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More Stunning Footage From an Eagle’s Point of View
This is really cool.
Philadelphia bike sharing program looking for sugar daddy
By Tom MacDonald, @tmacdonaldwhyy
A bike sharing program is continuing to move forward in Philadelphia and the city is looking for a company with deep pockets to buy naming rights.
Deputy Mayor for Transportation and Utilities Rina Cutler says grants from both the public and private sector should cover the $10 million to $15 million cost of rolling out a bike share program.
"Eventually there will be somewhere between 150 and 200 bike share stations they will hold about 10 bikes a piece," said Cutler. "When the program is fully operational in 2015 there will be somewhere between 1,500 and 2,000 bikes."
The city is seeking a corporate sponsor to buy naming rights for the program, as Citibank did in New York.
Cutler says the bike share will not be citywide though it will cover a great deal of the city.
"From the Delaware River into West Philadelphia, from the Navy Yard through Center City and up to Temple University's main campus in North Philadelphia so it will be pretty extensive," she said.
The city has set up a website at phila.gov/bikeshare seeking private property owners willing to host bike share stations.
someone didn’t think this through.
Laughed for like 3 days.
You can see the exact moment where it realizes its mistake.
Allstate says Philly is a car crash haven
By Tom MacDonald @tmacdonaldwhyy
Philadelphia drivers have won a dubious distinction.
The Allstate America's Best Drivers Report says Philadelphia is the worst city with at least one million in population when it comes to accidents.
Allstate's Julia Reusch says her company is not using the report as a way to charge Philly drivers more for insurance.
"What we are doing with this study is just looking at crash data and then there are many factors that go into deciding insurance rates," she said.
Reusch says the study also seeks to find ways to cut down accidents.
"It sounds so simple, but unfortunately it's not anymore," she said. "When you are driving, just pay attention to driving. People are talking with their kids, they are turned around, they are fiddling with their radio. We want people to focus on their driving when they are driving."
Philadelphia isn't the worst city overall. Washington DC, which only has about 600,000 residents, has that "honor."
A turning point in the battle against the Rim fire
Today marks the eleventh day in the efforts to contain the rampaging Rim fire, which has so far torn through 161,000 acres near the northern end of Yosemite National Park, threatening everything from historical camp sites, to homes, the local environment and even San Francisco’s utilities.
But there’s a light at the end of the charred tunnel - the fire is now 20% contained, a sizable jump from just 7% two days ago.
"The fire will burn until the snow flies," said Tom Medema, a Yosemite National Park interpretive ranger. "But today, we finally had a chance to box it in."
See more of the blaze over at Framework, or read more on continued efforts to contain it via L.A. Now.
Photos: Don Bartletti / Los Angeles Times
Filling big, floppy shoes at Clownfest 2013
By Kimberly Paynter, @KPaynter
Funny men and women from across the region converged at the 32nd Annual Clownfest last weekend in Lancaster, Pa. Participants competed in a costume contest, attended performances and magic classes, exchanged tips on make-up, and perused the big shoes, rubber noses and other clown goods at the Lancaster Host Resort.
Festival participants headed to Clipper Stadium for a Barnstormers baseball game on Friday afternoon where they entertained the crowd. A few hours before the game, Walter Slaymaker of Warmister, Pa., carefully applied make-up to his face in his hotel room. Slaymaker, or "Buttons," has been performing part-time as a clown for 22 years, and although he's typically a reserved person, he said the costume changes him.
"Once I get in front of a crowd, I do things that are crazier," said Slaymaker, "Once you're in full regalia, once you step out of the house, you're on from that point, because kids will constantly come up to you, toot the horn at you when you're driving, it's a lot of fun."
One of the youngest festival-goers, Joey Klein, 15, or "Jozo," said he uses his character to accentuate his natural clown and takes inspiration from real life to develop his act.
"I'll do a chair gag, which is pretty much me trying to sit in a chair, but it goes terribly wrong so I end up getting folded up in the chair," said Klein. He added that getting stuck in a chair has happened to him in real life.
