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tannertan36
we're not kids anymore.

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he wasn't even looking at me and he found me
sheepfilms
Jules of Nature
TVSTRANGERTHINGS
Game of Thrones Daily

Love Begins

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Acquired Stardust
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I'd rather be in outer space 🛸
almost home

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roma★

Andulka
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@nautin
Thrillophilia, an online marketplace for tours and activities, compiled a list of countries, cities, and destinations that many of us may have been say incorrectly all along. Each graphic features a side-by-side comparison of the common, incorrect pronunciation juxtaposed with how the locals say it.
POSSESSION BREAKFAST 👀💚💛
here’s the closeted furries “hey man… can u bum me a cig” and “the one uncle nobody invites to the family reunion but SOMEONE keeps telling him where it is anyways”
if you want an idea of what john is like, imagine hau from pokemon sumo
ALSO the ppl who kept asking me for trans thomas art, HERE he’s trans in this au (;
ft John:
date of origin: 12th of september, 2017.
happy birthday thomas jefferson miku binder
CHOMP
Susanna and the Elders, Restored (Left)
Susanna and the Elders, Restored with X-ray (Right)
Kathleen Gilje, 1998
Oooh my gosh this is rad. This is so rad.
For those who don’t know about this painting, the artist was the Baroque artist Artemisia Gentileschi.
Gentileschi was a female painter in a time when it was very largely unheard of for a woman to be an artist. She managed to get the opportunity for training and eventual employment because her father, Orazio, was already a well established master painter who was very adamant that she get artistic training. He apparently saw a high degree of skill in some artwork she did as a hobby in childhood. He was very supportive of her and encouraged her to resist the “traditional attitude and psychological submission to brainwashing and the jealousy of her obvious talents.”
Gentileschi became extremely well known in her time for painting female figures from the Bible and their suffering. For example, the one seen above depicts the story from the Book of Daniel. Susanna is bathing in her garden when two elders began to spy on her in the nude. As she finishes they stop her and tell her that they will tell everyone that they saw her have an affair with a young man (she’s married so this is an offense punishable by death) unless she has sex with them. She refuses, they tell their tale, and she is going to be put to death when the protagonist of the book (Daniel) stops them.
So that painting above? That was her first major painting. She was SEVENTEEN-YEARS-OLD. For context, here is a painting of the same story by Alessandro Allori made just four years earlier in 1606:
Wowwwww. That does not look like a woman being threatened with a choice between death or rape. So imagine 17 year old Artemisia trying to approach painting the scene of a woman being assaulted. And she paints what is seen in the x-ray above. A woman in horrifying, grotesque anguish with what appears to be a knife poised in her clenched hand. Damn that shit is real. Who wants to guess that she was advised by, perhaps her father or others, to tone it down. Women can’t look that grotesque. Sexual assault can’t be depicted as that horrifying. And women definitely can’t be seen as having the potential to fight back. Certainly not in artwork. Women need to be soft. They need to wilt from their captors but still look pretty and be a damsel in distress. So she changed it.
What’s interesting to note is that she eventually painted and stuck with some of her own, less traditional depictions of women. However, that is more interesting with some context.
(Warning for reference to rape, torture, and images of paintings which show violence and blood.)
So, Gentileschi’s story continues in the very next year, 1611, when her father hires Agostino Tassi, an artist, to privately tutor her. It was in this time when Tassi raped her. He then proceeded to promise that he would marry her. He pointed out that if it got out that she had lost her virginity to a man she wasn’t going to marry then it would ruin her. Using this, he emotionally manipulated her into continuing a sexual relationship with him. However, he then proceeded to marry someone else. Horrified at this turn of events she went to her father. Orazio was having none of this shit and took Tassi to court. At that time, rape wasn’t technically an offense to warrant a trial, but the fact that he had taken her virginity (and therefore technically “damaged Orazio’s property”. ugh.) meant that the trial went along. It lasted for 7 months. During this time, to prove the truth of her words, Artemisia was given invasive gynecological examinations and was even questioned while being subjected to torture via thumb screws. It was also discovered during the trial that Tassi was planning to kill his current wife, have an affair with her sister, and steal a number of Orazio’s paintings. Tassi was found guilty and was given a prison sentence of…. ONE. YEAR……. Which he never even served because the verdict was annulled.
During this time and a bit after (1611-1612), Artemisia painted her most famous work of Judith Slaying Holofernes. This bible story involved Holofernes, an Assyrian general, leading troops to invade and destroy Bethulia, the home of Judith. Judith decides to deal with this issue by coming to him, flirting with him to get his guard down, and then plying him with food and lots of wine. When he passed out, Judith and her handmaiden took his sword and cut his head off. Issue averted. The subject was a very popular one for art at the time. Here is a version of the scene painted in 1598-99 by Carivaggio, whom was a great stylistic influence on Artemisia:
