Weathered burl on fallen oak
Ledgy woods, Blue Hills Reservation, Quincy, MA 5/3/21
$LAYYYTER

Kiana Khansmith

No title available
"I'm Dorothy Gale from Kansas"
almost home
YOU ARE THE REASON

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he wasn't even looking at me and he found me
tumblr dot com

izzy's playlists!
Sade Olutola
DEAR READER

Andulka

blake kathryn

Product Placement
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2025 on Tumblr: Trends That Defined the Year
art blog(derogatory)
trying on a metaphor
Cosmic Funnies

seen from Poland

seen from United States
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@nasa-cryptid
Weathered burl on fallen oak
Ledgy woods, Blue Hills Reservation, Quincy, MA 5/3/21
Richard Savoie (Canadian b.1959), Peel Street, Montreal, Oil on canvas
and in the distance, I saw / proud, solemn/fern-wild
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a painting sponsored by my patrons
Morning glory
My print shop
Animation commission open: Ko-Fi (refer to this post for detail)
a stump and their little friend
turning of the leaves
Phillip by Makarova
Brother Herbert's Big Onion
remake of a drawing from a few months ago that I was dissatisfied with
Phyllis Shafer (American, b.1958)
"Cadmium Sluice," 2023
Oil on linen
18 x 20 in
i am the luckiest because i have u
looking to partake in some fag shit this summer
"A Warm Day in May" by Nikolai Sysoyev (1984)
jisoupy
Phyllis Shafer (American, 1958) - Moonrise (2015)
Alfonsina Storni, from Mask & Clover: Poems "The Siren"
henry comic
Jacket
1590-1630
Great Britain
This simple unlined jacket represents an informal style of clothing worn by women in the early 17th century. Unlike more fitted waistcoats, this loose, unshaped jacket may have been worn during pregnancy. A repeating pattern of curving scrolls covers the linen from which spring sweet peas, oak leaves, acorns, columbine, lilies, pansies, borage, hawthorn, strawberries and honeysuckle embroidered in coloured silks, silver and silver-gilt threads. The embroidery stitches include chain, stem, satin, dot and double-plait stitch, as well as knots and couching of the metal threads. Sleeves and sides are embroidered together with an insertion stitch in two shades of green instead of a conventionally sewn seam. Although exquisitely worked, this jacket is crudely cut from a single layer of linen, indicating the work of a seamstress or embroiderer, someone without a tailor's training. It has no cuffs, collar or lining, and the sleeves are cut in one piece. The jacket was later altered to fit a thinner person. The sleeves were taken off, the armholes re-shaped, the sides cut down, and the sleeves set in again.
The Victoria & Albert Museum (Accession number: 919-1873)