i keep sinking of you @neenth - Tumblr Blog

rinmatsuokas

alys-starworld

cute meg photos cuz she’s my cutie patootie!

totalsellout

NINGNING LEMONADE — Complæxity Trailer (2026)

whenlovetriestoleave

victoria by lan tian for elle china apr 2026

styling by lv lu, makeup by clive xiong, hair by bon fan zhang

lovetales

I.O.I 갑자기 𝐌𝐕 𝐓𝐞𝐚𝐬𝐞𝐫 𝟏

fashion-runways

Doechii attends the 2026 Met Gala celebrating "Costume Art" at the Metropolitan Museum of Art on May 04, 2026 in New York City. pls help me get out of debt donating to: ko-fi.com/fashionrunways or dinahlance-shop.fourthwall.com

comintoyoulive

and i never got my boa yunho dating scandal smh

shitidol

(_(_($($(3+43#(#+($+#7#+#!

originalvisual

age 12. that’s when she got sent abroad by herself.

i-am-a-lesbigwen

does anyone have that 4chan post about the guy who got like. deradicalised from being an incel because he started taking care of shrimp?

nyxwoven

i can't post pictures in replies so here u go

i-am-a-lesbigwen

thats the one! thank you!

ziggy-scardust

I think of shrimp guy often and I hope he and his shrimp are doing great and if I ever meet him I would love to ask about them

seolyoona-archive

CHUU 'XO, My Cyberlove' 260110

3liza

Meiji period fashion was some of the best in the world, speaking purely from an aesthetic standpoint you can really see the collision of European and Japanese standards of beauty and how their broad agreement even in particulars (the similarity between Japanese and Gibson girl bouffants, the obi vs the corset, the obi knot vs the bustle, the mutual covetousness for exotic textiles, the feverish swapping of both art styles and subjects) combined and produced some of the most interesting cultural exchange we have this level of documentation for. Europeans were wearing kimono or adapting them into tea gowns, japanese were pairing lacy Edwardian blouses with skirt hakama and little button up boots. haori jackets with bowler hats and European style lapels. if steampunk was any good as an aesthetic it would steal wholesale from the copious records we have in both graphic arts and photography of how people were dressing in this milieu.

3liza

«The botany professor,» from Kkokei Shimbun, October 20, 1908. she's wearing a kimono blouse or haori, edwardian skirt or hakama, gibson girl bouffant, a lacy high-collar blouse with cravat and brooch, and a pocket watch with chain

1910-1930 (Taishō era, right after Meiji, which I should have included in my OP) men's haori with western lapels

applesforhela

I have a love for both kimonos and bustle dresses, so I love seeing how the two fashions influenced each other over this period. And thanks to Pinterest, I have pictures!

Victorian tea gown that clearly started as a kimono. It still has the long furisode sleeves, but now they’re gathered at the shoulder and turned around so that the long open side is facing the front instead of the back. Similarly the back is taken in with curved seams to fit the torso and pleated below that for the skirt.

Woodblock of a woman in a a bustle dress made with colorful patterned fabrics and examples of how a woman could style her hair with it.

More prints to showcase hairstyles, two women wearing western wear and two women wearing kimonos.

This next one’s modern, but it involves hoopskirts so I’ll add it in because it makes me so happy. There’s been different styles of wedding fashion that take kimonos and give them a more modern look. Often this involves taking a kimono and then cutting and resewing it into a new dress. Very pretty, but it can’t ever be worn like a traditional kimono again. But now there’s another trend where the bride wears a hoopskirt with a white skirt, then you take the kimono and drape it on. The back of the kimono covers the front of the dress, the long sleeves fall across the sides or the back, and you still wear an obi with it. The result is pretty and the kimono itself doesn’t have to be altered at all.

And because you mentioned steampunk, I have to add in these two:

nonasuch

Personally I’m a big fan of Taisho Meisen kimono, which are what happen when the Japanese textile industry abruptly gets access to aniline dyes, new spinning and weaving technology, and the concept of Art Deco: