local art dump

Hey, I'm eli and this is my art trash dump where I post my random doodles.

[catchymemes]

Basic sketching tips

IG: @mitchleeuwe

[kieu-silly-world]

“stop spending so much time drawing the face!”

[that-girl-from-ap-geography]

"75% of what drawing is is just staring into the void contemplating why you thought it was a good idea to be an artist"

[meredithalden]

[ask-dr-knockout]

This.

a public service announcement

[lackyannie]

and i thought only bob ross knew what was up

[poppypicklesticks-blog]

this single post is more useful to me then four years of art school 

[lulukbraz]

We did it in color study class on my college and it’s incredible the difference between using red/blue/yellow than cyan/magenta/yellow. The purple was colored like shit, so as the greens. Than we tried the actuall primary colors and it FELT SO GOOD!

[zachdanielswhisky]

I JUST TESTED IT IN MY ART PROGRAM AND HOLY SHIT 

IT WORKED REALLY WELL

[idoko]

On the left we have dissapoinment; on the right, love.

[emeraldmercury]

Then why do they teach us that RBY are primary colours in Pre-KG????

[kamiyu910]

To mess with our heads….

Or because they think that cyan and magenta are too difficult for kids to learn? Lame either way

[skrappy-deactivated20221123]

Reshare to save lives

[jheselbraum]

Okay, no. No no no no no no no no NO.

Listen up you fucks because I’m not wasting thousands of dollars on an art degree to watch y’all fuck up basic color theory.

Red, yellow, and blue are the primary colors

If you’re using p i g m e n t.

Do you hear me? When you’re using traditional media, fucking actual goddamn paint, Bob Ross style, your primary colors are!

When you use paint, your primary colors are red yellow and blue and don’t forget it.

NOW THAT CHANGES COMPLETELY WHEN YOU GO FUCKING DIGITAL.

THE DIGITAL PRIMARY COLORS ARE RED BLUE AND GREEN IF AND ONLY IF YOUR WORK IS GOING TO STAY DIGITAL, ON THE SCREEN, AND NEVER LEAVE THE SCREEN, AND OF COURSE IF YOUR WORK IS GOING TO BE PRINTED. ON A PRINTER. WITH INK. THEN. AND O N L Y  T H E N.

ARE YOUR PRIMARY COLORS.

CYAN. 

MAGENTA.

AND YELLOW.

So say it with me folks!

Red yellow and blue, are the primary colors for traditional pigment that’s mostly used in paints and shit. You use red yellow and blue when you’re painting traditionally, Bob Ross style. 

Red blue and green is light, which is what you’re painting with when you pick up your tablet and go digital.

CMYK is ink, and ink only. You could use cyan, magenta, and yellow as your primary colors in paint if you wanted to be a complete dick, but they’re not your primary colors unless your work is going to be printed using. i n k. The only time they could be considered the primary colors in a traditional medium is if you’re using ink.

Good day.

[jheselbraum]

Also thatswhiskytoyou’s color mixing is bullshit because THIS:

Is my icon. I painted this using RED. GREEN. AND BLUE. AS MY PRIMARY COLORS and they turned out fine. Of course, I used the finger smudge tool first and then the color mixing tool and then the blur tool, but hey what do I know.

Clearly using the blur tool only doesn’t cut it.

“Oh but Leo!” You say. “You used cyan and magenta in that color wheel!”

Well bitch guess what.

this is the digital color wheel. I’d say I mimicked that pretty well, don’t you think?

Oh and one other thing, notice how Blue and Yellow are directly opposite each other on this color wheel? That’s because we’re dealing with light, and with light, yellow and blue are complimentary colors.

Which is why when you mix them, it looks like this:

Which is a pretty neutral gray tone: They cancel each other out on the rgb color wheel when you mix them together.

BUT WITH PIGMENT THE PLACEMENT IS DIFFERENT

If you’ll notice, yellow and violet are now opposite each other, meaning they’re complimentary colors and if you mix  them, they’ll make a neutral gray.

But if you mix yellow and blue, same colors as before, YOU GET THIS:

Now keep in mind that the person in the video uses a darker blue, so they get a darker green, but the point is that it doesn’t make that neutral gray.

Now what happens when we mix yellow and violet paint?

Ah yes, you get a bunch of muted colors the more evenly you mix them.

What happens when you mix yellow light and purple light?

I see, I see.

[jheselbraum]

OH AND ONE MORE THING.

