Francesca Woodman
Untitled - Providence, Rhode Island, 1976
KIROKAZE
Keni

bliss lane

Origami Around
I'd rather be in outer space 🛸
almost home

PR's Tumblrdome
noise dept.
Sade Olutola

#extradirty

No title available
No title available

@theartofmadeline
TVSTRANGERTHINGS
Show & Tell

oozey mess
todays bird
Lint Roller? I Barely Know Her
One Nice Bug Per Day
Not today Justin
seen from United States
seen from United States
seen from Canada

seen from Singapore
seen from Spain
seen from Lebanon

seen from Malaysia
seen from Ukraine

seen from United States
seen from Israel
seen from United States

seen from Canada

seen from Malaysia

seen from India
seen from Spain
seen from United States

seen from Indonesia

seen from Vietnam
seen from United States
seen from Chile
@natchav
Francesca Woodman
Untitled - Providence, Rhode Island, 1976
Tamara Kostianovsky
What is Once was, 2010
Clothing belonging to the artist, meat hooks, chains, steel
61.5 x 23 x 20.5 in
Tamara Kostianovsky
One and a Half, 2009
clothes belonging to the artist, meat hooks, steel, chains, plastic bags
BEGINNING SCULPTURE (FALL 2019)
AUTOMOBILE
Estranged Bodies: Reference1, Reference2
Estranged Bodies: Process
Estranged Bodies: Final
Estranged Bodies: Organic
Estranged Bodies: Inorganic
De-Table-ization: Process, Stills
De-Table-ization: Final
Structuring the Body and Bodily Structures: Process
Structuring the Body and Bodily Structures: Final
Phantom Bodies: Process
Phantom Bodies: Final
Readymade Bodies: Process1, Process2
Readymade Bodies: Final
Final PDF Portfolio
50 Artists
Passages
Readymade Bodies (process)
Readymade Bodies (process)
Passages, Chapter II: Futurism and Constructivism
Phantom Bodies (Final)
Untitled, 2019
Plaster, alginate, wax, plastic, wood, fabric, metal
The objects that make up this piece are the results of experiments with materials and molding processes. Looking at the body as a found object, the experiments tried to capture the alluring characteristics of this object. The smooth,porous, subtly detailed texture of its surface. Soft indentations. The structure underneath. Shapes and forms that are only insinuated. Escaping the reproduction or representation of a body. The process and its evidence felt more like the tracing of an object.
Estranged Bodies (Process)
Phantom Body process and experimentation
FECUNDITY
New growth. I was thinking about cellular reproduction. It reminded me of my mother. Her womb. The cellular reproduction that lead to me, similar to the tumorous growths she held before me. Benign copies of her. My origin story. It made me think about humankind created from clay. Throughout religions, all the same. I found out that clay could have been an important component in the creation of RNA. Our origin. Holding and bending metal used in the production of cities. New growth. Plastic ball filled of clay. Materials of production in relation to forms of reproduction.
Fecundity- Process
Performed 2019
First I made a table. Then I thought about a table. Thought on a table. I ate on a table. I worked on a table. This common object became bigger and more obvious within my surroundings. I saw pictures of tables and read about extravagant dinners, political drama. The Silent participant in historical events and in our homes. A stage.
Then I add a seesaw mechanism. Two people must sit and the table becomes an active participant in a conversation without words. The dynamic nature of relationships is highlighted by the performance of a dinner.
De-table-ization: Process
De-table-ization: Conversation
De-table-ization: Conversation