Klein's been clowning since he was 3 years old and now works professionally at fairs and parties. He hopes that after college he'll continue to perform close to his home in North Caldwell, N.J.
Like Klein, Carol Williams, or "Bingo" uses her character to accentuate her natural silliness. Williams worked as a sixth grade teacher before becoming a clown, and after 30 years, she now owns her own agency that manages 50 performers throughout Virginia and Maryland.
"I actually have a hard time not just joking around with people, no matter what I'm wearing," said Williams. "But if you are down sometimes, and you just don't want to put the make-up on, as soon as you start putting it on, something happens." She described the experience as "transformative."
"Laughter is a tranquilizer with no side effects," said Williams. "Except if you have a full bladder!"
Retired clown Leon McBride, once a famous performer with The Ringling Bros. and Barnum & Bailey Circus, sold custom rubber noses at the festival. McBride said that each clown should have a unique face and that it takes about 13 years to fully develop a character, until the application of the face becomes part of an individual's subconscious.
McBride trumpeted the importance of laughter, that after a personal experience — a disaster in one's life, when someone begins to laugh again, it is a sign of recovery. "Clowns are reflections of ourselves as imperfect human beings," McBride said. "We have to be able to laugh at ourselves."
Roger Federer tries to play the violin during an advertising film shooting in Zurich, Switzerland to promote the Lucerne Festival, a prestigious classical music festival that celebrates its 75th anniversary this year. The festival will last September 16, 2013. (Photo: AFP Photo/Credit Suisse/Lucerne Festival)
Mapping firm Esri has today released an interactive map of the California Rim Fire, which is now in its 12th day. In the map above, you can explore the fire’s geography — its invasion of Yosemite National Park, its encroachment upon the Hetch Hetchy reservoir which supplies the Bay Area’s water supply, and its proximity to a cluster of Toulumne county communities, many of which are under evacuation orders.
Sure, color film existed in 1963. And sure, there are probably color photos of this day in history. But the vast majority of the imagery we’re used to seeing is black-and-white — such as, for example, the digitized photos in the Library of Congress (LOC).
But what if we could see them in color?
The act of colorizing photographs is as old as photography itself. Magic lanterns, autochromes, etc.: It was all done by hand. For some reason, though, my jaw dropped when a coworker directed me to a group on Reddit called Colorized History. Only a few months old, it has about 16 regular contributors — and approximately 24,000 subscribers. Their work has been circulating around the web a lot lately, and they’re not the only people doing this, but they’re really good.
Colorizing The March On Washington
Photo Credit: Original images by Warren K. Leffler/Library of Congress, Color images by Oliver Wistisen, Frank Augrandjean and Mads Madsen
A new Philadelphia facility designed to make it easier for victims of sexual abuse to get on the road to recovery is being heralded as a national model.
(via For Kids With Special Needs, More Places To Play)
NPR has also created a community-edited guide to accessible playgrounds. Check it out, add some more!
Photographer Captures Waves of Trash in Indonesia
"Waves for days. Trash for eternity. That’s what photographer Zak Noyle discovered on a recent trip to Java, Indonesia. The waves of Java, always known for being pristine and barreling, were now rolling swells of disgusting trash and debris.”
Exhibit bears witness to Bethlehem's industrial past and cultural future
By Elisabeth Perez-Luna, @eplunareporter
In Bethlehem, a group of entrepreneurs has transformed the remnants of a bankrupt industrial giant. The city's ArtsQuest complex is a marketplace where culture is the new currency. An exhibit, "Oxidation & Interpretation: 10 Years After Bethlehem Steel," now blooms where Bethlehem Steel withered, bringing together the work of eight renowned photographers from the region to present their vision of the Steel Stacks then and now.
Peter Treiber doesn't quite remember how many of his camera lenses cracked under the heat of the steel mill's blast furnaces. He was one of 26 staff photographers who traveled the country to take pictures of the Bethlehem Steel empire for catalogs, calendars and company newsletters.
Now a decade after the factory shut down, his photos are on display in an art center built at the foot of the old steelworks. Treiber says they tell stories only an insider would know.
