PUT YOUR BEARD IN MY MOUTH

JVL
d e v o n

Love Begins
No title available
KIROKAZE

Discoholic 🪩
let's talk about Bridgerton tea, my ask is open

祝日 / Permanent Vacation

Janaina Medeiros
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
No title available
🪼
noise dept.
I'd rather be in outer space 🛸
Show & Tell
trying on a metaphor
Cosimo Galluzzi
hello vonnie

seen from Spain

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seen from United States
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seen from Czechia
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seen from Spain

seen from United States

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seen from Malaysia
seen from United States
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seen from Malaysia
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@nancyclemm
God Only Knows - BBC Music
WATCH: Ingenious Hack for Sketching with Two Point Perspective Using an Elastic String [video]
Oh look… MORE AWESOME SHIT NOBODY TOLD ME IN ART SCHOOL
what the fuck this changes everything
Hedwig and the Angry Inch (2001) dir. by John Cameron Mitchell
House of Flying Daggers (2004) dir. by Zhang Yimou
The Mirror (1975) dir. by Andrei Tarkovsky
The Mirror (1975) dir. by Andrei Tarkovsky
The Handmaiden (2016), dir. Park Chan Wook
The Kingdom of Dreams and Madness (2013), dir. Mami Sunada
When will this heat be OVER?
Carrie Brownstein and Fred Armisen ig @ alexandravalenti
Coruscant, appearing in The Phantom Menace (1999), Attack of the Clones (2002), and Revenge of the Sith (2005), bears strong visual similarity to the futuristic Los Angeles of Blade Runner (1982). This echoing connects the two as places dominated by the profit concerns of large organizations, be it the Trade Federation or the Tyrell Corporation, and as a people who are collectively oblivious, apathetic even, to the plight of the artificially shortened clone trooper and replicant lives manufactured to serve their interests.
Marie Antoinette (2006)