They didn’t teach you about red blue green and cmyk in pre-k because when most of us were in pre-k digital art was still in its early stages and what fucking seven year old knows how to use a printer.

[jheselbraum]

GUESS WHO’S NOT FUCKING DONE YET:

The reason the primary colors for light are so dramatically different from the primary colors for paint and ink is because your eye only receives combinations of red light, blue light, and green light. Our eyes do not have a sensor (cone cell) for yellow light. So when we paint with light, red green and blue are our primary colors. Because of our eyes.

Furthermore, paint primary colors are colors that cannot be created by mixing other colors together. For paint, they are red yellow and blue, because you cannot mix orange and green to get yellow. Mixing orange and purple paint does not make red. And mixing green and purple paint does not make blue.

Mixing blue and green paints will make cyan. Mixing red and blue paints will make magenta.

That’s why cyan and magenta aren’t primary paint colors.

However, you can’t mix yellow and blue ink and get cyan. You can’t mix red and blue ink to get magenta.

And that’s why cyan and magenta are the primary ink colors.

Brighter and stronger paints are created through tints and shades, through a thorough understanding of color theory and a few quality paint recipes. Not by bullshit posts on tumblr designed to mislead you.

[littleteacupdragon]

I love people angrily explaining why something is bullshit™ because they’re just fed up with it

[queermosapien]

REBLOGGING FOR FUCKING COMMENTARY READ THIS WHOLE POST YOU DICKS

[the-peculiar-bi-tch]

HOLY S H I T THIS POST WAS A RIDE I HIGHLY RECOMMEND READING THIS WHOLE THING

[etheringtonbrothers]

The ONLY WAY to combat the lack of funding in arts education is for professionals to take a few hours a week to share their skills for FREE, to empower and encourage the next generation of artists. THIS IS WHAT THE INTERNET IS FOR. Here’s 200 tutorials:

How to draw ANGRY EXPRESSIONS How to draw BATTLE DAMAGE How to draw BIRD HEADS How to draw BOOKS How to draw BOTTLES and GLASSES How to draw BOXES How to draw BREAKING GLASS How to draw BRICKWORK How to draw CABLES and WIRES How to draw CAR CHASES How to draw CATERPILLAR TRACKS How to draw CAVES How to draw CHARACTERS (3-SHAPES) How to draw CHARACTERS (FLIPPED-SHAPES) How to draw CHARACTER SHAPES How to draw CITYSCAPES How to draw COMIC COVERS How to draw COMPOSITION   How to draw CONTRAST How to draw CONVERSATIONS How to draw CREATURE TEETH How to draw CROSS-CONTOURS How to draw DETAIL AT DISTANCE How to draw EARS How to draw FABRIC How to draw FEET & SHOES How to draw FEMALE HANDS PART ONE How to draw FEMALE HANDS PART TWO How to draw FLAGS How to draw FOOD TRUCKS How to draw FOREGROUND MIDGROUND BACKGROUND How to draw GAME BUILDINGS How to draw GEMS and CRYSTALS How to draw GHOSTS How to draw GIRL’S HAIR How to draw GOLD How to draw GRASS How to draw HAIR (1940s styles) How to draw HAIR IN MOTION How to draw HAPPY EXPRESSIONS How to draw HEAD ANGLES How to draw HOOVES How to draw HORNS How to draw HORSE HEADS How to draw IMPACT DEBRIS How to draw IN 3D How to draw INTEGRATING LOGOS How to draw INTERIOR BASICS How to draw IN-WORLD TYPOGRAPHY How to draw JUMPS How to draw JUNGLE PLANT CLUSTERS How to draw JUNK HOUSES How to draw LAMP POSTS How to draw LAVA How to draw LIGHTNING and ELECTRICITY How to draw MECHANICAL DETAILS How to draw MUSHROOMS and FUNGUS How to draw MONSTER HEADS How to draw MONSTER TENTACLES How to draw MONSTER TRUCKS How to draw MOUNTAINS How to draw NEGATIVE SPACE How to draw NEWSPAPERS How to draw NOSES How to draw OVERGROWN VEGETATION How to draw PEBBLES AND GRAVEL How to draw PERSPECTIVE BOXES How to draw PIGS How to draw PILLOWS and CUSHIONS How to draw POD HOUSES How to draw POURING LIQUID How to draw ROBOT ARMS How to draw ROCK FORMATIONS How to draw RUNNING FIGURES How to draw SAND How to draw SAUSAGE DOGS How to draw SEA WEED   How to draw SHADOW COMPOSITION How to draw SHOULDER ARMOUR How to draw SIEGE WEAPONS How to draw SILHOUETTE THUMBNAILS How to draw SMALL FLAMES How to draw SMALL, MEDIUM, LARGE How to draw SMOKE EFFECTS How to draw SNOW How to draw SPACE BIKES How to draw SQUIRRELS How to draw STICK FIGURES How to draw SWORD FIGHTS How to draw THE HORIZON How to draw TIKI STATUES How to draw TREASURE CHESTS How to draw TREE BARK How to draw TREE ROOTS How to draw USING THE SHATTER TECHNIQUE How to draw VEHICLE STANCE How to draw VINES How to draw VINTAGE PLANES How to draw WATER How to draw WOODEN HOUSES

