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[kwanyoung]

Hetalia: Axis Powers | Themes of Media & Nationalism

The Plot Of The Anime

Hetalia: Axis Powers is a anime that takes on nationalistic and political topics and turn it into a satirical animation. In each short episodes, we can see that the nations and political groups are represented as human characters (anthropomorphized countries), where we can see the interactions of each nation through their stereotypical personalities and status, which I personally believe is genius way of retelling stories of historical events towards the broad and younger audience without incorporating much distressing or graphical content. Moreover, each short episodes are commonly themed around major world events like WWI and WWII, however it does expand into minor or fictional interactions between the characters.

The Issue In Question

Visual media, especially these anime episodes, represent a powerful narrative regarding nationalism and the cultural identities for each nation, as seen reflected from our real world's history and events. However, they are mainly expressed through stereotypes, which may not represent the nation or can differ from other nation's perspective as stereotypes are very subjective. Like I said, visual media itself is a very powerful medium to persuade (rhetoric) or bring in knowledge to their targeted audience (knowledge = power), through exaggerated expressions and art style choices. In this anime, the stereotypes are represented in a very exaggerated way, while making the show comedically and entertaining, can misrepresent the entire nation and its people in the real world. For example, Italy the character is represented as very sensitive, while Germany is represented as serious and aggressive. While an average viewer relates to these stereotypes, it doesn't actually represent all of the nation's population and can further push those stereotypical standards. The visual rhetoric element additionally can be powerful in ways to persuade people in a way propaganda does, using exaggerated elements to falsely favor people in serious real world situations.

The Issue Addressed In Japan & Beyond

Visual rhetorics and media have long been used to convince people to support or participate in nationalistic goals, however through creativity and exaggeration, it can also leak some misinformation of traits from specific nations or political groups to pull more power in from the people to those organizations or nations sending these media. One notable example is from Germany during WWII, where they would hand out visual rhetorics in forms of cartoons, portraying other countries like the United States as "corrupt" while displaying themselves as the more powerful and trustable nation. The visuals in propaganda are usually fantasized through body proportions and special added effects to bring in additional meanings, often for exaggeration.

On the other hand, visual media such as Hetalia can be beneficial to teach people in the real world about each country and culture, as well as the interactions in a less graphic way. However, the false representations and stereotypes are still relativity common in order to persuade the audience about what the country's identity is and their reason for their motives in historical events.

My Personal Takes

Today, I am very influenced by the media from around the world, whether that be social media, films, or the news. Social media would probably be one of the most influential, especially political memes that I happen to keep stumble into. The creators usually create exaggeration and stereotypes based on the government and the so called daily lives of the people in order to create comedically effects as well as to send a deeper meaning about their society, typically harsh like China or North Korea. All of this would shape how I perceive other countries and it does show how powerful media like Hetalia can be when they represent a real world country through their own stereotypes.

[nickslays05]

Hello there! I agree with your thoughts on Hetalia: Axis Powers to an extent. The way the show anthropomorphizes countries to tackle complex nationalistic and political issues is smart, but could also be taken in a not-so-good way. I agree that it’s an effective way to make historical events accessible to a younger audience without overwhelming them with distressing content. However, I also see the potential problems with reinforcing stereotypes, which can misrepresent entire nations. Like you, I think it’s essential to approach this kind of media critically. It’s fascinating how visual rhetoric can both educate and mislead, depending on how it’s used. Your insights into media influence, especially through social media, resonate with my own experiences. Great Analysis!

[nickslays05]

Hetalia: Axis Powers

Hello everyone!! This is my last blog for this class! I am so excited, this has been fun having a Tumblr and all, hopefully, I make my page look better than it does right now, but in the meantime, I watched this anime, Hetalia: Axis Powers, which I will say was one of the weirder ones for this class. I understand it does blend humor with historical events, so I guess it was just like a history lesson merged into a show. But, here is my analysis of this anime: The anime personified the countries and presented them as characters with exaggerated stereotypes. The series tackles issues of nationalism, identity, and global politics in a light-hearted yet thought-provoking manner.

The anime's format allows it to address complex and sensitive topics such as World War II and international relations through satirical jokes and statements. By depicting each country as quirky characters, Hetalia makes history accessible and engaging, while also critiquing the absurd characteristics of nationalism and cultural stereotypes. This approach is particularly relevant in Japan, where the balance between acknowledging historical events and maintaining national pride is a delicate issue. Globally, the show prompts viewers to reflect on their own national identities and the stereotypes they encounter or perpetuate. The series also connects to broader discussions in assigned readings on nationalism and the construction of identity. By presenting countries as characters with distinct personalities and relationships, Hetalia shows the audience how national identities are constructed and perceived both internally and externally. This aligns with readings that explore how cultural narratives and historical events shape national consciousness.

