& ONE DAY I AM GONNA GROW WINGS

Hi, my name isn't Natasha.

[natashakhan]

sooo I’m not on here much

but what do we think of the Radiohead tv thing on YouTube… 👀

[sleepythug]

learning that benicio del toro's character subplot in one battle after another wasn't originally in the script as it exists in the movie, and was built in after conversations benicio had with pta. him (benicio) coming in later in production firing off ideas, coming right off his work on phoenician with wes anderson, incredible.

blows my mind because those scenes of sensei sergio leading bob through this sanctuary community of baktan cross, him being a harriet tubman for the undocumented: making phone calls, pulling strings, organizing his people, etc is the most moving stuff in the movie and would be half as good without it.

[rigginsstreet]

ONE BATTLE AFTER ANOTHER dir. Paul Thomas Anderson in theaters September 26, 2025

[depsidase]

[oldfilmsflicker]

“I like to make films because I like to go into another world. I like to get lost in another world. And film to me is a magical medium that makes you dream…allows you to dream in the dark. It’s just a fantastic thing, to get lost inside the world of film.”

[oldfilmsflicker]

Flavorwire » 20 Brilliant Filmmakers on Why They Make Movies

[davidlynch]

Rest in peace, David Lynch 🤍🕊️ January 20th, 1946 - January 16th, 2025

[lxdymaria]

˚✧ DARK SOULS 3 ∞ ° ˎˊ˗  

[seasonofhorror]

THE ADDAMS FAMILY

1991, dir. Barry Sonnenfeld

[alienwlw]

October Horrorthon - Top Horror Movies

Signs (2002) dir. M. Night Shyamalan "Tell Graham... see. Tell him to see. And tell Merrill to swing away."

[anyataylorjoys]

BEFORE SUNRISE 1995, dir. Richard Linklater

[thejinxmaster]

Photos of Actors/Actresses wearing Red Pins calling for a Ceasefire

[remainsoflilies]

“I'm very concerned about the depiction of women on the screen. It's related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, and with whom or how many. There's nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.” — John Cassavetes.

Faces (1968) / Minnie and Moskowitz (1971) / A Woman Under the Influence (1974) / Opening Night (1977) / Gloria (1980) / Love Streams (1984)

[medievalcat]

Bat for Lashes, "The Dream of Delphi" (2024)

[tarnussy]

Elden Ring - Shadow of the Erdtree

[evilwvergil]

The Land of Shadow. A place obscured by the Erdtree. Where the goddess Marika first set foot. A land purged in an unsung battle. Set ablaze by Messmer’s flame. It was to this land that Miquella departed. Divesting himself of his flesh, his strength, his lineage. Of all things Golden. -E L D E N R I N G : Shadow of the Erdtree (21.06.2024)

[n7keidence]

i will befriend this little worm grandpa no matter what

[natashakhan]

Text from the YouTube description:

By Ann Powers | November 17, 2023

“Polly Harvey has inhabited many characters throughout her 30-year career and always dressed the part: catsuit-rocking glam queen, high-collared Victorian wraith, mini-skirted libertine, feather-adorned warrior. Bringing the story told in her latest album, I Inside the Old Year Dying to the Tiny Desk, she stands at the microphone in a draped dress the wintry color of a gray alder tree, designed by her longtime costumier Todd Lynn. Its torn elegance perfectly suits the dual role she plays in these gently ferocious songs, which originated in her novel-in-verse, Orlam. As she lets loose her inimitable razor-sharp alto, she becomes both Ira-Abel, the child who, in the aftermath of an assault, merges with the forest around her Dorset, England, home, and of the bard whose verses keep that shepherd girl alive after her vanishing.

Harvey keeps her gestures minimal as she sets her scenes and speaks through them. Matching her voice to those of her trusted collaborators John Parish and James Johnston as they invoke the forest's ghosts — the "chalky children of evermore" — she lets the fecund imagery of her lyrics resonate. At times the crowd seems stunned into silence; after her lament for Ira-Abel, "A Noiseless Noise," concludes with the notes from her acoustic and Parish's electric guitar intertwining, she coolly waits out a gap before the applause and hoots of appreciation arrive.

This is where Harvey lives as a fully realized artist: on her own artistic plane, inviting listeners to take their time to fully join her. Ending with the heart-rendingly lonesome title track from 2007's White Chalk, she connects Ira-Abel's story to her lifelong project of expressiing women's solitude, pain and resistance. Exploring how human boundaries can shatter, reassert themselves or be rendered irrelevant, these songs create a contained space that echoes far beyond itself.”

SET LIST

"I Inside the Old I Dying"

"A Noiseless Noise"

"A Child's Question, August"

"I Inside the Old Year Dying"

"White Chalk"

MUSICIANS

PJ Harvey: vocals, acoustic guitar

James Johnston: keys, acoustic guitar, violin, vocals

John Parish: electric guitar, drums, vocals

TINY DESK TEAM

Producers: Robin Hilton, Bob Boilen

Director/Editor: Maia Stern

Audio Engineer: Josh Rogosin

Series Producer: Bobby Carter

Videographers: Maia Stern, Joshua Bryant, Kara Frame

Audio Assistant: Ted Mebane

Production Assistant: Ashley Pointer

Photographer: Catie Dull

Tiny Desk Team: Suraya Mohamed, Hazel Cills

VP, Visuals and Music: Keith Jenkins

Senior VP, Programming: Anya Grundmann