[gayemo]

Than k y o u u

[keyblack-hl]

do you ever just

“no that’s not dramatic and cheesy enough”

“getting warmer”

“t HERE IT IS”

[discoskater79]

i love this but i dont know how to do this

hoW

[yokoboo]

For those wondering about HOW to do this, here’s a short explanation according to me:

Drawing A to Drawing B: -the most obvious change is the exaggeration of the line of motion in the character.  

In Drawing B the line of motion is much more pronounced, creating more drama and movement to the whole composition

-The arms are open wider, showing more confidence and exuberance in the character, exaggerating their emotions so they can be more clearly read without having to look to the face for emotional cues.

-the legs are wider apart, adding to the aforementioned confidence but also giving the character a solid foundation, visually speaking.

-The head is tilted back and overlapped by the chest, adding a touch of dynamic perspective to the drawing.

Drawing B to Drawing C:  -Most obvious change is to zoom in on the character.  Character framing is just as important as what the character is doing.  Zooming in can help infensify emotions.  this shot is ALL about this character and what they’re feeling. -Because of the zooming in, the arms/hands would have gotten lost, so instead of making the canvas wider, the artist has elected to rotate the character slightly, bringing a dynamic angle to things and more intensity to the close shot. -While the character is more upright in this shot compared to Drawing B, in Drawing C the chest still slightly overlaps the neck, preserving the feeling of being slightly below the character (putting them in a position of power relative to the viewer), which helps maintain confidence and power in the character. -the chest is exaggerated to carry the majority of the body’s line of action so even though you cannot see the legs, our brains are able to fill in the gap and envision that line of action. -The cropping/framing of the character allows for a more interesting composition/negative shapes created by the positive (character) on the negative (background), creating more visual interest as well as a circular motion to the composition through the arms, across the face to the negative space for the eyes to rest in before dropping to the hand in the background and back through the composition again.

[sushi--rolled-blog-deactivated2]

[drawingmodel]

Pretty sure I’ve posted this before. But worth a repost

[candyclops]

Do you ever look at your old art and just

[calvin-arium]

It’s here !! The guide for two-legged people who don’t know how to draw wheelchairs !!! 7 pages of infodump ! Disclaimer : I don’t know everything, I have one (1) experience of wheelchair user who used both bad and good chairs, and I share what I learned.

Image description :

1) Calvin in his wheelchair saying “yo” under a huge title “how to draw manual wheelchairs properly by Calvin Arium, a wheelchair user comic artist”.

2) A character says “my character self propels in a chair that was outdated in 1970 lol” Calvin says “so it looks like you two legged people don’t know the difference between an hospital chair and a chair made to be independant” an arrow point the crapppy chair, saying “we never want to see this again”

a bubble says “the hospital chair is extremely unpractical, tough considering it’s cheaper than a good custom chair a lot of us have only this”

3) a character hurt himself trying to reach the wheels of the hospital chair. Several arrows point why the chair is unpractical : “high backrest restrain shoulders movement” “huge armrest restrains wheel access” “separated footrest : amovible, cheap, bulky” “x structure, foldable but heavy” “huge front casters for stability” “heavy wheels”

4) Several arrows point an active wheelchair (the KSL by Küshall) : “usually no armrest” “a low backrest allow more movement” “light, design, ferning expersive” “special cushion to avoind injuries” “knee angle is usually 90°” “one single piece of frame, sometimes entirely welded” “weight : from 4 to 10kg” “often rigid” “center of the wheel is the center of gravity” “higher quality wheels : less spikes”

5) A hand grab different parts of the wheel, pushing harder in the second half. Bubbles says “some have gloves, some don’t. The hand must grab the biggest area possible. Less movement = more energy. This is a common but not only way to push.Calvin is on his back wheels, rolling on grass and dirt bubble says “popping a wheelie is when a wheelchair user rolls on their back wheels to roll on every complicated surface.