Hetalia, however, is not without its controversies. The use of stereotypes, while intended humorously, can sometimes reinforce harmful clichés. If I were to suggest this anime to anyone I would say it's essential to approach the series with an understanding of its satirical nature and have a critical eye toward the stereotypes it portrays. This aspect of Hetalia offers a valuable lesson in media literacy, highlighting the importance of context and intent in interpreting media representations.

In conclusion, Hetalia: Axis Powers is a fascinating anime that offers a satirical look at history and international relations. It addresses both Japanese and global issues of nationalism and identity while connecting to personal experiences and academic discussions. Despite its controversial elements, the series provides an engaging and thought-provoking way to explore historical events and cultural dynamics.

[robian]

Your Name

One of my all time favorite anime films for sure. Every time someone who doesn't watch anime asks me for a recc I always say "Your Name" which has also led me to watch this film like 4 different times. I was going to watch it again for this class, but honestly I can remember most of the movie by now from memory except, ironically, their names apparently because I'm sooo bad at remembering names😭. Also this movie definetly has the best plot twist of all time, gives me chills. Alright time to stop yapping about my love for this film and get to analyzing!

Some interesting information is that Makoto Shinkai was largely inspired by the events of the 2011 earthquake in Japan. Many people suffered and lost there lives. Makoto felt completely powerless and felt as if there was no way he could help these people. This led to him starting to portray disasters in his films such as Your Name, Weathering Away With You, and Suzume. Disasters seem to happen more frequently than ever and he wanted to do his best to "explore and face disasters that are only possible through anime and entertainment".

Okay the next theme people often think about when watching this movie is the red thread of fate which is a reference to old Asian Myth. Basically two people are fated to be together no matter what. Even though the main characters are seperated by time and space they are still pulled towards one another. But I'm going to hard disagree even if theres some obvious references to the thread of fate (I mean Mitsuha literally wears the red string of fate😭).

I think the movie is about destiny rather than fate. Now you may be asking "arent destiny and fate synonymous?" In contemporary english they might as well be but if you're as picky as me technically they aren't. Fate implies a predetermined outcome while destiny implies personal contribution to the outcome. The word "fate" originates from the latin word "fatum" which means "has been spoken". It implies an outside force predeterming an event. Destiny comes from the latin word "destinare" which means to "establishing or make firm". You pave the way to your own destiny. I say "Your Name" is a movie about destiny rather than fate because even though they are seperated by space and time, they both put in effort into reaching the movie's outcome. Quite literally they changed Mitsuha's destiny. Honestly, I'm definetly putting way too much thought into this movie and y'all probably think I'm just yapping, but I love this movie so please just give me a pass🙏.

Oh yeah, the movie also has a somewhat romantic theme (tying in with the red string of fate), but honestly I think this movie is so much more than just romance, so I'll spare you and myself from any more writing.

[nickslays05]

Hello Robian! I can see why it's your favorite film. Your Name is a gorgeous film with amazing animation. The plot twist is definitely one of the best ever. It's cool how Shinkai drew inspiration from the 2011 earthquake—adds so much depth to the story. The red thread of fate is a fascinating theme, and I get your point about destiny vs. fate. They definitely put effort into changing their outcomes, which makes the story even more compelling. Thanks for sharing your thoughts, and no worries about yapping, this movie was amazing. Great Analysis!

[nickslays05]

Your Name

Hello all! I'm excited to say that this is the final module of this class! So, these will be the last couple of blogs relating to anime for this class. For the first of this module, I did watch this gorgeous film called, Your Name. This is my analysis of it:

This film is the story of two teenagers, Taki who is from Tokyo and Mitsuha who is from a rural village. These two teens intermittently begin to swap bodies throughout the film. With the teens' bodies swapped, it sets up the movie to have Taki explore the themes of identity and empathy through Mitsuha's body.

As both of them navigate each other's lives they begin to learn how to understand and appreciate the struggles and joys of their environments. In the sense that Taki appreciates how he originally lived and Mitsuha appreciates the life she originally had. The body-swapping situation acts as a metaphor. I would say it represents the bridging of cultural and social divides, a significant issue in Japan where the gap between urban and rural life is great.

