The entire set of Folk of the Air/Stolen Heir fanart I did!
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almost home
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oozey mess
The Stonewall Inn

blake kathryn
occasionally subtle
Fai_Ryy
let's talk about Bridgerton tea, my ask is open

tannertan36
art blog(derogatory)
cherry valley forever
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@nesta-archeron
The entire set of Folk of the Air/Stolen Heir fanart I did!
"Do better. Misaki exploded through the rain of scales. Give me more."
 I wanted to paint her again forEVER OMG MISAKI I MISSED YOUUUUUUU
“She was the heir of ash and fire, and she would bow to no one”
RIP Holland Vosijk you would have loved poetry tumblr
I don’t care what anyone says, but
“There is nowhere you go,” said the Antari to her prince, “that I cannot follow.”
was an absolutely banger line that, now in CONTEXT, hurt me on a spiritual level
They make me so absolutely ILL
Thanks miss schwab
slashing out the first syllable, the second barely a whisper of metal through air.
#1 NYT bestselling author V.E. Schwab returns to the dazzling worlds of Shades of Magic with a fantastical, perilous, and intrigue-tangled new series-starter: The Fragile Threads of Power,with commissioned artwork of Kell and Lila by lasq.draws.
WHAT’S IT ABOUT
Once, the four worlds sat nestled like pages in a book, connected with fantastical power to a single city: London. But the magic pulsed. It grew too fast, and the doors between worlds were sealed in a desperate gamble at protection.
The few magicians able to open these doors grew rarer as time passed, and now only three are known in recent memory. Kell Maresh of Red London, Delilah Bard of Grey London, and Holland Vosijk of White London have hardly been glimpsed for the last seven years. A new magician rises to claim the throne of White London: She is Kosika, who burns with religious fervor and will feed her city with blood, including her own.
And back in Red London, King Rhy Maresh is threatened by a rising rebellion, one that promises to correct the power by razing the throne entirely.
These two royals from very different empires face mirror struggles: Keep their crowns. Keep their heads. And amidst a tapestry of old friends and new enemies, a girl with unusual magic comes into possession of a device that could change the fate of all four worlds.
Her name is Tes, and she will bring the worlds together, or unravel it all.
Tamlin: My bride was STOLEN in the night by Rhysand.
Feyre: The sun was shining when I left you.
Tamlin:
cannot stop thinking about how good the fourth wing was
Hope is a fickle, dangerous thing. It steals your focus and aims it toward the possibilities instead of keeping it where it belongs - on the probabilities. || Fourth Wing by Rebecca Yarros
Violet and Xaden - Fourth Wing
Artist: @paintfaery
Another thing i really liked about The Golden Enclaves was that there was no big bad at the end, there was no evil wizard trying to destroy the enclaves just because. It was just people with all the good intentions in the world, people who thought this was the right path for the future and for their children, that was all
I liked that the gray morality that characterized the last two books extended even to Ophelia, that she wasn't power-hungry or sadist or evil. I liked that Li Shanfeng believed in El to the very end, even when he had no guarantees, no certainties, even when Ophelia's method would've been easier at the short run. I liked that Deepthi had to believe this was the best future, that all this suffering and this pain wasn't for nothing.
95% of people aren't cartoonish villains, they're just people who thought they were making the right choice, and Novik really reflected that in the trilogy
"People are fundamentally good if you give them the chance" and "people would commit the worst of atrocities for the sake of their children" and "people would rather turn a blind eye to crimes" and "you have to give people a chance to be better" and "being good is making the right choice over and over again, not just one time" and "it's not easy making that right choice and you won't always recognize when it is the time" and "what is good for your children has a cost for other people's children" and "the choices our forefathers made still have repercussions to this day" and "it is our duty to stand up to oppression and ignorance and apathy" and and and
Michelle Yeoh for GQ
cant sleep too busy thinking about “love is awful. it’s awful. it’s painful. it’s frightening. it makes you doubt yourself, judge yourself, distance yourself from the other people in your life. it makes you selfish. it makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. it’s all any of us want, and it’s hell when we get there. so no wonder it’s something we don’t want to do on our own. i was taught if we’re born with love then life is about choosing the right place to put it. people talk about that a lot, feeling right, when it feels right it’s easy. but i’m not sure that’s true. it takes strength to know what’s right. and love isn’t something that weak people do. being a romantic takes a hell of a lot of hope. i think what they mean is, when you find somebody that you love, it feels like hope.”
On Being Alive & Goodness
Marty McConnell, “When they say you can’t go home again, what they mean is you were never there” / The Good Place dir. Michael Schur / “The Letter” by Linda Gregg / Good Will Hunting dir. Gus Van Sant/ Mary Oliver, “Sleeping in the Forest”
#Issa and Lawrence aren’t like this with anyone else #fight me