"Most people have no idea of what goes on in a steel mill," Treiber said. "Even steel workers who worked in a small department their whole life didn't know what was happening in other departments. And their families, when they come to the exhibit, say, 'Oh, my gosh. I had no idea of what my father did!'"
From the grueling to the sublime
Alongside Treiber's publicity shots, he took loads of other photos that did not conform to the corporate message. He was allowed to keep those negatives, and the images are now in the show and in his book "Inside Bethlehem Steel: The Last Quarter Century."
Each photograph reveals both the intensity of the grueling work and the somewhat poetic quality hidden in the red rivers of molten iron. It was a dangerous place, and he had to learn the choreography of the work flow. He remembers an instance when he had only 20 seconds to take a picture — "even though what you were doing might have lasted for an hour, because shortly after they started letting iron out of the blast furnace, the whole room would fill with smoke."
Theo Anderson, another photographer in the show, has a perhaps more intellectual approach.
"I use Bethlehem Steel almost as a muse, almost as a basis for a visual exploration, a spiritual exploration," said Anderson. "In doing that, it liberated me from trying to tell a story or a narrative."
In one of his best-known photos, Anderson captures the solemnity of a cathedral-sized empty building. Rays of light beam down from a broken ceiling to illuminate the abandoned space. Taking the photo is an experience he'll never forget, he says.
"When there's nothing around except for the creaking of the plant, you hear your own heart, your own breathing, and there's a great sense of mindfulness, to use the Buddhist term," Anderson said. "And I know that the only thing I can bring back to you, outside of my memory, is a photograph. But the rest of it is often sublime."
Inventing the future
This exhibit is possible only because the entire area has become an arts campus, says gallery owner Santa Bannon, who curated "Oxidation and Interpretation."
"What the Bethlehem Steel was when it was operational was a very dirty, gritty, hot, unpleasant place to be around," Bannon said, "and now it's a venue for the visual and performing arts — with beautiful buildings and space for music and performance indoors and outdoors. It's transformed completely."
The new Bethlehem is fueled by culture, an educated workforce and the Sands casino, built on the site of the steel plant. It's all deliberately located around the Stacks area, says Jeff Parks, president of ArtsQuest and the mastermind behind the industrial area's transformation. He wanted to capitalize on the power of education and culture to create the type of workforce attractive to the pharmaceutical and health technology industries and Fortune 500 companies. "And that's pretty much filed the vacuum left by Bethlehem Steel," he said.
Parks is a local. His mother came from a Pennsylvania Dutch Moravian family. His father came from Michigan to study at Lehigh University under the GI Bill. Jeff grew up in a city where higher education, faith, music, hard work and of course the Bethlehem Steel presence defined the town. He wanted to leave a mark in the city's urban landscape and is a strong believer in communities that attract the power of what's described as the creative class.
"They're going to invent the future, and they want everything — from sidewalk cafes, music venues, access to recreational activities and places to hike and bike, and all those things," Parks said. "So the arts, in essence, are the crucible through which creativity is inspired and is welcomed into a society and a community."
So there are still red-hot furnaces near the stacks today, but they belong to the glassblowing workshop at the Banana Factory, a collection of art studios and exhibition spaces. The Bethlehem Steel pictures, at the former banana warehouse and distribution center, are witnesses to the industrial past and present through the lenses of eight photographers.
YVES MARCHAND & ROMAIN MEFFRE
We absolutely love these photographs by Paris-based artists Yves Marchand and Romain Meffre. Rich textures, subtle pops of color and gorgeously soft lighting bring a sense of magic to these forgotten places.
"Forgotten places" brought back to life by Yves Marchand and Romain Meffre via finelinemagazine. A few forgotten books were left there too…
Penn, Drexel researchers compete in Pentagon's Robotics Challenge
By Maanvi Singh, @maanvisings
In case of a nuclear disaster, what if we could send in radiation-immune robots instead of human relief workers?
That's the thinking behind the DARPA Robotics Challenge, sponsored by the Pentagon's research and development wing.