6) several drawings illustrate the folding frame, the ergonomic but rigid and expensive backrest, the separated footrest (only for folding frame), the handles, the folding handles, athe amovibles handles, or no handles, the cool fancy loopwheels, the pretty custom colors 

7) More Features ! The fancy rigid-foldable frame, the anti tippers (sometimes used by beginners), the motorization (wheels, smart drive) when propelling yourself is difficult Calvin says “and now vroom vroom motherfuckers”

[archivep-deactivated20140121]

[ohcarararara]

OH MY GOD PAY, BLESS YOUR FACE.

I actually get asked to see a lot of portfolio’s while I’m at cons. And while I LOVE looking at other people’s art and offering critiques if they ask, it’s sort of cringe-y to be handed a messy stack of papers or something. Nice portfolio’s look so much more professional!

putting this up, since my website project for university is finished and I don’t have to put it on the web anymore.

a very, very basic image guide on how your portfolio should be presented or appear, whether you’re in fine arts, graphic design or illustration, illustrated by yours truly

please do NOT remove the commentary while reblogging, do not reupload anywhere else.

[baixinha-su]

thank you!

[crowminegray]

THIS is important

[kiwi]

HEY THIS IS IMPORTANT whats your favorite place to find drawing references?

[kiwi]

so far we’ve got

senshi stock

croquis cafe

line-of-action.com

quickposes.com

posemaniacs

clip studio paint models

pexels.com

sketchdaily

eggazyoutatsu atarichan drawer

designdoll

if you have any more please reply!

[nohara]

Unsplash: All photos published on Unsplash can be used for free. You can use them for commercial and noncommercial purposes. You do not need to ask permission from or provide credit to the photographer or Unsplash, although it is appreciated when possible. More precisely, Unsplash grants you an irrevocable, nonexclusive copyright license to download, copy, modify, distribute, perform, and use photos from Unsplash for free, including for commercial purposes, without permission from or attributing the photographer or Unsplash. This license does not include the right to compile photos from Unsplash to replicate a similar or competing service.

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Burst.Shopify: Burst is a free stock photo platform that is powered by Shopify. Their image library includes thousands of high-resolution, royalty-free images that were shot by their global community of photographers. You can use their pictures for just about anything — your website, blog or online store, school projects, Instagram ads, facebook posts, desktop backgrounds, client work and more. All of their photos are free for commercial use with no attribution required.

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Gratisography: You may use Gratisography pictures as you please for both personal and commercial projects. You can adapt and modify the images and get paid for work that incorporates the pictures. This includes advertising campaigns, adding your logo or text to an image, printed in any size print runs (e.g., book covers, magazines, posters, etc.), on your website, blog, or other digital mediums, and on merchandise as long as the picture itself is not the merchandise.

[gamersapphic-deactivated2022121]

for Clothing refs,

Yesstyle.com

they have flattering and elegant clothing

[peachixz]

my friends: “wow omg you’re so good at art”

me, drawing the upper bodies of the same 3 fictional characters over and over again at a ¾ angle with the lighting coming from the upper left hand corner: aha thanks ig

[lesbiantiana]

yes i’m an artist. yes i don’t know how to draw. we exist

[kiaraincolor]

How to Save Your Low-Res Lineart (Photoshop Tip)

[psdo]

*shrug*

[hanbeihood]

important for any artist

[lookmanolifeskills]

Heck, show this to every man in the world who assumes he knows what boobs look like.

[freak-phone]

I get asked a lot for tips with coloring black people, so i put together a little tutorial! (and bumps my kofi if you found this helpful)

[noontimer-deactivated20190617]

im gonna add some stuff:

if there is a color pallete you are having for your drawing. if a dark colored character won’t be able to make it look nice, its perfectly fine to make the skin a bit lighter. its really not offensive.

[misogynistcatgirl]

Brown skin, no matter how dark it is, is a neutral colour, it literally looks good with everything you dumb racist thot

[bakudekugender]

‘Brown skin makes your art ugly’ I am going to break your kneecaps with a sewing machine.

Anyways @milobruises1010 

[ze-pie]

what.

[ze-pie]

you heard the ferret

[floccinaucinihilipilificationa]