Draak
Studie naar de tekenstijl van Nico Marlet. ©2026 Naomi Bousson

PR's Tumblrdome
Lint Roller? I Barely Know Her
sheepfilms
will byers stan first human second
ojovivo
todays bird
Show & Tell
One Nice Bug Per Day
NASA
occasionally subtle

No title available
h

tannertan36
official daine visual archive
cherry valley forever
Game of Thrones Daily
YOU ARE THE REASON

izzy's playlists!
Misplaced Lens Cap
Not today Justin
seen from United States

seen from Russia
seen from China
seen from Canada
seen from Venezuela
seen from Türkiye

seen from Brazil

seen from Malaysia

seen from United States
seen from United States
seen from Malaysia

seen from Singapore

seen from United States
seen from Germany
seen from Peru
seen from Brazil
seen from Brazil
seen from Brazil

seen from Malaysia

seen from United States
@naomibousson
Draak
Studie naar de tekenstijl van Nico Marlet. ©2026 Naomi Bousson
Jimothy ©2026 Naomi Bousson
Everzwijn ©2026 Naomi Bousson
Ambetanterik Aquarel op katoenpapier Naomi Bousson © 2026
Lomperik Aquarel op katoenpapier Naomi Bousson © 2026
Clear as Crystal
(c) gifs by riverwindphotography, March 2025
I’ve been thinking a lot lately about how frustrated I am with social media in the sense that not only do I hate that my attention is a product, but also that it has manipulated me into thinking that I am a brand and that I need to advertise myself on my social media accounts in some way. And while I am super aware of that, I also find it surprisingly hard to let go.
I’ve been thinking for weeks about (trying to) get back to the basics; removing my real name and using a made-up username instead, not analyzing what I post where and when and whether it fits into the ‘aesthetic’. Just carelessly reblogging the posts I like, and not worrying about whether the little bit of art I post will bring me success or not.
It’s really just a small step, and yet I can’t seem to take it.
Quilt 1885
Artist/maker unknown, American Made for Sarah Minturn Bacon Edge (American, 1853–1916); made for Jacob Valentine Edge (American, 1841–1913)
Medium: silk and cotton blend satin, silk floss and chenille embroidery, silk cord trim with cotton core, cotton batting, silk taffeta lining
Philadelphia Museum of Art
Akhal-Teke
Adobe Photoshop Naomi Bousson © 2024
ID credit: 1805712971 on 小红书
(please like, reblog and give proper credit if you use any of my gifs!)
Houten nijlpaardje, souvenir uit Centraal-Afrika Grafietpotlood op papier
© 2024 Naomi Bousson
Orthoceras fossiel Grafietpotlood op papier
© 2024 Naomi Bousson
Geluksbrenger Grafietpotlood op papier
© 2024 Naomi Bousson
Parel (studie) Photoshop en Wacom tablet
Glazen karaf (studie) Aquarel in schetsboek ©2024