torrential downpour ruopnwod laitnerrot @pretty-rage-machine - Tumblr Blog

Hey tumblr folks! If you so desire you can download the Mermay coloring book for free right now over here

might sneak in a merm this year? who knows but anyways yall can still download this coloring book for free either from the link above or on itchio :>

#art #mermaid

pardalote

Finished stitching my Oversight series.

12 small embroidered poem-objects in wool, linen, cotton, silk, stitched on canvaswork mesh and edged in glass beads.

#oof #technology #art

literallytooangrytodie

I read Blade of the Immortal recently and i really like Makie and Manji and their dynamic lol....... go my hetslop.....

#boti #blade of the immortal #babes of the immortal #makie otonotachibana #not NOT into this... let ther rhave her arms tho

creature-adjacent

Carnivorous plants doin this is so funny to me

They don't wanna eat their pollinators :(

questionablepastries

#flora

questcequecestqueca

She played bass on 10,000 songs, including the most-played track of the twentieth century. She was paid $55 per session. Her name never appeared on the albums.

Gold Star Studios, Los Angeles, 1964. A woman in a cardigan walks past the receptionist, a Fender Precision bass in her hand like a briefcase. She doesn’t sign autographs. She signs a timesheet.

Her name is Carol Kaye. In three hours, she will record what will become the most-played track of the twentieth century. She’ll pocket fifty-five dollars and head to another studio, on the other side of town, for the next session.

The record label will never put her name on the album.

Between 1957 and 1973, Carol Kaye took part in roughly 10,000 recording sessions. Not as the featured artist, not as a guest, but as a hired hand. She was part of an anonymous collective nicknamed The Wrecking Crew—elite studio musicians who actually played the instruments on your favorite records while the famous bands posed for promotional photos.

The work was relentless. Three albums before the day was over. Stale coffee in paper cups. No rehearsal. The charts arrived minutes before the tape rolled. If you couldn’t read a chart and nail the take in two tries, you didn’t get called for the next session.

Carol could do it on the first try.

She started playing guitar in grimy bars at fourteen because her family couldn’t pay the electric bill. Music wasn’t a romantic dream for her. It was survival. It was a job—factory work with better acoustics and lower pay.

But she was faster and sharper than almost everyone else. She corrected charts in pencil while the producer was still explaining what he wanted. In one session in 1968, she told a famous producer his arrangement sounded like a dying dog. She chose her own line. They kept her version.

That descending bass line that drives the Beach Boys’ “Wouldn’t It Be Nice”? Carol Kaye. The propulsive groove of “These Boots Are Made for Walkin’”? Carol Kaye. The acoustic-guitar intro to “La Bamba”? Carol Kaye. The iconic theme from Mission: Impossible? Carol Kaye.

She invented techniques on the spot, out of sheer necessity. When the bass sound was too muddy for AM radio, she stuck felt under the strings and used a hard pick instead of her fingers. The tone cut through the static like a blade. It became the sonic signature that defined 1960s pop.

Bassists spent years—decades—trying to crack the secret of the Beach Boys’ gear to get that sound. They were studying the wrong people. They should have been studying Carol.

She received no royalties. No residuals. No gold-record ceremony. No credit on the album sleeves. When “You’ve Lost That Lovin’ Feelin’” hit number one, Carol was already back in a studio cutting a soap jingle.

The biggest bands mimed her bass lines on TV variety shows. New York marketing departments decided a mom in classic clothes didn’t fit the rebellious-youth image they were selling. So they simply left her name off the album credits.

For thirty years, almost no one cared. The truth only began to surface in the late 1990s, when music researchers found the same union contract numbers on thousands of hit records. The very documents meant to preserve studio musicians’ anonymity betrayed them.

Think about it. Every time you heard “Good Vibrations,” “River Deep – Mountain High,” the Righteous Brothers, Nancy Sinatra, or Sonny and Cher, you were hearing Carol Kaye. She composed the soundtrack of an entire generation’s youth.

And yet the records still say nothing. She’s now over eighty. She wrote instructional books. She trained countless bassists. She is finally starting to be recognized by music historians who uncovered the truth about The Wrecking Crew.

