I’ve made an oath to never watch Adam Sandler and you should too!
someone has to watch him at all times or he will escape
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Fieri Frames
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Not today Justin
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PUT YOUR BEARD IN MY MOUTH
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TMBGareOK. The Official They Might Be Giants tumblr
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"I'm Dorothy Gale from Kansas"
Lint Roller? I Barely Know Her

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The Bright Sessions
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@myrnamountweazel
I’ve made an oath to never watch Adam Sandler and you should too!
someone has to watch him at all times or he will escape
Itd be funny as fuck if the world operated like how people with social anxiety think it does. Like what if you got on a bus and everyone was like wow look at that piece of shit loser. Get off the bus you ugly bastard
I’m trying to stop being a hater but it’s just so hard……..when there are so many things………….that need my hate
thinking about atla thematics as usual and fascinated by how many fans insist they wanted aang to “grow up” more at the end of the series without considering how one of the show’s major themes is the terrible ways war and imperialism rob people of their childhoods. one of aang’s major gifts to every single character is restoring a piece of their lost or stolen or brutalized childhood. aang reminds katara there’s still joy in the world, and fuels her hope. he brings wonder to sokka’s life with his flying bison. he sees zuko not as a terrifying enemy but as a boy he might have been friends with and had fun with, he offers toph a way out of her repressive home to have the adventures she’d been longing for, and all these characters rise to fulfill their destinies through honoring their inner child - the parts of themselves that are hopeful, kind, gentle, fierce, innocent, deserving of protection - and breaking the cycles of violence and abuse that interrupted their childhoods. azula was convinced she had no need for her inner child, and killed aang in cold blood in ba sing se, after which she slowly but surely lost everything she cared about, including her sense of self. and finally, aang shows ozai mercy, thematically reminding the latter that the children he tried to kill and brutalize are a force capable of rising above petty violence, and reshaping the world. you could even argue that the original rupture in the mythos was when both sozin and the air nation sought to rob a child of their right to childhood - sozin by hunting a child, the air nomads by hastening aang out of his childhood so he could help them - and that balance is restored when aang, who represents the world’s lost gentleness and mercy, and upholds values that a war torn world regards as “childish” and “immature”, manages to end the war with a gesture that honors those values and affirms everyone’s right to a safe and loving childhood, to a life free of violence.
Throughout the show, we see Aang struggle with the idea of obtaining unlimited power, while simultaneously staying true to who he is - a fun loving, accepting, sweet boy. Aang never wished to be the Avatar, but he is, and he cannot neglect his responsibility to the world. To us, we might see the Avatar State as some awesome godlike power, and in some ways it is, but the show diverges what we would expect by having Aang fear it. Aang’s victory at the Northern Water Tribe with the help of the ocean spirit is not treated as an amazing accomplishment, but rather, something that haunts Aang throughout the second and even third season. He often has nightmares about it, and about the destruction he is capable of. He does not enjoy the fact that his body can be used as a vessel for all of the previous Avatar’s, rendering him as more or less an empty shell that will do their bidding. Through out season two, the question becomes: is it better to use your unlimited power to end the war, or to try and stay true to the things which make you human?
Aang faces these questions head on, much like the element of the season: Earth. He is pressured in the first episode of seaosn two to use the Avatar State to his advantage, even if it means going against the person he is. Katara says, “I’m not saying the Avatar State doesn’t have incredible, and helpful power... but you have to understand... for the people that love you, watching you be in that much rage and pain is really scary.”
In the episode The Desert, we see Aang’s grief over the loss of Appa, yet another sacrifice he unwillingly makes to the world, force him again into the Avatar State.
As Aang battles internally with whether to choose emotion vs. power, toward the finale of season two, he is asked to make another sacrfice, and asks a very valid and important question:
Aang’s decision at first glance might seem like a foolish one to make, to choose attachment rather than godlike power, but his choice is affirmed by Iroh. “Perfection and power are overrated. I think you are very wise to choose happiness and love.” Aang, a character who has been forced to sacrifice everything he has for the rest of the world, is now being asked to give up one of the biggest attachments he feels, and asks with good reason as to why he should have to. How is it fair for him to have to sacrifice everything for everyone else? This plays out on an even bigger scale in season three, as Aang is pressured to give up his own morality and cultural views for the rest of the world. Sadly, his wish to not give up his love for Katara does not last, because Aang is not allowed to have a choice. He is forced in his battle with Azula, Zuko, and the Dai Li to let go of his earthly attachments, and his love for Katara, forced to choose power over emotion.
This moment is not painted as a positive thing, but as a tragedy. Aang is a boy who has experienced unimaginable loss, sacrificing his culture, his entire sense of belonging, and now finally the love which he feels in order to try and rise to the responsibility of saving the world. It is only seconds after he makes this sacrifice that he is killed by Azula. Typically, we would see a main character, or any character really, gaining power to defeat an enemy as something good or as something to celebrate, but not in Avatar. This moment is heart breaking, and his death that follows moments after is even more so.
Aang being forced to strip himself of all that he is is not treated as a good thing, and he is for lack of better words, punished for being forced to choose power over love. One of the reasons this specific battle is so emotionally driven isn’t only because Aang dies, but because Katara is present. Aang might have felt that it were in his best interest and in hers to let her go to reach his full potential of the Avatar State, and he does accomplish this, but it is Katara who does not let him go. Devestated, she creates a giant wave as she rushes to catch him as he plummets to the ground, not even caring if she were to drown the Dai Li, Zuko, or Azula in the process.
