What this blog is
This is a personal log of looking at music through audio features such as tempo, energy, valence, and others.
No rankings. No “good” or “bad”.
Just notes on what numbers quietly suggest.
YOU ARE THE REASON
The Bowery Presents

@theartofmadeline
Xuebing Du
I'd rather be in outer space 🛸

Discoholic 🪩

shark vs the universe

No title available
Today's Document
One Nice Bug Per Day
h

Jar Jar Binks Fan Club
Lint Roller? I Barely Know Her

Love Begins

gracie abrams
Sade Olutola
Show & Tell
he wasn't even looking at me and he found me
Misplaced Lens Cap
Keni
seen from Singapore
seen from United States

seen from Poland

seen from Singapore

seen from Japan
seen from Philippines
seen from Australia

seen from Vietnam

seen from T1

seen from Singapore
seen from Peru

seen from Bangladesh

seen from United States

seen from Malaysia

seen from Belarus
seen from Tunisia
seen from Germany
seen from Greece

seen from Indonesia
seen from United Kingdom
@music-as-data
What this blog is
This is a personal log of looking at music through audio features such as tempo, energy, valence, and others.
No rankings. No “good” or “bad”.
Just notes on what numbers quietly suggest.
What the numbers suggest: four Peel the Apple tracks
This post is an attempt to read what audio features suggest, not about quality, but about roles inside a group.
Using tempo, valence, energy, and danceability, I looked at how four Peel the Apple tracks function differently. Related: → Listening to Peel the Apple as data
全体像:
同じグループでも、速度・明るさ・踊れ具合で「曲の用途」が違うことがデータから見えた
Listening to Peel the Apple as data
Peel the Apple (selected tracks)
This is a small comparison of several Peel the Apple tracks, looking at tempo, energy, and valence.
No interpretation yet. Just placing the numbers side by side.
Method (examples): commands and code
This post provides minimal examples of how track data and audio features
are collected and compared for music-as-data.
Method: how the data is collected
I initially planned to use Spotify’s official Web API, specifically Get Track’s Audio Features.
However, due to API restrictions and authorization issues, accessing audio features consistently was not feasible.
Instead, I am using ReccoBeats as an alternative data source.
https://api.reccobeats.com