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US Vogue June 1950
Grès Haute Couture Spring/Summer 1950 Collection. Régine Debrise wears a dress of exceptional brilliance, the result of combining two contrasting colors: red and green silk organdy; the shawl collar extending into deep points at the back. Photograph taken at the Parisian home of Madame Georges Menier. To enhance this dress: the red of Barbara Gould's "Rampage Red" lipstick and nail polish.
Grès Collection Haute Couture Printemps/Été 1950. Régine Debrise porte une robe d'une brillance exceptionnelle, fruit de l'association de deux couleurs opposées : l'organdi de soie rouge et vert ; le col châle se prolongeant en pointes profondes dans le dos. Photographie prise dans la maison parisienne de Mme Georges Menier. Pour sublimer cette robe : le rouge du rouge à lèvres et du vernis à ongles « Rampage Red » de Barbara Gould.
Photo Norman Parkinson
Yet another new study debunked the basis for the anti-trans sports bans. It was never about sports but for creating legal avenues for exclusion and abjection. This is one of the largest analyses ever conducted, involving 52 studies and 6,485 trans people. Read the study here.
post so nice had to reblog it twice and force it down everyone's throats
At minimum about 4.5 thousand people liked this without reblogging it.
We gotta fix that.
US Vogue April 15, 1954
Dress, in pristine white Everfast cotton, adorned with green, blue, and pink patterns. By Lanz Originals. The blue stucco walls are part of a radiant-heated patio in Bel Air, designed by Burton Schutt.
Robe, en coton Everfast blanc immaculé, ornée de motifs verts, bleus et roses. Signée Lanz Originals. Les murs en stuc bleu font partie d’un patio chauffé par rayonnement à Bel Air, conçu par Burton Schutt.
Photo Karen Radkai
Vision Hosiery 1951
Dress by Herbert Sondheim
Do you know what its like to be trans?
Audrey Hepburn by Norman Parkinson, Vogue US, 1955