The anime also talks about the universal desire humans have for connection and belonging. In a world that is increasingly characterized by digital interactions, things like phones, TV, etc., Your Name underscores the importance of personal, face-to-face connections. Taki and Mitsuha's efforts to find each other despite their odds reflect a yearning that people have for an authentic relationship in an era of superficial digital connections. This theme would resonate globally as well due to people everywhere grappling with maintaining genuine connections amidst the distractions of modern technology.

Your Name’s depiction of the natural disaster that occurs touches on a deeply relevant issue for Japan. The comet strike mirrors that of the real-world event like the 2011 Tōhoku earthquake and tsunami. This element of the narrative speaks to the fragility of life and the resilience of the human spirit, themes that are poignant for a nation often facing natural calamities. The film therefore becomes a reflection of how communities come together in the face of disaster, emphasizing themes of hope and recovery that are universally significant.

In conclusion, Your Name is more than an amazing animated film, it is a profound commentary on identity, connection, and resilience. It addresses issues relevant to Japan while offering globally relevant insights, making it a poignant reflection on the human experience.

[whisperingwisterias]

Xenoblade Chronicles 2 and Humanity's Connection to Nature

Although I’d definitely heard about Xenoblade Chronicles 2, I’d never watched or played the game until now. Although it’s a fun fantasy game set in a beautiful world, the game is also very clear about its message about human’s relationship with the world and how both sides influence each other. Rather than present nature as a force that is better off without humanity, however, Xenoblade 2 seems to insist that both nature and humanity need each other.

The game starts off by introducing the situation of the world: a long time ago humanity used to live on top of the World Tree and had over all of nature from the earth to the skies, but one day the world changed and became uninhabitable for humans, who had to rely on creatures called the Titans for security and a place to live. Humans at this point are more dependent on nature than ever before and rely on the Titans for their entire existence, but although this relationship has worked for years upon years, the nature they have left is also beginning to fail and the titans are slowly dying one by one. The death of both nature and humanity is imminent, and unless a solution is found both sides are doomed.

Although in the current state of the world humanity and nature are intertwined, there are those within the game who think that things should not be this way and that humanity needs to be eradicated in order for the world to heal. Jin is one of the main believers of this ideology, saying that in the 500 years that humanity has had to adapt to this new way of life they actually have not changed at all, still hungering for war and violence and hurting others who get in the way of it. He says that mankind has an inherent hubris and that one way or another they are always doomed to bring about their own downfall. His proof lies in his own past: he explains to the group how the blades, who are born by nature as crystals that the Titans produce, used to be on the same social status as humans, living in harmony, but due to humanity’s tendency to lust for power and fear those more powerful than them, the blades have been turned into objects of servitude to be used as tools at humanity’s whim and caught up in their wars which do nothing but spread purposeless destruction. To Jin, the existence of humanity is a hopeless cycle of self-destruction that does nothing but harm the world. The world would be better off without them.

However, when Rex and the others finally reach Elysium, they find that nature, in fact, has not been thriving without them. Rather than the utopian paradise that Pyra remembers, all they find is a barren desert. Rex himself asks in pure bafflement, “Where is the greenery? The water? The birdsong?” Left on its own, the beautiful place on top of the World Tree has also died out and even the absence of humans has not given it the opportunity to repair itself. In fact, the group finds out from Klaus that without his own interference trying to redeem the destruction that his mistakes caused, the world and ecosystem that humanity is thriving in now wouldn’t even exist in the first place. Even though the world was ravaged in the first because of his own human mistakes, nature still needed to rely on humanity to rebuild itself again. Despite what Jin insisted, humanity and nature could not exist without the other and to cause the downfall of one is to cause the downfall of the other.

Where most post-apocalyptic media tends to portray humanity as being the ones who mess everything up and ruin the world and show that nature continues to exist and rebuild on its own without needing any interference from humanity, Xenoblade goes a different route and insists that humans and nature cannot live without each other and that it is up to us to ensure its continued longevity. Whichever ideology you lean towards more, however, I think it’s clear that our world and the nature in it is important and something that we should not forget to treasure.

[nickslays05]

Hello there!

I wasn't able to get around to playing Xenoblade Chronicles 2, mostly because I don't have a Nintendo Switch, but the game beautifully intertwines fantasy elements with a powerful message about the relationship between humans and nature. It's fascinating how world-building sets up humanity’s dependence on Titans, reflecting our own reliance on nature. I found Jin’s perspective very thought-provoking. He believes humanity’s flaws doom the world, yet the barren Elysium shows that nature alone isn’t enough. The game highlights that both humanity and nature need each other to thrive. Xenoblade Chronicles 2 isn’t just a good game; it’s a reminder of the importance of balance and coexistence. Great Analysis!