Teams from both Drexel and Penn are among six semi-finalists in the contest to build the baddest rescue robot. In December, their robots have to run an obstacle course in which they climb ladders, walk through rubble and even drive cars.
The finals aren't until 2014, when the team with the best bot will win $2 million. But the competition is tough—two teams from NASA also are in the running.
Drexel's entry, "Hubo," is about the size of a 10-year-old boy. It's a humanoid—with arms and legs like people.
Paul Oh, who runs Drexel's autonomous systems lab, has been working on Hubo for years. But for this Robotics Challenge, a team of students from Drexel and nine other schools, including Swarthmore and the University of Delaware, are making Hubo bigger and stronger so it can tough it out in a nuclear disaster zone.
Hubo can already perform all of the tasks it will face on the obstacle course. The challenge now is getting it to do those things well.
The students have Hubo practice on a realistic set—complete with upended barrels, rusty walls and debris—that they commissioned a Broadway set designer to create.
'It doesn't really feel like work'
Drexel's Daniel Lofaro, one of the lead researchers on the DARPA project, said they wanted to make it look realistic in order to train Hubo's vision algorithms to work well in grimy, dimly lit environments.
Drexel grad student Robert Ellerberg said he spends a good chunk of his time fine-tuning Hubo. But, "when you're working on a project like this, in a field like this," he said, "often it doesn't really feel like work. Sometimes, it's almost like we're getting paid to play.
Ellerberg specializes in humanoid robotics, and he said that the DARPA challenge could propel the field forward.
"This project, and from a larger perspective, this scenario—the disaster recovery scenario—will be a big step forward for humanoid robotics," he said.
DARPA doesn't require the teams to build a humanoid, but it's hard to get a robot on wheels to climb up a ladder. It makes sense to replace human relief workers with robots that are built to work like humans.
But while humanoids are a perfect fit in theory, programming them to work as well as humans is no easy feat.
The human brain is far more complex than any computer, and the human body is much more compliant. Our inner ears and the pads of our feet are far more powerful than any sensor you could attach to a robot.
"You can kind of walk like a robot if you put on ski boots"—and a blindfold, Lofaro said.
Hubo can walk on two feet, but in order to keep its balance on uneven ground, it sometimes walks all fours instead.
Robots still need a hand from humans
All the robots in the DARPA challenge are semi-autonomous, which means that they can do some things independently and others with human direction.
So while Hubo can depend on a student in a control room to tell it what a valve is, it will have to turn the valve by itself.
Getting any kind of robot to perform well in a disaster situation is quite a big step.
Professor Dan Lee, who leads Penn's team, said that robots are best at performing specific tasks in a very controlled environment.
"Here we're having a challenge where the robots have to go into a completely unknown environment," he said. "You have lots of debris, a lot of uncertainty in the environment. And these are places where humans have a difficult time."
Penn has partnered with Virginia Tech, and their robot is humanoid as well. It's named after the Nordic god of thunder, Thor.
According to Lee, all the technology required to build a robo-rescuer exists. Researchers have gotten robots to walk, climb and lift. But bringing all of that research and knowledge together will be a big achievement.
"The level of difficulty they're asking for in all the tasks is incredible," Lee said. "Each one of these tasks could be a cutting-edge Ph.D. thesis."
Encouraging creative thought
The previous DARPA-funded challenge was to build a driverless vehicle. Stanford University placed first and continued to work on the technology even after the competition concluded in 2005. Its collaboration with Google led to the development of Google's driverless car, which completed 300,000 autonomous-driving miles, accident-free, last year.
More than anything, Lee said, these sorts of challenges encourage innovation. "These challenges spur creative thought," he said. "They ask, 'Can we make a big leap?'"
Regardless of who wins, Lee said, the research that all the competitors will generate during the competition will benefit the larger scientific community.
Both Penn and Drexel have made their work open source—anyone can access it online.
"This is, after all, science," Lee said. "We don't see it as a purely monetary competition."
Jackson Patterson takes a fascinating approach to his personal photography. He combines photographs he’s taken himself with prints from his personal family archive.
Photo-Montages Give “Personal” Photography New Meaning
via 2photo
Awesome.