick Cave and Rowland S. Howard
Einstürzende Neubauten, Propaganda Magazine issue #3, 1984. Photo and text by Fred Berge
The star of House of the Dragon and The Crown will produce and star in the limited series based on Cave’s 2009 novel
Matt Smith to produce and star in an adaptation of Nick Cave’s The Death of Bunny Munro
Du fängst im Taxi an zu heulen, bloß weil ich gesagt habe, dass ich bei dem Konsum in zwei Jahren tot gewesen wäre. Stimmt gar nicht… offensichtlich.
Einstürzende Neubauten Loft (Berlin, Nollendorfplatz), October 29, 1983
source: berlin.museum-digital 📸: Petra Gall (1955-2018) / Schwules Museum Berlin
We were there [in West Berlin] a couple of days when Lydia, out wandering the streets, met Blixa Bargeld and was somewhat fascinated by this stick insect of a bloke in a rubber suit with animal hair stapled to it. She came back to the studio having told this bloke to get his band into the studio, and a couple of hours later, Einstürzende Neubauten turn up with this old truck and start dragging all these rusty steel springs and other metal junk in over this perfectly polished wooden floor. The engineer was having a meltdown!
Murray Mitchell in Lydia Lunch: The War Is Never Over: A Companion To The Film By Beth B by Nick Soulsby
Lux Interior and Nick Cave backstage Perkins Palace, Pasadena, California ‘84
📷 by Chris Amouroux
Birthday Party, 1983
The Birthday Party by Reinhard Kleist
clearly the opinions on music while cooking have changed a little bit…
her-şey-giydir
Nick Cave & Blixa Bargeld, Electric Ballroom, London (November 1984).
We were very young in our twenties, so for us it was very natural to do this. There were a lot of girl bands too. Ten years later I realized, hmm all the boys are making careers, but we are not. It’s strange. We didn’t think about it then but now it is different.
I am a feminist when it comes to that! I think especially in the music industry it is very important to hear female voices because they are not less talented than men.
Gudrun Gut for NeoL Magazine, 2019. Photos by Noel Richter [X]