[nickslays05]

Xenoblade Chronicles 2

Hello! I just finished watching cut scenes to a video game rather than an anime. This was an interesting watch because it was a little different than my other assignments but I watched Xenoblade Chronicles 2. I could tell that it connected with the module about the environment due to the fight to restore nature. It resonates with both Japan and the world in some ways, as well as tackling issues such as environmental conservation, identity, and the human condition, making it a compelling watch for audiences worldwide. One of the prominent themes in Xenoblade Chronicles 2 is environmental conservation. The world of Alrest, with its Titans and the Cloud Sea, is considered to be a reflection of our own planet's fragility. The slowly decreasing lifespan of the Titans parallels the environmental degradation we witness in our world, emphasizing the need for sustainable practices. This theme is particularly relevant in Japan, a country frequently dealing with natural disasters and environmental challenges. The game serves as a reminder of the delicate balance between humanity and nature, urging viewers to consider their impact on the world. Another critical issue addressed is the concept of identity and self-discovery. The Blades, sentient weapons that form bonds with their Drivers, symbolize the search for purpose and meaning. Characters like Pyra and Mythra grapple with their dual identities, reflecting the internal struggles many people face. This resonates globally, as individuals everywhere try to understand themselves and their place in the world. The game's exploration of these themes encourages watchers/players to embrace their true selves and acknowledge just how complex human identity is. In conclusion, Xenoblade Chronicles 2 is more than just a captivating game; it is a profound exploration of themes that are relevant both in Japan and globally. Its focus on environmental conservation, identity, and the human condition offers valuable insights and reflections for watchers/players. Through its rich storytelling and complex characters, the anime encourages us to consider our impact on the world and embrace our true selves, making it a truly transformative experience.

[loquaciousstrigidae]

Worldbuilding in Nausicaa of the Valley 

I must say, this movie absolutely enchanted me. My weaknesses include owls, bagels, and good worldbuilding—and gosh, was this just excellent! The setting of this movie was so inventive. I found myself lost in the intricate, alien world that was the Sea of Decay.  

The sea of decay and the plants that live in it too are also clearly inspired by different types of fungi, which was compelling to me. I noticed that these fuzzy-tipped ones looked like aspergillus oryzae when under a microscope. I also thought the scene with the snowing spores was such a clever idea and added some wonderful atmosphere—immediately showing the viewer the beauty of the Sea of Decay, even considering its lethality. 

I think that at times too, the Sea of Decay often behaves like the ocean with its tranquil, silent landscapes and gently suspended bugs. Creatures move so smoothly that it seems like they could be underwater. I am sure that it took quite the effort to produce all the nuanced bug designs, but they did an excellent job. 

And of course we Miyazaki cannot have a movie without including aircraft of some kind. Nausicaa’s glider is sleek and a lot of fun to watch animated. Because it is so thin, it has this really nimble quality to how it moves, which I very much enjoyed. 

It is a personal thing too, but I have recently been enjoying post-apocalyptic/disaster world building. I think it is fascinating to brainstorm ways that humanity still survives against dangerous phenomena and finds a way grow along or in opposition with it. The politics that arise with it too—like the different kingdoms inhabiting this movie—provide an exceptional piece of social critique. When I described this movie to my brother after finishing it, I told him how I imagined Nausicaa’s world to have so many more stories. I think when a piece of media achieves that sense of scope, it has really done something phenomenal. 

10/10

[nickslays05]

Hello there! I completely agree, this movie captivated me too! The worldbuilding in Nausicaä of the Valley of the Wind is truly remarkable. The Sea of Decay, with its intricate, alien environment, really drew me in. I loved how the flora and fauna were inspired by fungi, making it feel both otherworldly and familiar. I also really like flowers and nature in general, so when I see things being represented in such a beautiful way, I fall in love with it. The scene with the snowing spores was beautiful, highlighting the Sea's dangerous yet mesmerizing nature. The serene, ocean-like behavior of the Sea of Decay added to the movie's atmosphere. Nausicaä’s glider and the post-apocalyptic setting added layers of excitement and depth, making it an unforgettable experience. 10/10 Great Analysis!

