everyone shut the fuck up iâm trying to focus on my diabolical homosexual thoughts
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@naoseavexe
everyone shut the fuck up iâm trying to focus on my diabolical homosexual thoughts
Vai saber?
Resolvi recepcionar tudo aquilo que nĂŁo sei.
Tudo que nĂŁo sei sobre mim, sobre vocĂȘ, sobre o mundo, o universo.
Resolvi, mas não para ficar sabendo, sem a pretenção de saber, apenas recepcionar, dar um cheiro, um calor, um quarto, abrigar.
E abrigar bem, num quarto com lençol cheiro, recém lavado com o cheiro do amaciante que mãe usa, sabe?
Quarto esse sempre de portas abertas, livre circulação, livre da supostamente bendita compreensĂŁo, romantizado laço, maldita seja a violĂȘncia "civilizatĂłria", essa que livremente jĂĄ iniciou muita histĂłria.
E incenso! Incenso com aroma de silĂȘncio... esse eu nĂŁo conhecia e segue desconhecido, e por isso a tempos jĂĄ somos Ăntimos amigos.
Resolvi dar um chĂĄzinho para tudo que nĂŁo sei, afinal, imagina: cafĂ© agitaria tudo que nĂŁo sei sobre placas tectonicas, vulcĂ”es, vocĂȘ... Imagina a confusĂŁo.
Imagina! Porque para conhecer até pode ter limite, mas para imaginar... aà tem também, ainda mais depois de certa idade que ficamos achando que conhecemos coisas demais, que se sabe de algo.
O chå eu faço de hibisco, ou cidreira, ou da primeira coisa que eu veja e não seja o seu olhar. Imagina os riscos de querer mergulhar numa garrafa térmica verde limão de 300 mililitros?
Absurdo, antes mesmo de começar a preparar a bebida eu jå teria me perdido em alguma de suas constelaçÔes, sem nenhuma previsão de me encontrar, ou ideia de tal pretenção.
E sem saber onde estou eu seguiria estando, porque sem saber quem sou sigo sendo e sem saber quem és eu sigo.
E com tudo que nĂŁo sei em saudĂĄvel abrigo, me encontraria despreocupadamente comigo me desencontrando do eu que digo e quem sabe contigo?
Vai saber...
fantasma
o mistĂ©rio que posso contar talvez mais curioso que misterioso Ă© como fantasmas podem ser nĂłs mesmos Ă nos mesmos numa assombrosa corrida a um sentido que ninguĂ©m repito: ninguĂ©m sabe qual Ă© nem sequer se ele existe de fato para mal, para bem no fim pouco importa a quem todo o caminho suspenso alinhamento fio constituĂdo num Ășnico ato:
o esperançar
conversa
admitir o que sinto por ti seria dar voz ao vulcĂŁo que, nĂŁo me pergunte como descobri submerso
a surpresa de fato é como tal força não conseguiu ainda me tomar por todo; desfazer controverso
arte sensĂvel que vem ensinando-me com a atenção de criança a brincar com diferente universo
achar seus rios encaminhar, sem barragem ou contenção o doce, salgado, åcido dedilhado imerso
aconchegante chegar não sendo nenhuma contradição o desembocar sem pressa em perverso verso
aflito teimoso pulsar insiste mirar na possĂvel destruição de olhos fechados o ar consegue entrar se faz possĂvel o inverso
a verdadeira novidade saborosa subversĂŁo simples abrir de porta, perna, sentidos sem preocupar-se com nexo
y did u go away?
loneliness drunk
what hits most and deepest
screams the lack of proof
hit et nunc
says the tattoo
but here and now
all i've got
are memories
thin air
fading at its best
the faith that kept the belief
of finding arms
and something more
that one true encounter
body and soul
and its trickiest bit
that they would stay
it's so hard to open some doors
to let it flow
just do it
as learning how to breathe
so easy when you just say
but as you act
everything inside and out
reminds you the lack
it dances with the spark
that enlightens the path
of others
towards me
it comes and goes
dangerous waltz
of to be or not to be
playing with no glee
with the - apparent -
impossibility of anyone
truly reaching in
As a demiromantic lesbian Iâd like to claim Ellie Chu as one of us đ
Movie: The Half of It (2020), Netflix
BuquĂȘ de azaleias
sorrio a ti sorriso cansado como que desenhado na areia
em tempos longĂnquos
e como sobrevivente de gelada e rude correnteza e ainda assim
um insolente, insistente se mantém pronto para o quase olvidado afago
e sua boa amiga Delicadeza
(06/01/2022)
VocĂȘ
Com suas longas melodias
E um certo vĂcio de
desculpas igualmente extensas
Eu
farei tudo que posso para
que teus olhos mĂopes vejam
que nĂŁo sĂŁo necessĂĄrias
Seja pelo refrĂŁo
Ou sĂșbita decisĂŁo pelo silĂȘncio
(Tipo um soluço voluntårio, esse aqui de fato me irrita)
Ou desviar os olhos, com um sorriso contido
(Breve observação: não o contenha,
Nem ele, nem tequila,
Nem a dança,
Nem nada em si)
VocĂȘ
Ă do tamanho que se permitir ser
Não deixe tal decisão na mão de ninguém mais
Mas que seria agradĂĄvel
Te ter em minhas mĂŁos e eu nas tuas,
seria, nĂŁo vou negar
(25 de junho de 2020)
You always know when "girl stands up to mansplaining" scenes are written by men (or written for men) because it'll paint women in a bad light by having the female character rudely overreact to completely innocuous statements like "good luck" or "here take this, it does that."
