YOU ARE THE REASON

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Noah Kahan

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The Stonewall Inn
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#extradirty
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almost home

blake kathryn
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if i look back, i am lost
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Monterey Bay Aquarium
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Jules of Nature
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Origami Around
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@nativerse
rewatched the summer hikaru died for the millionth time and my god i love it sm.
Reflecting My Grace & Radiating My Sovereignty, 2019 by Calida Rawles (American, b. 1976); Acrylic on canvas, 84x72 in
Lil' velociraptor vase from the spring (sold)! 🌱♦️
Man getting tattooed in San Francisco, CA
National Geographic | April 1932
Members of the San Diego Ballet rehearse The Waltz of the Flowers from the Nutcracker
National Geographic | July 1969
instagram.com/bonjoursimonleclerc
(x)
Recently washed rugs being laid out to dry near Tehran, Iran. Circa 1972.
Shimo Kitazawa, Tokyo, 2006
hi tumbly im back!
Anna Freeman Bentley (British, b. 1982, London, England)Female Artists - Meanwhile the Days, 2024, Paintings: Oil on Canvas
Anna Freeman Bentley, Rebounding, 2020, Oil on canvas on aluminium frame,90 x 110cm
“Shadow and light are the most stable and perfect tools of creation: they unite colors, shapes, and dimensions,” says Moldovan artist Sergiu Ciochină, adding that “shadows move us through diversity, enhancing our perception, while light fills us with the joy of discovery.” In saturated hues, he captures dappled sunlight as it filters through the trees and the rich tones of the golden hour as it casts deep bluish-purple shade onto the sides of houses.
Taking cues from the Impressionists, Ciochină focuses on the nuances of light and its ability to reveal outlines and forms. He works in thick, impasto oil paint on board, emphasizing the shapes of windows, doors, and stoops and transforming otherwise ordinary buildings into compositions glowing with the patterns of foliage, architectural angles, and the texture of brushstrokes. “The symbiosis I create between nature and architecture is intended to evoke a love for space,” he says.
on Sergiu Ciochină