Acacia parramattensis, A Treasury of Australian Wildflowers, D.Baglin, B.Mullins, F.Hurley, 1972
Acacia parramattensis, A Treasury of Australian Wildflowers, D.Baglin, B.Mullins, F.Hurley, 1972
Cosimo Galluzzi
Mike Driver

JBB: An Artblog!
Misplaced Lens Cap

if i look back, i am lost

Kiana Khansmith
$LAYYYTER
Today's Document
let's talk about Bridgerton tea, my ask is open
Not today Justin

titsay

祝日 / Permanent Vacation

No title available
macklin celebrini has autism

@theartofmadeline
ojovivo
Lint Roller? I Barely Know Her
No title available

Andulka
occasionally subtle
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@neukunstgrupppe
Acacia parramattensis, A Treasury of Australian Wildflowers, D.Baglin, B.Mullins, F.Hurley, 1972
Acacia parramattensis, A Treasury of Australian Wildflowers, D.Baglin, B.Mullins, F.Hurley, 1972
Collaboration with Honey Long
Madeleine Preston
The gleaners, 1857-2015 (after Mamma Andersson)
oil on board
75 x 120 cm
Jody Graham
Face Up - Self Portrait 73
Installation
Tim Olsen Drawing Prize 2016
Photos: Gavin Pili and Zoe May
Melissa Stenner
OCD, washing, checking, I should know
2013
Drawing
“OCD, washing, checking, I should know visually displays the stress and anxiety felt by someone suffering with obsessive compulsive disorder. In my work, I explored excessive hand washing and checking of appliances and door handles, drawing inspiration from my own personal experience of the disorder. The work is intentionally repetitive to highlight the obsession of a sufferer and to make the audience feel overwhelmed. The stress felt by a sufferer is communicated further by my sketchy, sometimes dark, sometimes sombre approach with continuous, quick actions of the hand. My materials helped with this method.”
http://www.artgallery.nsw.gov.au/insideartexpress/2014/melissa_stenner/
Gary Komarin
Big Pink
Oil on canvas
TOM POLO
FIELDS OF UNCERTAINTY, 2013
Tom Polo
Fields of Uncertainty
2013
acrylic on canvas
180.0 x 240.0 cm
I was a little kid and I didn’t realise the politics behind it. Everything was almost fair fodder in that context. I now know that a lot of the stuff I was painting, I didn’t have access to – that wasn’t my reality.
Dale Harding https://www.daao.org.au/bio/dale-harding/biography/
Cy Twombly
Willem de Kooning - Woman in a Landscape, 1965.
Ben Quilty
21st Century Dilemma 2014 oil on linen 190 x 280 cm overall (diptych)
Celeste Liddle, 'Rantings of an Aboriginal Feminist' blogger and National Aboriginal and Torres Strait Indigenous Organiser for the National Tertiary Education Union (NTEU), argues against the topic 'Feminists must unite against racism' during the 2015 Women's Health West debate. She is introduced by comedian Nelly Thomas, who facilitated the debate. Each year Women's Health West hosts feminist debates on deliberately provocative topics to explore the work we do. This year we examined the relationship of feminism and racism. Part of the fun of the debate is that speakers may be asked to take positions on the statement that they do not personally hold, or that do not necessarily represent the views of organisations with which they are affiliated. We hope you enjoy the contributions on both sides.
The British Turner prize-winning artist and cultural critic, Grayson Perry, has questioned whether Australian Aboriginal painting should be classified – or exhibited - as "contemporary art".
Why pontificate on what you don’t know about? Something as vast and significant as this? Ignorant white fuck??? Thank you UNSWAD for enlightening
The insults of age had been piling up for so long that I was almost numb to them.
Uncle Snoop been going through his midlife crisis smooth as hell