But she never got what she deserved: her name on those albums. Credit for the music that defined an era. Recognition that those bass lines everyone associates with the “Beach Boys” were, in fact, Carol Kaye’s.

Fifty-five dollars a session. Ten thousand sessions. The most-played track of the twentieth century.

And the world didn’t know her name.

clevermanka

She was admitted to the Rock & Roll Hall of Fame in 2025 but refused, fuck yeah, Carol. Her official website is incredible.

the-succubus-lilith

@demilypyro

#music

gothicprep

one of my classic texts, from the archives

#laughing

meredithmcclaren

One of my books coming up is gonna have me painting SO MANY BACKGROUNDS.

I'm trying to get ahead of the curve and strengthen those muscles before it becomes the only thing I can afford to think about.

#water

insertusernameici

unicornempire

I love that Leverage really goes out of it’s way to show us that just because you break the ‘rules’, it doesn’t mean you’re breaking the rules. Rules and laws and society are all made up, at the end of the day, and all you really have is your own moral compass and sense of justice; is this just to you? Is it right? Should it be OK for companies to put people in insurmountable debt for the rest of their lives just because our medical care is so expensive in this modern day and age? No law or rule should change what you know in your heart is right and wrong, and I think that’s the key thing that makes someone a good person in my eyes.

theheroheart

#there was a time when parker wouldn’t have noticed, #not because she lacked the capacity to care, #but because she had narrowed herself, #to stay alive she cut off as many unnecessary things as possible, #watching her get them all back, #is one of the glories of this show (via @seananmcguire)

jack-the-bear

Leverage hands down has the best character development I’ve ever seen.

lets-go-steal-an-ot3

This scene hit me like a brick. My parents were hundreds of thousands of dollars in debt when I was 16 bc I’d had cancer the year before (my treatment ended up being free but the initial ER bills and such were not).

But somewhere along the line they just… Disappeared. My mom says they’re not being paid and they’re not in collections. It’s almost as if someone out there did…exactly what Parker did.

Ever since I saw this the first time, I’ve imagined it was Parker doing it. That she and Hardison had a free weekend and decided to take it out on a collections agency. That I was one of the lucky ones who got a little Leverage.

gay-jesus-probably

Okay but like yeah, that is actually a thing that happens, albeit not exactly like this. I don’t remember the exact process but basically there’s a booming industry to sell peoples debt - the business you owe money to sells it to someone else for a fraction of the money owed, wipes their hands of the whole affair, and now whoever bought your debt is riding your ass to get you to give the money to the. But it’s also entirely possible for people to just… buy up massive amounts of debt for pennies on the dollar, and then just. Forgive it. Because capitalism is a living nightmare, but the system is broken enough that it’s possible to exploit it for good sometimes.

Like, the main reason I know about this is because John Oliver did a piece on debt buying a few years ago, and ended it by revealing that he’d bought 15 million dollars worth of medical debt just so he could forgive all of it. Both to expose how broken the system was because some random fucker like him could buy millions of dollars in peoples debt with zero regulations, and also just to take the record for biggest TV giveaway in history.

mikkeneko

A charity where you can do this, right here.

Be Parker! Be somebody else’s Leverage!

melyzard

Reblogging for the website.

nianeyna

yes! if you want to help with the medical debt crisis in the US and have some extra money please donate to RIP Medical Debt if you can. They’re completely legit and really do what they say - you really CAN relieve an incredible amount of debt for the needy with even a small donation. I’m a monthly donor and receive a quarterly report of the debt they’ve abolished, and it truly is amazing. Based on those reports the average amount of debt abolished per person is actually I would say about $600 - which means, if you’re doing the math, that with a $6 donation to RIP Medical Debt, you can potentially pull one person out of a poverty spiral - maybe even one family. For six dollars. that’s a pretty good deal, I think.

bethanyactually

RIP Medical Debt is now called Undue Medical Debt!

Undue Medical Debt makes it easy for donors to make an impactful difference in the lives of those struggling with medical debt.

#reference

badassdemonsword-deactivated202

#birds

markovchaingang

you guys do realise walking doesn't actually move you anywhere right? it just destroys you entirely and places a perfect copy of you right in front of where you were standing

#unreality