Like I'll see scenes where a guy character will say something like oh hey you should take some armor and be careful out there! And the woman immediately goes, "đ€ŹI KNOW THAT, MANSPLAINERđĄ," as if those are the kinds of things that women are getting mad aboutâas if women are really out there screaming at every person who shows them concern. Instead of like... women getting mad at continued, useless, and unsolicited advice given to them by a man who is clearly just doing this to feel a sense superiority
The worst part is how many people call that feminism in media when it really just perpetuates the image of women as irrational and portrays their concerns as an overreaction
Representing feminism as something detrimental is worse than not representing feminism at all
I was rewatching Jurassic World yesterday on Netflix because I missed the dinosaurs but was disappointed to remember how aggressively misogynistic the writing of Owen (played by Chris Pratt) and Claire (played by Bryce Dallas Howard)âs relationship is. When a large dinosaur escapes and Claire wants to go look for her nephews, who are lost in the park, Owen treats her so badly that without context, youâd recognize it as harassment. During their entire time together, Owen shuts her down, straight up tells her to shut up, looks down on her attempts to change her outfit to something more practical, corrects her on everything, gives her orders and becomes more aggressive if she doesnât follow them, and even âeducatesâ her on dinosaurs (something he shouldnât have to do, because she has already studied dinosaurs for years). But the movieâs writing truly tries to normalize and justify it all with the fact that âoh, itâs because he has more practice with dinosaurs, while she only has theorically. he is being the logical type here and sheâs just hysterical for asking him not to tell her what to doâ. When men write relationships or scenes like that between male and female characters, it really isnât difficult to understand that the message the piece of media is trying to pass to women and girls is âMake sure to always listen to men. Men always know what theyâre talking about, and they always know it better than you. Men always know whatâs best for themselves, and for you, and better than you know whatâs best for yourself too. You see how detrimental, whiny, ungrateful, irrational and hysterical those female characters are? You donât want to be the real life version of that, do you? You donât, so be obedient to men.â
âThe best advice Iâve ever received: âno one else knows what they are doing either.â
â Charles Bukowski
Did you ever feel whatâs like to be loved?
Creio que não - não por falta de fé - só que esse escorrer por minhas paredes, tetos, e pior: muralhas e portÔes
tal sĂștil alerta de inundação nunca passou pelo quente de meus olhos nem penetrou pele, e melhor: muralhas e portais
esse lĂcor do cuidar, do afagar, afogar, chupar, gota a gota se entregar e entĂŁo frescor, silĂȘncio do estar
SerĂĄ que tenho medo da ĂĄgua?
âThe longer and more carefully we look at a funny story, the sadder it becomes.â
â Nikolai Gogol (via thoughtkick)
Monster + Bubbline kiss
everytime I remember that lesbian couple that have a marble statue of the two of them embracing and sleeping on a bed together over where their graves will be because the artists didnât believe they would be able to be married before they died, so what they couldnât have in life they could have in death, I fucking breakdown
memorial to a marriage; patricia cronin
âon july 24th, 2011- the first day that same sex marriage was legal in new york state, particia cronin and deborah kass got married. that same year the marble âmemorial to a marriageâ was replaced with a bronze version. rainwater pools in the space between their two sculpted bodies, and falling leaves catch on the metal in the autumn. the two women sleep peacefully through snow and ice, and the scorching days of summer. over time the hands of cemetery visitors will wear down the bronze, burnishing it into a smooth shine. one day this will mark the final resting place of the two women. and someday people will have to remember that there was a time, long ago, when this was a memorial to a marriage that two women never thought theyâd have.âÂ
-Â Caitlin Doughty, on the Death in the Afternoon podcast