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Stranger Things
Sade Olutola
Peter Solarz
Fai_Ryy

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official daine visual archive

titsay
art blog(derogatory)

pixel skylines
NASA
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Discoholic 🪩
Cosimo Galluzzi
EXPECTATIONS
PUT YOUR BEARD IN MY MOUTH
TVSTRANGERTHINGS

ellievsbear
Lint Roller? I Barely Know Her

blake kathryn
seen from Netherlands
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@musingsofaclosetnarcissist
Mermaid at Hampton Court (by ukjohn)
Clearwater, Florida, 1926
Naomi Campbell for Vivienne Westwood, 1994.
Diana Ross on the set of The Hollywood Palace, 1968
Karl Struss (1886-1981) - Silhouette Row Boats - Moonlight - Arverne, 1910
“Ghost” 1899
When I was a little girl I read fairy tales. I dreamed of being Cinderella. I grew up imagining—fantasizing— with an obviously tremendous need to love and be loved, to be carried off to a dream house by a dream prince. I was a full-blown romantic. I think I dreamed those dreams, was transported to those places, because I had grown up in a loving but exclusively female household where there were no man-woman relationships to emulate. I didn’t know what romantic love was all about. But I wanted it— oh, how i wanted it! Imagine what I felt when my prince did arrive! There couldn’t have been a more romantic time than Bogie’s courtship of me and our first three and a half years together. Gradually I learned how to live with a man— what it meant to share your life. With a nonexistent father in my background, I didn’t know that I could ever trust a man. Of course, I learned quickly that I could trust Bogie; then, painfully, that I could not trust some who followed him. I marvel at the fact that I still believe there might have been a man I can trust again. I don’t mean physically, though that counts for a great deal. Womanizing, being predictably one who is unable to build a relationship with one woman and make it stick. To trust your partner, to nourish the partnership— care and feeding being of prime importance. I learned early on the value of a phone call: keeping it alive, keeping it fun. I’ll never forget the excitement I felt when I heard the key turn in the lock of the front door; or when the call came at the expected hour; when the kiss became an enveloping desire. Those feelings— the catching of breath— I refuse to believe will never come again. And the greatest gift is the sharing of laughter. I cannot fathom a life without laughter. All my life I have had, with a bow to Noel Coward, a talent to amuse. My consistent gift has been to make men laugh. That might not be such a good or deliberate quality— to the men, that is. But to me, to be in love with a man and to share laughter is the best possible combination of emotions. For me ideal, for me necessary.
William Hatherell, O, Romeo, Romeo, Wherefore Art Thou Romeo (1912)
Wait Until Dark (1967)
Paris mornings
The singer via Wassily Kandinsky
A doll party, late 1800s