[nickslays05]

Nausicaä of the Valley of the Wind

Hello everyone! I am excited to say that I have watched another anime film, but this one I've been meaning to watch for the longest time. Similar to one of the first movies we had to watch, Spirited Away, I love this type of style of anime that is made by Studio Ghibli. So, I enjoyed this film very much. Now, based on the fact that this module is based on the environment, I was able to analyze the film in a way that humans were attempting to destroy the environment, and the protagonist, Nausicaä, was the character to stop them. So this is my analysis of the film, Nausicaä of the Valley of the Wind:

The film's environmental themes are poignant. In Japan, they have a history of industrial pollution and natural disasters, so this story resonates deeply. The toxic jungle, with its deadly spores, can be seen as the pollution and its devastating effects on ecosystems. Globally, the film’s message is equally pertinent. It reflects current concerns about climate change, deforestation, and biodiversity loss. Nausicaä’s efforts to understand and heal the toxic jungle highlight the need for practices and respect for nature in our society.

When connecting the film to assigned readings on environmental ethics and sustainability, Nausicaä would be the character to embody the principles of deep ecology. They advocate for the intrinsic value of all living beings regardless of their utility to humans. Her actions show the watchers the importance that environmental philosophers like Arne Naess, when they emphasize the importance of recognizing all life forms as living and the need for a shift in human consciousness to prevent ecological catastrophe.

In conclusion, Nausicaä of the Valley of the Wind is more than just an anime film but a powerful commentary on environmentalism and humanity. Its relevance goes beyond cultural and temporal boundaries, telling us to reflect on our relationship with nature and the impact of our actions. Through Nausicaä’s journey, we are reminded of the importance of empathy, understanding, and the pursuit of harmony in a world fraught with division and destruction.

[just-another-anime-blog-2048]

End of Evangelion

The anime, End of Evangelion, was really weird. I’m going to be completely honest. I am quite confused about what I just watched and what I have just seen. The anime seemed to be all over the place, and the graphics only made it worse. I definitely did not enjoy watching human-like figures have their body parts melt off of them, and I was not comfortable watching a guy stick his hand into a girl’s breast. However, regardless of how off-putting this anime was in my opinion, I can still see how the hints of hegemonic masculinity and queer masculinity come into play.

I apologize in advance for the uncomfortable image shown below.

First off, based off the previous two parts of Evangelion, we can all agree that Shinji doesn’t conform with hegemonic masculinity. However, because society keeps highlighting how males without hegemonic masculinity are useless and unvaluable to society, Shinji ends up having a lot of doubt and fear about expressing his true self. As a result, he keeps hiding it until he finds Kaworu, who appears to be very confident with his own queer masculinity. The only issue about this is that Kaworu is an Angel, so Shinji becomes quite traumatized and feels betrayed: the one role model he had ended up being an Angel who didn’t belong to society. Thus, Shinji begins to think that there’s no way for him to actually become accepted by society. However, in a way, he does this “one final push” to align with hegemonic masculinity before he ends up going berserk: Shinji masturbates to Asuka’s body. This behavior follows hegemonic masculinity in that it involves objectifying women, but it still doesn’t work for Shinji, and he ends up calling himself pathetic. Once again, Shinji failed at socializing into hegemonic masculinity. In the end, Shinji starts developing this mindset that everyone (including him) should just die. Since Shinji thinks that he’s unnecessary to others, he believes they should die, but at the same time, he also agrees that he himself should die because he thinks the world would be a better place without him.

I cannot personally relate to this anime, and I’m not really sure if I want to be able to relate to it, but I do agree that Shinji suffered quite a bit. In the beginning, he was just some boy with queer masculinity, but because he was unable to find a way for society and himself to accept this, he ended up doing things who normally wouldn’t have done.

[nickslays05]

Hello there again! Funny enough, I have been responding to you for this entire module. So, for the last one of this module, I would say that I completely agree with your thoughts on The End of Evangelion. It was a really bizarre and confusing experience for me too. The scenes were often disturbing, and the storyline was hard to follow. The graphic content didn't make me feel as uncomfortable, but I understand where you're coming from. However, I can see how the anime explores themes like hegemonic and queer masculinity. Shinji's struggle with societal expectations and his own identity is clear throughout the series. Kaworu’s role in challenging Shinji’s understanding of masculinity was significant, despite the twist of him being an Angel. Overall, it was a tough watch but thought-provoking.

