What this blog is
This is a personal log of looking at music through audio features such as tempo, energy, valence, and others.
No rankings. No “good” or “bad”.
Just notes on what numbers quietly suggest.
PUT YOUR BEARD IN MY MOUTH

izzy's playlists!

No title available

★
Show & Tell
wallacepolsom
h
taylor price
hello vonnie
Lint Roller? I Barely Know Her
Stranger Things

祝日 / Permanent Vacation
$LAYYYTER

⁂
No title available
No title available
KIROKAZE
Sweet Seals For You, Always
Three Goblin Art

Discoholic 🪩

seen from Germany
seen from Australia
seen from United States

seen from Türkiye

seen from Malaysia
seen from United States
seen from Brazil

seen from Uzbekistan

seen from China

seen from Australia

seen from Taiwan

seen from United States
seen from Indonesia

seen from United States

seen from Italy
seen from Italy
seen from United States

seen from United States

seen from Germany
seen from United States
@music-as-data
What this blog is
This is a personal log of looking at music through audio features such as tempo, energy, valence, and others.
No rankings. No “good” or “bad”.
Just notes on what numbers quietly suggest.
What the numbers suggest: four Peel the Apple tracks
This post is an attempt to read what audio features suggest, not about quality, but about roles inside a group.
Using tempo, valence, energy, and danceability, I looked at how four Peel the Apple tracks function differently. Related: → Listening to Peel the Apple as data
全体像:
同じグループでも、速度・明るさ・踊れ具合で「曲の用途」が違うことがデータから見えた
Listening to Peel the Apple as data
Peel the Apple (selected tracks)
This is a small comparison of several Peel the Apple tracks, looking at tempo, energy, and valence.
No interpretation yet. Just placing the numbers side by side.
Method (examples): commands and code
This post provides minimal examples of how track data and audio features
are collected and compared for music-as-data.
Method: how the data is collected
I initially planned to use Spotify’s official Web API, specifically Get Track’s Audio Features.
However, due to API restrictions and authorization issues, accessing audio features consistently was not feasible.
Instead, I am using ReccoBeats as an alternative data source.
https://api.reccobeats.com