forge ahead
Game of Thrones Daily

oozey mess

izzy's playlists!
I'd rather be in outer space 🛸

shark vs the universe

titsay

Andulka

JBB: An Artblog!
trying on a metaphor

Janaina Medeiros
d e v o n
Claire Keane
KIROKAZE
Sade Olutola
we're not kids anymore.
let's talk about Bridgerton tea, my ask is open
todays bird

No title available
AnasAbdin
Mike Driver
seen from United States

seen from Türkiye
seen from Russia

seen from Brunei

seen from Switzerland

seen from United Kingdom

seen from Mexico

seen from United States

seen from United States

seen from Türkiye

seen from United Kingdom

seen from Malaysia

seen from Türkiye

seen from Malaysia

seen from Canada
seen from Japan

seen from United States
seen from United States

seen from United Arab Emirates
seen from United Kingdom
@newformalism
forge ahead
lighthouse ghosties
It’s spooky season bois.
Miles Cleveland Goodwin.
haunted house roundup!!
for a small fee i'll haunt your house, too
Pages from a little monster picture book by Imiri Sakabashira
Song Dong aka 宋冬 (Chinese, b. 1966, Beijing, China) - Installation Arts (Info with each photo)
Mitsuo Katsui, c1966, found in the book Visual Resonance
Hans Baluschek (German, 1870-1935) - Big City Train Station, 1904
‘Baroque Electronics’ computer room (year not listed)
“In this executive’s home computer room, designed by Stanley Jay Friedman and associates Joel C. Gevis and Roger Urmson, Italian Baroque and high technology counterpoint in an idiom best described as “classical modernism:‘
In plan, the room is a rectangle with furnishings concentrated at the far end by the windows. Here, a custom leather banquette, table, and chairs can accommodate a business conference, an intimate supper, or an evening of solitary relaxation. Classical references soften the otherwise severe approach–gilded putti and billowing Roman shades become the antithesis of twentieth-century electronic technology. With an eye toward the humorous, anatomical wall sconces—made from gilded mannequin arms—playfully recall Giacometti’s classic design.”
Scanned from ‘The Media Design Book’ by Philip Mazzurco (1984)
John Register (American, 1936-1996), Three Yellow Chairs, 1976. Oil on canvas, 114 x 114.9 cm.
Andrew Wyeth, The Witching Hour, 1977.
Robert Hamilton (American, 1917–2004), Untitled (The Boot), c.1995. Oil on canvas, 101.6 × 101.6 cm
Have and Have Not (2006) Crystal Schenk Steel, Stained Glass, Wood, Fabric 40 x 24 x 40 inches
Eusebi Planas, Escarabat Planas (Beetle Skirt), c1870 via Galeria d'images
The work of textile artist Amy Meissner
Reliquary series
Works from top to bottom:
Spontaneous Combustion (2013)
Reliquary #1: Accumulation (2014)
Reliquary #2: Keep (2015)
Reliquary #7: Tooth (2015)
Reliquary #6: Key (2015)