[nickslays05]

The End of Evangelion

Hello again everyone! I have now watched the end of The End of Evangelion and I can definitely say it was an intense and complex anime film that delves deeply into psychological and philosophical themes. It addresses both Japanese societal issues as well as universal ones. The movie serves as an alternate ending to the series Neon Genesis Evangelion, offering a more explicit exploration of the character's internal struggles and the broader implications of their actions. Here is my deeper analysis of this film: One of the prominent issues that was addressed in The End of Evangelion is the sense of isolation and identity crisis, which resonates strongly in Japanese society, particularly among the younger generation. Japan has faced a significant rise in cases of social withdrawal, known as hikikomori, where individuals shut themselves off from society. The protagonist, Shinji Ikari, embodies this sense of isolation and the struggle to find self-worth and connection. His journey through the film mirrors the psychological battles many young people face, both in Japan and globally, as they navigate the pressures of societal expectations and personal identity. On a global scale, the film's exploration of existential dread and the search for meaning in a seemingly indifferent universe speaks to a universal human experience. The apocalyptic imagery and themes of destruction and rebirth reflect broader concerns about environmental degradation, nuclear threats, and the fragility of human civilization. The film challenges viewers to confront their fears and anxieties about the future and the human condition. About assigned readings, the themes of The End of Evangelion align with existentialist philosophy, particularly the works of Jean-Paul Sartre and Friedrich Nietzsche. The film's portrayal of characters grappling with freedom, choice, and the construction of their meaning echoes existentialist ideas about the human condition. Additionally, the psychological depth of the characters aligns with the concepts explored in Carl Jung's theories of individuation and the collective unconscious.  In conclusion, The End of Evangelion is a powerful film that addresses both specific societal issues in Japan and broader, universal concerns. Its exploration of isolation, identity, and existential dread offers a profound commentary on the human condition, resonating with viewers on a deeply personal level. The film's themes and imagery challenge us to reflect on our own lives and the world around us, making it a timeless and impactful piece of art.

[just-another-anime-blog-2048]

Neon Genesis Evangelion (Part 2)

In Neon Genesis Evangelion Part 1, we focused more on Shinji’s queer masculinity and how hegemonic masculinity was constantly forced onto him. However, in Neon Genesis Evangelion Part 2, we are introduced to a new character called Asuka, a female who appears to exhibit the hegemonic masculinity that Shinji lacks. Right when it seems as if Shinji is starting to get used to all the violence and aggression that hegemonic masculinity demands, Asuka appears and starts showing off her confidence and her strong skills at piloting the robots. She kind of represents a mirror for Shinji, as she indicates what is expected of him as a man while also constantly reminding him of how he is failing to meet such expectations.

Moreover, both Asuka and Misato repeatedly enforce this idea of gender policing onto Shinji by saying things like, “Aren’t you a man?”, which further causes Shinji to suppress is queer masculinity. As a result, Shinji tries his best to become better and better at piloting the Evangelion robot. When he is getting ready to battle an Angel with Asuka, his conversation with Asuka also reveals his attempts to perform hegemonic masculinity. When Asuka mocks him by telling him to go first, Shinji replies with, “I’ll show you how it’s done”, in a way that puts him in a higher position than Asuka. He even gives a thumbs up to Asuka and states that, “fighting is a man’s job”, which highlights his belief in his capabilities to exercise violence and aggression to defeat the Angel. However, it all ends up going downhill, as Shinji fails to deal with the Angel, causing the women to actually save him. After this incident, Shinji returns to his old form of speech, as if giving up on trying to socialize into hegemonic masculinity, yet he still struggles with embracing his queer masculinity largely because he has been convinced that only males exhibiting hegemonic masculinity are valuable to society, but it all begins to change when he encounters Kaworu. Kaworu is another male who is like Shinji in that he also has queer masculinity, but unlike Shinji who has been plagued with doubt and fear, Kaworu appears to be quite confident in himself, which gives Shinji the slightest hope that someone like him is capable of becoming valuable to society. However, when Shinji finds out that Kaworu is an Angel, it hits him pretty hard, and he faces an even greater challenge to accept who he is.

Lastly, I can’t really relate to this anime, but I feel bad for Shinji in that he always had to struggle with this internal conflict between accepting his personal feelings and conforming to society’s standards. Normally, when a conflict like this remains for too long, it can cause some health problems, which could put even more stress on the individual.

[nickslays05]

Hello again! I totally see where you're coming from. Asuka's introduction definitely shifts the dynamic and puts more pressure on Shinji to conform to traditional masculine roles. Her confidence and skill highlight Shinji's struggles even more, due to the constant reminders from Asuka and Misato about "being a man." It really emphasizes the gender expectations he's facing throughout the anime. Shinji's attempt to perform hegemonic masculinity, only to fail, shows how deeply ingrained these societal pressures are. Kaworu's presence offers a glimmer of hope for Shinji to accept himself, but his revelation as an Angel adds another layer of complexity. I also feel for Shinji and the immense stress he endures. Great analysis!

