by Gen Otsuka / 大束元 Snow Fantasy, 1953
ojovivo

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dirt enthusiast
h
Peter Solarz
"I'm Dorothy Gale from Kansas"
TVSTRANGERTHINGS

titsay
Misplaced Lens Cap

Product Placement

Andulka
No title available

if i look back, i am lost

shark vs the universe

Janaina Medeiros
d e v o n
hello vonnie
Show & Tell
Alisa U Zemlji Chuda
cherry valley forever
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@nebulouzz
by Gen Otsuka / 大束元 Snow Fantasy, 1953
Waterfall body - Issey Miyake 1984.
Foto: Tsutomu Wakatsuki
Cellulose nitrate was used to make dice from the late 1860s until the middle of the twentieth century, and the material remains stable for decades. Then, in a flash, they can dramatically decompose. Nitric acid is released in a process called outgassing. The dice cleave, crumble, and then implode.
From Dice: Deception, Fate & Rotten Luck by Ricky Jay and Rosamond Purcell, 2002.
Aurora Consurgens 282, 15th Century
Untitled, 2026
Sogna, Tuscany
Lydia Roberts
Kyoko Imazu
Beautiful plain weave under magnification
Subraiana, Outlaws for Life, 2026, mohair and alpaca yarn embroidery
In the summer of 1916, Georgia O'Keeffe camped with friends in the Appalachian Mountains before beginning a teaching position in Canyon, Texas in September. When she was not teaching, O'Keeffe could be seen exploring the landscape around Canyon. These excursions inspired several watercolors where her abstract experiments met her experience of the outdoors.
In 'Hill, Stream and Moon, O'Keeffe's approach is almost fully abstract: A large hill arches over the composition, while a blue stripe between two green banks denotes a stream. Above the hill, a yellow moon emerges in the sky.
Years later, in 1976, O'Keeffe wrote: "Objective painting is not good painting unless it is good in the abstract sense.
A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colors put together so that they say something."
Georgia O'Keeffe Museum
Lee Ufan, From Point, 1970s
Elephant seal flipper
Beth Dow
In the Garden
zheng zaidong, "flower series no.18," 2017, mixed media
by Mark Rothko, 1969