Background art for The Aristocats (1970)
sheepfilms
Claire Keane
Aqua Utopia|海の底で記憶を紡ぐ
almost home

blake kathryn

Discoholic 🪩
Cosmic Funnies
Cosimo Galluzzi

ellievsbear
$LAYYYTER
No title available

Product Placement
Alisa U Zemlji Chuda

roma★
Mike Driver

@theartofmadeline
Game of Thrones Daily
Keni
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation

seen from Australia
seen from United States
seen from Russia
seen from Canada

seen from United States
seen from United States
seen from United States
seen from United States
seen from Belarus
seen from United States
seen from United States

seen from Netherlands
seen from Türkiye

seen from United States

seen from United States

seen from Türkiye

seen from Türkiye
seen from United States

seen from United States

seen from Singapore
@narierei2709
Background art for The Aristocats (1970)
𝙳𝚒𝚜𝚗𝚎𝚢 𝚌𝚘𝚗𝚌𝚎𝚙𝚝 𝚊𝚛𝚝Iᴛʜᴇ ʀᴇɴᴀɪꜱꜱᴀɴᴄᴇ (1989 - 1999)
(from magic awakened own social forum)
What a wild look. Girl one is a lolita?
I-
I feel poor...
Background art for The Aristocats (1970)
Visual development for Enchanted by Lisa Keene
by James Tralie
The Burrow (Weasley’s house) in Harry Potter
archive mb for @sun-showerss ♡
Emotional reactions
Every scene should include references to how your characters feel. The most exciting fight can seem bland without the anger and primal glee of the protagonist finally getting revenge. A winning goal without a sense of triumph is just a sphere hitting a net. The bigger the event, the more and bigger the emotions.
At the same time, however, you should avoid having characters spend paragraph after paragraph describing every nuance of their exact feelings. The goal is to get the reader to feel with the character and long emotional analyses are not themselves emotionally compelling. Worse, if you do this with a negative emotion, you run the risk of readers putting your story down because they don’t like reading about whiny characters.
You should also avoid showing an event and then methodically going through every character’s reaction. First of all, not every character is going to have an interesting reaction to every single thing that happens. Secondly, this separates the emotions from the event by only describing them afterwards. Last, you end up with paragraph after paragraph of emotional description with nothing happening, which is just as annoying when spread out over several characters as it is when only one character does it.
Emotions and scenes should be intertwined. Writing about one without the other makes your story less compelling.
What makes a character unnecessary?
They don’t do anything to advance the plot or advance the character development of the characters who do advance the plot
They only do things any character could have done. Your rationale for their involvement in every plot point they’re in is “this character hasn’t done anything for a while” and not “this character is the only person who can do this job.”
They serve the same purpose in the story as another character.
You can still use them in a different story if you’re attached to them. Just don’t clutter up your story with a bunch of unneeded characters.
Basic overlooked worldbuilding questions
Whether you are writing a futuristic dystopia or a cloud city of dragons, you need to figure out how people get basic supplies. These are often the most overlooked worldbuilding questions since it’s more fun to think about how cultures honor the dead or where the mountain ranges are, but answers are necessary to create a complete world.
-Where does the water come from and how is it distributed?
-Who makes the food?
-Who transports and distributes the food?
-If your world has modern utilities, are they widespread or only for the rich? For that matter, do utilities have to be modified to work in your world (for example, electric lines with anti-magic coating)?
-What happens to trash?
-What happens to sewage?
-What building materials are available?
-What do people do when they get sick?
-What do people do in the case of a natural disaster?
-What do people do in the case of a fire?
-How are large objects moved?
-How are items that take skilled labor to make created and distributed?
Remember, the answers might be different for people at different economic levels.
angels sing when she talks ,,, 🕊🌿☁️
(via) 🖌️🦋
(via)