[nickslays05]

Blog Post — Neon Genesis Evangelion (Part 2)

Hello, all (again)! I have completed some more assigned episodes of Neon Genesis Evangelion. Those episodes are 8, 16, 24, and 26. These episodes, I would say, explored human relationships, identity, and mental health once again. They do this by providing rich tapestries of narrative and emotional depth. To dive deeper, this is my analysis of the anime: 

Episode 8 introduces Asuka Langley Soryu, a character whose personality and piloting skills are the complete opposite of that of Shinji’s. Shinji's skills have a more passive demeanor. Asuka's arrival brings issues such as competition, self-worth, and the pressures to excel. In Japan, where academic and professional achievements are highly valued, Asuka’s struggles mirror the societal expectations placed on individuals to outperform their peers. In this case, Shinji is supposed to perform hegemonic masculinity to be accepted by his society and the arrival of Asuka challenges his performance because she is seen as a character with more hegemonic masculinity than Shinji. Globally, this episode speaks to the universal experience of navigating self-esteem and the desire for validation in competitive environments, especially when dealing with male and female performances.

Episode 16 takes a more psychological turn as Shinji becomes trapped within an Angel's shadowy domain. This is due to Shinji trying to out-perform hegemonic masculinity to his peers by confronting an Angel alone. This forces him to confront his deepest fears and insecurities in the "void". This episode addresses mental health, particularly the importance of facing one’s inner demons/thoughts. Shinji’s introspection and breakdown highlight the significance of mental resilience as well as the idea that humans should avoid confronting painful truths. This theme is globally relevant as mental health awareness continues to grow, emphasizing the need for open dialogue and support.

Episode 24 is a turning point in the series, introducing Kaworu Nagisa, who forms a deep connection with Shinji. Kaworu’s character challenges the traditional notions of love and friendship between two men. In this case, it's suggesting a fluidity in relationships that transcends conventional boundaries. This episode’s exploration of human connection and acceptance speaks to the broader discussions on LGBTQ+ representation and the need for inclusivity in anime. Now, to me, Kaworu’s unconditional acceptance of Shinji resonates with the desire for genuine human connection and understanding, a universally significant theme.

Episode 26 does concludes the anime with a controversial ending, diving into the characters’ psyches and exploring themes of identity and self-worth. I believe that the different nature of this episode challenges the watchers to reflect on their understanding of themselves. In Japan, where societal roles and conformity are often emphasized, this episode’s focus on individual identity and personal goals is particularly poignant. Globally, it encourages watchers to question societal expectations and seek their own path to self-acceptance.

[just-another-anime-blog-2048]

Neon Genesis Evangelion (Part 1)

I’ve never actually heard of Neon Genesis Evangelion before taking this course, but after watching it, I can definitely see hints of hegemonic masculinity being forced onto Shinji, especially in the first two episodes when he is required to navigate the giant robot. According to Conell, hegemonic masculinity is the most valorized form of masculinity in society at a given time, and it often legitimates patriarchy, subordinates women, and also creates gender hierarchies among men. In the case of Neon Genesis Evangelion, hegemonic masculinity can include exercising aggression and violence. However, we can see many scenarios in which Shinji struggles because he does not conform to this hegemonic masculinity. For instance, when Shinji’s father calls for him to show up at his workplace to pilot a robot, Shinji is scared and obviously does not want to inflict violence. Moreover, if we observe the scene, we can see that his father is up at the top, representing power and authority, while Shinji is under pressure and stress to follow hegemonic masculinity. I feel like we can sort of recognize that Shinji has a queer masculinity from this scene, as he is unable to perform the things that hegemonic masculinity demands.

Adding on, I remember quite distinctly in both episodes 1 and 2 that Misato told Shinji to start acting more like a man, particularly when Shinji began to get scared while inside the robot and when he seemed to shyly obey and listen to Misato’s words while in her home. Although these may just seem like harmless words to Misato, it unfortunately does reflect the way many males with queer masculinity are treated in society. In fact, they might have heard these words or similar phrases while growing up because they didn’t seem to exhibit the supposed traits of hegemonic masculinity, and even though society is becoming progressively more accepting of different forms of masculinity, it still doesn’t a hundred percent eliminate the discrimination against those who don’t conform with the standards.

