Jesper Just
at Perrotin
No title available
Cosimo Galluzzi
AnasAbdin
Xuebing Du
2025 on Tumblr: Trends That Defined the Year
d e v o n

❣ Chile in a Photography ❣
No title available

oozey mess
DEAR READER

blake kathryn
No title available
cherry valley forever
Three Goblin Art
will byers stan first human second
Sweet Seals For You, Always
Lint Roller? I Barely Know Her

JVL
Monterey Bay Aquarium
hello vonnie
seen from United States
seen from Canada
seen from United States

seen from Singapore

seen from Malaysia
seen from United States

seen from United States
seen from United States

seen from Romania
seen from United States
seen from United States

seen from United States
seen from United States

seen from United States

seen from United States

seen from Türkiye

seen from Indonesia
seen from United States

seen from United Kingdom

seen from United States
@neural-network
Jesper Just
at Perrotin
Vanderlei Lopes
What day is it?
“Hyperobjects are not just collections, systems, or assemblages of other objects. They are objects in their own right, objects in a special sense (…) The special sense of object derives from object-oriented ontology (OOO), an emerging philosophical movement committed to a unique form of realism and nonanthropocentric thinking.”
— Morton, Timothy. Hyperobjects: Philosophy and Ecology after the End of the World. Minneapolis, MN: University of Minnesota Press, 2013.
LOS ANGELES — In the events that transpired during the Arab Spring of 2011, citizens of several Middle Eastern countries took to the streets to protest the oppressive regimes that their respective leaders forced generations of innocents to endure. One of these oppressors was Bashar Al-Assad, the President of Syria. Al-Assad took power in 2000, after running unopposed in the election. He has since faced head-on the effects of a revolutionary population. In 2011, he agreed to lift the country’s state of emergency — one of the protesters’ demands — ostensibly allowing peaceful protests and a supposedly broader spectrum for freedom of speech. For some, this came as a relief. For others, it was a way to bandage a single wound while detracting attention from others. Despite international powers calling for Al-Assad to step down and allow the democratic election of a new leader, he never acquiesced. To this day, he remains in power, and has condemned international efforts to fight against extremist groups, all the while keeping his citizens in a permanent state of fear.
(via The Politics of Sound in a Prison)
The future is a concept, it doesn’t exist. There is no such thing as tomorrow. There never will be, because time is always now. That’s one of the things we discover when we stop talking to ourselves and stop thinking. We find there is only present, only an eternal now.
Alan Watts (via fyp-philosophy)
Theodor Graur
SPECTRO BOX /diagonal - neon tube, recycled pc motherboard, wooden frame [30/30/10 cm] - shop
http://www.fri-art.ch/fr/editions/the-anti-museum
Antoine Roux & Thomas Christiani, exhibition view at Artisan Social Designer in Paris.
this emblematic image of the painter yves klein throwing himself out of the window was in fact a montage made by his friend, the hungarian photographer harry shunk, to illustrate his theories about levitation. in reality, klein’s friends were waiting with an outstretched sheet, but the cleverly retouched photograph acquired legendary status and was even exhibited at the kunsthalle bern in 1969.
yves klein, le saut dans le vide (leap into the void), 5, rue gentil-bernard, fontenay-aux-roses, octobre, 1960 [original]
© harry shunk
IN TERMS OF PERFORMANCE
http://www.intermsofperformance.site/ IN TERMS OF PERFORMANCE is a keywords anthology designed to provoke discovery across artistic disciplines. [image:
Hans Haacke, News, 1969/2005. Installation view, “State of the Union,” Paula Cooper Gallery, New York, 2005.]
Outwardly Coiling Context Collapse by DeForrest Brown Jr.
“A Human being is in fact completely in the world, but in such a way as to stand apart from the world.” Flusser goes on to say that, “[t]o him the world as environment is an object. That allows him to gesticulate, to behave as a subject. The world is fundamentally entropic.” - Vilèm Flusser (Gestures)
TAKIS - Telelphoto Relief n°5, 1965 Mercury vapour, light bulb, steel and wood @ MACBA
Nina Canell Perpetuum Mobile (25 kg), 2009 Water, ultrasound generator, basin, concrete Dimensions variable
Nina Canell | Satin Ions
Alejandro Almanza Pereda - Sticks and Stones No. 4, 2014