Katara tries to heal him, and it seems as if he truly is dead as she sobs over his body, before he comes back to life. Aang is saved not because he is somehow lucky, or because Katara is simply an amazing healer, but because Aang has someone in the world who loves him deeply.
Aang is given a second chance at life because Katara gives it to him. It is Katara’s unwavering belief, support, and love in Aang which not only broke him out of the iceberg, bringing the Avatar and the symbol of hope back to the world, but that also brings his soul back to his body at the end of season two, launching his character into his last and final arc of the show: staying true to his beliefs and emotions despite the demand to assert unlimited power where compassion and forgiveness should be.
In the first episode of season three, Katara and Aang exchange a short moment of dialogue that is very powerful in meaning, both for each character and also for a huge theme of the show:
Aang: I went down. I didn’t just get hurt, did I? It was worse than that. I was gone, but you brought me back.
Katara: I just used the spirit water from the North Pole. I don’t know what I did, exactly.
Aang: you saved me.
Aang’s character development has always been interesting to me, specifically in the way it tackled the theme of having unlimited power. He is very much a character that sacrifices, and then sacrifices some more, but is never really rewarded for doing so. The contrast between the Crossroads of Destiny, season two episode 20, and Avatar Aang, season three episode 21, will always fascinate me. Zuko comes to a crossroad in the finale of season two, but Aang does as well. Both Zuko and Aang make the wrong choice, Zuko siding with Azula, and Aang trading a part of himself to obtain power.
Contrast the Crossroads of Destiny to Avatar Aang, where Aang goes from having a decision made for him to making his own decision and standing by it. He is first forced to choose power, which ultimately gets him killed. But by the end of the show, Aang has learned that no one can make his decisions for him, nor do they have the right to. Aang is pressured by everyone excluding Katara, to make the choice to kill Firelord Ozai, which would be his ultimate sacrifice - giving away his own morals for the world. But Aang has learned better by now, and refuses.
By standing strong on his decision to stay true to his own beliefs and morals, he is finally rewarded with the knowledge of energy bending, a skill no previous avatar had encountered. Aang demanded a third option repeatedly, refusing to cave to what others expected of him; for him to use unlimited power to end the war. To end violence with more violence, something Aang feared and avoided as much as possible. Aang is told by Ozai that he is weak regardless of being the avatar, but Ozai is a man who has let power consume him, completely erasing whatever morals he may have had prior. Aang, however, is a character that strikes me as so strong not because he is the avatar, but because of his spirit.
"The true mind can weather all the lies and illusions without being lost. The true heart can tough the poison of hatred without being harmed. Since beginning-less time, darkness thrives in the void, but always yields to purifying light. To bend another’s energy, your own spirit must be unbendable, or you will be corrupted, and destroyed.”
Aang, through trial and error, finally develops into a fully realized avatar, mastering the Avatar State and the power he possesses, while refusing to let it change any aspect of who he is.
We end the show with this being one of the last moments of Avatar Aang we see, as he has this moment of true peace. He affirms to us that sometimes, holding tight to the things that you love and believe in, and that make you who you are, are the most powerful actions you can take in life. That the world cannot take the things that you believe in, that it cannot take away your spirit so long as you do not let it.
#this is such an excellence #thank you for breaking it down so well #especially the crossroads of destiny episode #which a lot of aang haters jump on #(and a lot of one sided azula fans too but that's another post) #and honestly even tho i instinctively *knew* this about power/humanity as a theme of the show #i hadn't put two and two together wrt to crossroads specifically #but my god it's a direct parallel to literally the first episode of book 2 #when that crazy general wanted to turn aang into a weapon of mass destruction #guru parthik was incredibly wise and helpful #but even he didn't understand aang's destiny/ what aang needed to become not just a fully realized avatar but a fully realized self #and this theme of power vs humanity comes perfectly around in the series finale #when aang learns to finally control the avatar state - not by severing all earthy attachment but by holding fast to the core of who he is #an air nomad and an avatar #meanwhile azula gets all the power she sought #she's crowned firelord and sozin's comet makes her even more incredibly powerful #but it's cost her her humanity #as well as the human beings she had around her #and this imbalance breaks her #because power balanced with humanity/humility is one of the major themes sagdkaskfa i love good writing so fucking much #anyway op you are so fucking valid #aang
friendships that last more than a lifetime
friendships that last more than a lifetime
the universe decides to punished humanity
Tell me this also didn't happen
god its 10 pm whats next 11 pm
well guess what just fucking happened
Joo Dee after the Avatar Squad ask about it for the 15th time in an hour
tired: jasper graduating in eclipse even though he’s definitely a grade ahead of ed and bella in twilight is a continuity error
wired: jasper graduating in eclipse even though he’s definitely a grade ahead of ed and bella in twilight is because he’s a fucking moron
YAS GO GIRL ASTRID!
Crazy Rich Asians (2018)
Apparently they’re making another one about her story with Harry Shum Jr. and I’m SO HYPED
OH MY GOD YES. YES. YES. YESSSS.
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