Art History Chapter 13; Gothic Art
About the first few pages of the text (pages 198-200), I am excited to see that the work on Saint Denis was written down. We haven’t seen a lot of that through this art history book. It’s interesting to me to read about how the church looks through another persons eyes, even if this person lived so many years ago. Saint Denis on the Manuscript page from the Life of Saint Denis was depicted bigger than the other characters on the piece of art. This emphasizes his importance. This reminded me of many of the other chapters in the text (the Egyptians and Greeks, if I can remember correctly) and also I noticed gold around the edges, which just goes with the theme of royalty/higher power.
Okay the stained glass windows on pages 202 in the text, 213, and 217 are AMAZING! So beautiful. They remind me of this church I went to once. It was about 10:00 am, and there were these beautiful stained glass windows lining a tall wood paneled wall. The sun came through them so delicately, it was magnificent. Reading about them is interesting to me, because stained class windows are so curious. Being in an empty church with tall ceilings and a sight of stained glass windows is almost whimsical, or I suppose spiritual would be the right world. According to the text, colored glass is formed by mixing metallic oxides with molten glass or fusing colored glass with clear glass. Next, the artist will cut the glass to whatever shapes he is trying to create. Once all of the pieces have been fitted on a piece of wood or paper, details are added in black enamel. To go with what I mentioned earlier, about a church room with stained glass feeling spiritual, the text mentions that Saint Denis reflects Suger’s intention to convey God’s presence through the display of the stained glass with it’s light and color. No wonder!
Towns in Northern France began competing to build cathedrals with the Gothic style. Cathedrals by definition, according to the text, are a seat of the bishop. Kathedra in Greek means ‘seat’ or ‘throne’. And cathedrals were built in more urban areas. This makes sense to me, because if I look out of my window here in Dubuque, I can see a church with a Gothic style steeple. I’ve taken pictures of it before, and it’s in fact my favorite church to photograph through all of my years of living here. The text says (page 204) that cathedrals being urbanized helped the local economy, because cathedral schools and universities were connected, and the thousands of pilgrims and visiting traffic provided great stimulation in the area.
On page 206, looking at the Perspective Diagram and cross section of the Chartres Cathedral (figure 13.12), I can imagine how patient the workers must have been while building these cathedrals. There are a lot of details put into this work, and it’s not just as simple as making columns, like the Greeks or Romans. This is tough work! The results are so beautiful though (page 207-213). The Tympanum, lintel, and archivolts of the central portal in the Chartres Cathedral made me reflect back on the Romanesque portals on pages 189 and 190 in the text! In fact, the Tympanum in figure 13.15 is extremely similar to the Last Jugement tympanum of west portal, in Sainte-foy, Conques (figure 12.8). They both have Jesus in the center with his right hand up, and lots of symbolism and important people around him.
I want to experience the overwhelming sensation that occurs when entering the Chartres Cathedral! The text says that’s what happens when you look at the nave. It looks so AMAZING! Figure 13.18.
I feel like I’m going to pass out looking at the West facade, Reims Cathedral in France. I’m actually really jealous too, because my mom and brother are going on a trip to France, and this is the kind of stuff they’ll be looking at! The high Gothic style is so rich and elegant looking. The cathedral designs were becoming progressively elongated according to the text (page 212). The arches at Reims are taller and thinner than the ones at Chartres. There are more sculptures in Reims, and they are more naturalistic. The nave on figure 13.14 (in Sainte-Chapelle, Paris), just wow. This High Gothic style is definitely more rich and elegant looking, just like I said! The Sainte-Chapelle was commissioned by King Louis IX.
The Gothic style spread from England to Germany (although in Italy it was short lived, as the Renaissance style was beginning to emerge). The Salisbury Cathedral in England is so gorgeous, just look at that huge tree in the courtyard! (Figure 13.26 on page 219) and those windows in the Vault, chapter house, figure 13.28, again, WOW. We know they did this on purpose to allow for a lot of light, since that is important to have in cathedrals (for Christianity and whatnot). The Cologne Cathedral (13.29 on page 220) is MASSIVE. And the nave (13.31 page 221) is so…awe inspiring? Is that the right word for it? Definitely on my bucket list now, is to travel around the world and see the different churches and cathedrals built. I want to do this so that I can feel that overwhelming awe like the text said, and I can experience the spiritual feelings that their builders intended.
I liked reading your blog post! I loved reading about the stained glass windows. They were my favorite part of this chapter. I have always been amazed by stained glass windows so I liked learning more about them. The details that were put into these cathedrals were so unique. I couldn’t believe somebody could make these cathedrals. I wish I could go and see these cathedrals today. This was the perfect chapter to end our class on. I hope you enjoyed taking this class! I sure did!
I also loved seeing the stained glass windows. I have always admired their beauty in all the churches I have been to. There are so many different designs and colors within the windows. I thought this chapter had the best artwork so far. The cathedrals and stained glass windows were just so gorgeous. I could honestly look at pictures of them all day!











