
Origami Around
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Doug Jones
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@theartofmadeline
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occasionally subtle

tannertan36

Game Changer & Make Some Noise
Today's Document

oozey mess
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#extradirty
Sweet Seals For You, Always
cherry valley forever

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$LAYYYTER

if i look back, i am lost

shark vs the universe

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@mushroomromance
all btvs episodes rated ⚰️ #138 4.17 superstar
I disturbed his nap
http://www.wsj.com/articles/BL-LB-51793 This is honest to god one of the funniest things I think I have ever seen. The idea of giving a baby a theme party based on a local personal injury attorney is something i am so jealous of I dont know how to properly put it into words. Also the fact that the lawyer didn’t come to the party somehow makes it even funnier.
this is the kind of content i came here for
he didnt come to the party because he sees the baby as a future opponent
𝐄𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐰𝐢𝐥𝐥 𝐭𝐮𝐫𝐧 𝐨𝐮𝐭 𝐚𝐥𝐫𝐢𝐠𝐡𝐭 . 𝐘𝐨𝐮 𝐜𝐚𝐧𝐧𝐨𝐭 𝐬𝐭𝐨𝐩 𝐢𝐭
Hugo Simberg, The Garden of Death, 1896.
Every time I see this I always wonder what the painter’s intended message was. It looks so pleasant, that middle skeleton looks so happy with its work.
Maybe it’s supposed to be a memento mori, but a comforting and encouraging one.
This is one of the most famous paintings in Finland. There are multiple interpretations of it but they all share the same base idea:
“According to Simberg, the flowers represent people’s souls, the skeletons are aids to Death, and the Garden of Death is a purgatory of sorts for souls waiting for entrance into heaven. This artwork invites the viewer to consider the afterlife, to take comfort in his or her own passing, and to not fear what happens after the body fails to function.”
“It depicts Simberg’s thoughts on afterlife, which is not run by angels but skeletons who take care of the heavenly garden with a gentle hand, while waiting for more “gardeners” to arrive. It is derived from the medieval belief that the dead sleep in a blooming garden.”
“In Simberg’s garden the humble Death-like figures struggle against harsh conditions; the landscape around the garden has burnt yellow, it is dry and barren. The cherished flowers grow in exotic shapes, slowly, requiring constant care. The black-clad figures love their nurslings. The garden is a place where Death is allowed to realize its feelings of affection. The Garden of Death can be seen depicting the impossibility of this love; maybe the flowers are tender and fragile because they can not handle the love of Death. Love has two faces: one of them is the face of devastation.”
Out of all the comments I’ve posted on this site this is my favourite. The notes are just full of people showing pure love to the Finnish Skeleton Gardeners.
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This is a link to my final year university project questionnaire, it’s on sustainable fashion and would mean a lot if you could fill it out!
via weheartit
This shot of Jenna Marbles in her Leisure Suit™️ (feat. Kermit) radiates obscene amounts of Big Dick Energy.
A sequel
The inevitable conclusion