lc- 25 - performative- she/they
Claire Keane

gracie abrams

❣ Chile in a Photography ❣
TVSTRANGERTHINGS
Game of Thrones Daily
Stranger Things
almost home
NASA
he wasn't even looking at me and he found me

#extradirty
noise dept.
$LAYYYTER

Kiana Khansmith
I'd rather be in outer space 🛸
KIROKAZE

oozey mess
Cosmic Funnies
untitled
hello vonnie

Product Placement

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@antichrist-starscreen
lc- 25 - performative- she/they
posts i think about: thursday edition
I don’t think there’s anything inherently wrong with relating to characters, “they’re literally me” etc but if that’s the only way you engage with stories you’re kinda missing the whole point of Characters being vehicles through which we can see perspectives outside of our own. and also you’re going to get upset when the Character acts in a way that is not Personally Relatable to You
immortalizing this
& more
eating disorders and abortions are two things that are like, spoken about in most mainstream discourse as though they are pretty rare and aberrant, but then when you’re actually friends with a lot of women you come to find out that they are extremely extremely common and kind of banal & mundane
big fan of telling people "have fun" when they say theyre going to the restroom
Gaga couldve just said lets have some fun this beat is sick i wanna take a ride on your penis dick. But she went with disco stick because shes a what? poet.
Jurriaan van Hall - Panorama. 1992
Pink Narcissus - James Bidgood, 1971
Ayo Edebiri by Jaša Müller for Paper Magazine
Obsession behind the scenes
"I was really obsessed with this Romeo and Juliet ending, actually. We shot both; we shot this ending that you see in the movie, and we shot the ending where she ends it all. We had shot a ton of different versions of the official ending, the one that's in the script, the one that I was excited about, and I was like, Okay, we'll do one ending where Nikki survives, but we'll just do one take of it, and then we'll move on. You see her coming to this realization that she's alive again, and she's looking around the room, and she looks so disturbed, and I just remember my dad and multiple people around me being like, 'Dude, I think it's way more disturbing if she just survives this thing.' I was like, 'Ah, you're right.' And so we switched it." – Curry Barker
In Obsession (2026), Nikki’s transformation is reflected through costume design. Each new look moves her further away from who she once was, gradually shaping the ''Freaky Nikki'' persona, where her appearance becomes an extension of her obsession.
the sex binary is socially constructed and not actually descriptive of any biological truth. you know that, right? it's important to me that you know that
i know people can be a little overzealous in describing political backslides ("this used to be the feminism website!!!" etc.) but it's disturbing to me how much incredulity i've gotten from other trans people as of late just for, like, saying that "biological woman" is neither a real category nor a phrase that should ever leave your mouth uncritically