This depiction is a pretty good example of how this scene was typically depicted. Artists usually went out of their way to show Judith committing the act (or having committed it) while trying to detach her from the actual violence of it. In this way, they could avoid her losing the morality of her character and also avoid showing a woman committing such aggression. So here we see a young, rather delicate looking Judith in a pure white dress. She is daintily holding down this massive man and looks rather disgusted and upset at having to do this. Now, here is Artemisia’s:
Damn. Thats a whole different scene. Here Holofernes looks less like he’s simply surprised by the goings ons and more like a man choking on his own blood and struggling fruitlessly against his captors. The blood here is less of a bright red than in Carrivaggio’s but is somehow more sickening. It feels more real, and gushes in a much less stylized way than Carrivaggio’s. Not to mention, Judith here is far from removed from the violence. She is putting her physical weight into this act. Her hands (much stronger looking than most depictions of women’s hands in early artwork) are working hard. Her face, as well, is completely different. She doesn’t look upset, necessarily, but more determined.
It’s also worth note that the handmaiden is now involved in the action. It’s worth note because, during her rape trial, Artemisia stated that she had cried for help during the initial rape. Specifically she had called for Tassi’s female tenant in the building, Tuzia. Tuzia not only ignored her cries for help, but she also denied the whole happening. Tuzia had been a friend of Artemisia’s and in fact was one of her only female friends. Artemisia felt extremely betrayed, but rather than turning her against her own gender, this event instilled in her the deep importance of female relationships and solidarity among women. This can be seen in some of her artwork, and I believe in the one above, as well, with the inclusion of the handmaiden in the act.
So, I just added a million words worth of information dump on a post when no one asked me, but there we go. I could talk for ages about Artemisia as a person and her depictions of women (even beyond what I wrote above. Don’t get me started on her depictions of female nudes in comparison to how male artists painted nude women at the time.)
To sum up: Artemisia Gentileschi is rad as hell. This x-ray is also rad as hell and makes her even radder.
I love art history.
I’m reblogging this again to add something that I also think is important to know about Artemisia Gentileschi. Back in her time and through even to TODAY, there are people who argue that her artworks were greatly aided by her father…. As in he either helped her paint them or just straight up painted them himself. Hell, there are a number of works only recently (past several years or so) that have been officially attributed to Artemisia because people originally saw the signature with “Gentileschi” in it and automatically attributed it to Orazio. So, not only was Artemisia Gentileschi an amazing artist and amazing historical figure, but I don’t want it to be ignored that there are people over 400 years later who still won’t give her the credit she deserves, just because she’s a woman and obviously women can’t paint like she did.
there’s this book Blood, Water, Paint that’s about her and it’s honestly so amazing 10/10 would recommend
happy 13th meet the engineer
tiny transparent healthpacks
Animation errors from Brave {x}
If we left animation to the computers (instead of the animators armed with computers) I imagine movies would look more like this.
I used to hang around the Character Effects team a lot, and one day an animator ranted “ALL THE SNAILS IN TURBO ARE FLOATING LIKE 1 MILLIMETER OFF THE GROUND AND WE CAN’T FIGURE OUT WHY”
I need so much more of this
Interesting to see this.
I miss when Pixar used to do this. Show me your fuckups, animation industry!!
(twt threateningcakes)
‘Laid out in Lavender’ stuff
inspirobot is gonna get taken out by the secret service
Bring this back out because it’s a fucking mood
The Muse’s Revenge, Ilya Milstein
So I’m just going to leave this picture of an old Pablo Picasso here for reference.
#I recognized the reference but had assumed it was more of a general influence however they used the same molding and everything#I’m sure it’s supposed to be more of a general statement rather than being about any one artist and I’m sad there’s no caption on her site#but Picasso was certainly one of Those Artist Dudes#which is to say he was an abusive douchebag to most of the women in his life (x)
yeah fuck this dude
Not to be dramatic but this is absolutely the right way to deal with creepy old men whose “art” is just pictures of naked women
By the way if you like cubism but really dont want to look at Picasso, check out Francoise Gilot. She tends to do a lot of really stylized paintings of women but… Yanno. Without the abuse.
She’s also one of Picasso’s exes and consequently one of his muses. She’s spoken at length about her experience. And thus far, she’s had some pretty sweet revenge. She’s free, her artwork is simply gorgeous, and she’s still alive today (as of 2020) at the age of 98!
Edit: i would also like to add that Gilot was already an accomplished artist when she became involved with Picasso, and he completely sabotaged her career when she left him. He discouraged museums from showing her work, and he unsuccessfully tried to block the publication of her memoir, Life with Picasso. To my knowledge, she’s the only one of his “muses” who is still alive, so let’s maybe take this time to explore and celebrate the work of a woman who was overshadowed by her abuser.
lin manuel miranda is the new john green
lin manuel miranda is john green if john green had written and produced hetalia
Lin Manuel Miranda is John Green if John Green had written and produced Hetalia and then used the resulting cultural clout to push legislation that closed hundreds of public schools in impoverished communities
Y’all.... this is not good.. #freebritney