‘Casa Olano’, single family house Comillas, Santander, Cantabria, Spain; 1957
José Antonio Coderch de Sentmenat, Manuel Valls Vergés
see map | more information 1, 2, 3
via “COAM Arquitectura” 107 (1967)
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‘Casa Olano’, single family house Comillas, Santander, Cantabria, Spain; 1957
José Antonio Coderch de Sentmenat, Manuel Valls Vergés
see map | more information 1, 2, 3
via “COAM Arquitectura” 107 (1967)
Laboratory and office building for ‘Misión Biológica de Galicia’ (CSIC) in Salcedo; Pontevedra, Galicia, Spain; 1949
Alejandro de la Sota
see map | more information 1, 2, 3, 4 | + video
via “Obradoiro: revista de arquitectura y urbanismo” 15 COAG (1989)
Complex “Los Manantiales” Torremolinos, Málaga, Spain; 1969-71
Luís Alfonso Pagán López de Munaín (photography by A. Rubio)
see map | more information
Taken from “Informes de la Construcción: Volume 28, 278″ (1976)
Crematorium, Sint-Niklaas | by KAAN Architecten.
(vía Hidden Architecture » Domus Demain - Hidden Architecture)
(vía NOSOTROS Y ELLA, LA ARQUITECTURA: La arquitectura del silencio)
Instituto de Microbiología Ramón y Cajal (1949-56) in Madrid, Spain, by Miguel Fisac
Jorge Oteiza
"Cada uno de nosotros está hecho de lo imprevisible más que de lo probable. [...] Cada instante que pasa deja tras de sí una infinidad de vidas posibles que han estado a punto de ser."
• David Le Breton, "Desaparecer de sí".
Siruela. Traducción: Hugo Castignani
•Miguel Fisac. Bodega Garvey, Jerez
Alejandro Caso y Margarita Chávez: casa Lombardo [Fuego 405], Jardines del Pedregal, México D.F., 1967
SMP building \ Port de Tarragona #peripheralarchitecture #AGUAarchitecture #tarragona
#photography José Hevia #josehevia
SMP building \ Port de Tarragona #peripheralarchitecture #AGUAarchitecture #tarragona
#photography José Hevia #josehevia
𝐇𝐚𝐫𝐯𝐚𝐫𝐝 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐚𝐥 𝐓𝐡𝐞𝐨𝐫𝐲 𝐑𝐞𝐚𝐝𝐢𝐧𝐠 𝐋𝐢𝐬𝐭
Ackerman, James ‘The Conventions and Rhetoric of Architectural Drawing.’
Allen, Stan ‘Le Corbusier and Modernist Movement: The Carpenter Center for the Visual Arts.’
Argan, Giulio Carlo ‘On the Typology of Architecture.’
Argan, Giulio Carlo ‘The Architecture of Brunelleschi and the Origins of Perspective Theory in the Fifteenth Century.’
Aureli, Pier Vittorio ‘The Difficult Whole: Typology and the Singularity of the Urban Event in Aldo Rossi’s Early Theoretical Work.’ His other work is available here.
Banham, Reyner ‘Theory and Design in the First Machine Age.’
Evans, Robin ‘Translations from Drawing to Building and Other Essays.’
Ghirardo, Diane ‘The Blue of Aldo Rossi’s Sky.’
Giedion, Sigfried ‘Space, Time and Architecture: The Growth of a New Tradition.’
Hays, K. Michael ‘Architecture’s Appearance and the Practices of Imagination.’
Hays, K. Michael ‘Critical Architecture: Between Culture and Form.’
Hegel, Georg W.F ‘Hegel’s Aesthetics: Lectures on Fine Art, Vol. I & II.’
Hitchcock, Henry-Russell ‘The Crystal Palace: The Structure, its Antecedents, and its Immediate Progeny.’
Jordy, William ‘Seagram Assessed.’
Le Corbusier ‘Towards a New Architecture.’
Le Corbusier: Oeuvre Complete
Panofsky, Erwin ‘Perspective as Symbolic Form.’
Picon, Antoine ‘Construction History: Between Technological and Cultural History.’
Picon, Antoine ‘Dom-ino: Archetype and Fiction.’
Rossi, Aldo ‘The Architecture of The City.’
Rowe, Colin ‘The Mathematics of the Ideal Villa.’
Sallis, John ‘From Tower to Cathedral.’
Van Der Rohe, Ludwig Mies ‘Architecture and Technology.’
Von Moos, Stanislaus – Le Corbusier: Elements of a Synthesis
Wittkower, Rudolf ‘Architectural Principles in the Age of Humanism.’ (also a personal favourite of mine)
Maison Koshino
-Staircase in Capri-
Daniel Buren, Peinture acrylique blanche sur tissu rayé blanc et orange, (acrylic on fabric), 1966 [Walker Art Center, Minneapolis, MN. © Daniel Buren]
Manuel Barbadillo (Spanish, 1929-2003), Naceria, c.1976