no error in my memory

optimist hiding behind a misanthrope's mask

[standingatthefence]

[unangeapasse]

Film stills from Nearness, Hans Breder, 1971, with Ana Mendieta.

[aozoramusume]

The Green, Green Grass of Home (Hou-Hsiao Hsien, 1982)

[unangeapasse]

につつまれて (Embracing) Naomi Kawase, 1992

[shihlun]

Han Youngsoo, Bookstall in Seoul, c. 1950s.

[edithshead]

Deborah Turbeville for Ungaro, 1984

[1010ll]

https://www.instagram.com/p/BLouEL4g-Ct/?

[shihlun]

Pina Bausch at the rehearsal of “Nelken”.

[qpulm]

Il pianeta azzurro (Franco Piavoli, 1981)

[pablopicasso-art]

Family 1965

Pablo Picasso

[lilithsplace]

I like the sky because I don’t believe it’s infinite, 2016 Tyra Tingleff (b. 1984), oil on raw linen, source:

[whitneymuseum]

Combining technical insight and an aesthetic sensibility, Harold Edgerton’s photographs give unprecedented clarity to the physical world and reveal the magic of everyday life. A revelatory selection of his work is on view in the exhibition Flash: Photographs by Harold Edgerton from the Whitney’s Collection through July 15. [Harold Edgerton (1903-1990), Milk Drop Coronet, 1957, printed 1984-90. Edition 109/150.  Dye transfer print: sheet, 19 15/16 × 16 in. (50.6 × 40.6 cm); image, 18 3/8 × 13 3/8 in. (46.7 × 34 cm). Whitney Museum of American Art, New York; gift of The Harold and Esther Edgerton Family Foundation 96.126.3. © 2010 MIT. Courtesy of MIT Museum]

[y1yi]

suzaku 萌の朱雀 (1997), kawase naomi

[garadinervi]

Audra Wolowiec, Sound Text: synesthesia (grid 1 + 2), 2017

[scientificillustration]

“Anatomical and Optical Structure of the Crystallin structure of various quadripeds, 1836. From The Royal Society, PT/74/1836/114″

From the Royal Society’s pilot archive project - Science in the Making

[velvetvetiver]

Aweng Chuol for Indie Magazine [] Photographed by Antonio Mingot [] Styled by Rachael Rodgers [] Hair by Tom Constantinou [] Makeup by Alina Makarenko

[nevver]

Sugar and spice

[jinxproof]

Chu Wong | Self-Portrait S/S 2018 ph. Jack Davison

[vjeranski]

Cathy Wilkes abstract paintings are elements in her sculptural works, not presented as traditional paintings on a wall. You’ll find them sitting in an open glass vitrine, hung precariously low to the floor, tucked away in the corner of a small gallery, or even attached to the face of a mannequin figure, like in the above detail from “Non Verbal” (2005-11). Spend time with Wilkes’ work in her largest exhibition to date, on view through March 11. #MoMAPS1