Lastly, I can’t personally relate to this anime in terms of piloting robots, but I do understand Shinji’s challenge with conforming to society. To be honest, I feel like most people can relate to being pressured by their surroundings to make certain decisions, whether it’s choosing to attend a particular college or figuring out what career path to follow.

[nickslays05]

Hello there! I totally agree with your points about hegemonic masculinity in Neon Genesis Evangelion. I did also noticed how Shinji is pressured to conform to traditional masculine roles, especially when his father expects him to pilot the Eva. Shinji's reluctance and fear really highlight his struggle with these expectations. Misato's comments about acting more like a man reinforces these societal pressures. I can relate to Shinji's challenge of conforming to societal norms, even though the context is different. He does have to deal with robots and with issues such as myself it would just be my family telling me to act more masculine. So, Shinji and I would have that part in common. It’s interesting how the anime reflects real-world issues of gender roles and societal expectations, making it relatable on many levels. Great analysis!

[nickslays05]

Neon Genesis Evangelion (Part 1)

Hello all! I was assigned to watch episodes 1,2,4, and 5 of Neon Genesis Evangelion. This anime was very interesting, especially with the topic we were talking about in class. Due to the module being about gender and masculinity, I can tell that while watching the show there are strong messages on how masculine a boy should act in society to be accepted. So, this is the analysis I have gathered for this anime:

The anime introduces us to Shinji Ikari, someone that's reluctant to get into the role of an Eva pilot who can defend humanity from mysterious entities known as Angels. The show addresses the pressure and expectations placed on youth in Japan, a reflection of societal norms where people, in this case, boys, often face immense pressure to conform and excel to be accepted into society. Globally, this resonates with the universal struggle of young people who have to grapple with identity and purpose in a world that gets increasingly more complex. In Episode 2, I saw the aftermath of Shinji’s confrontation with one of the Angels. The physical and emotional toll of combat he endured underscores the trauma that often comes with the duty and responsibility of protecting the world. This episode explored psychological stress and the need for mental health support. This is a critical issue both in Japan, where societal pressures can lead to significant mental health challenges, and globally, where mental health awareness is increasingly recognized as something essential for everyone. This is especially true with boys because it isn't always accepted by society for males to go to someone when facing mental health issues because it is seen as something, "less manly" which makes it difficult for males to be happy when they hold on to so many issues.

In episode 4 it dives deeper into Shinji’s psyche, showcasing his internal conflict and desire to escape from the burdens that were placed upon him. His feelings of isolation and desire to run away mirror the experiences of many individuals who are struggling with depression and anxiety. This episode does resonates with my own life, because I have also faced moments of self-doubt. The urge to withdraw from overwhelming situations highlights the universal nature of these experiences.

In the 5th Episode, we are introduced to Rei Ayanami, another Eva pilot, whose presence adds layers to the narrative. Her character embodies themes of alienation and identity, central issues in contemporary discussions about the human condition. The episode also touches on the ethical implications of scientific advancements. This topic is very relevant in both Japanese and global contexts as technology progresses, raising questions about humanity’s future. In general, the anime did a great job of portraying how males have to go through society believing the only way to make it is by being masculine and manly. It also explores other issues such as mental health and identity crises' that many people have globally.

[loquaciousstrigidae]

SwampCon 2024

Convention Post

Last semester on March 2nd, I had the pleasure of attending the annually held SwampCon at the Reitz Union (at the mercy of my dear friend Angel). It was one of the first anime conventions I had ever been to, so naturally I did not know what to expect beforehand. All that prefaced my experience were the confident assurances of my friend that I would, in fact, enjoy myself and my preconceived notions of convention culture based on video essays and social media. I knew there to be plenty of trinkets to peruse, so I had conceded the inevitability that my wallet would open at least a few times. I anticipated the Artist Alley most of all, where fan artists set up booths with stickers, prints, posters, keychains, and other memorabilia all themed around different anime and video games. In a bit I will post some pictures of the lovely things I purchased. 

But our day began with a visit to the maid cafe. Upon entry, the Reitz ballroom was furnished with a cluster of tables, each draped with a tablecloth and set with glasses and napkins. People in maid costumes—as one might expect to see—stepped onto a stage lined with glittery plastic fringe to perform a few dances to popular anime openings. I had the delight to choose between various desserts—cookies, fruits, and brownies (I chose the brownie)—along with some lemonade.  

Pictured: My friends and I waiting for the show to begin. 

After that we went to the Artist Alley—and this was most definitely a lovely time. I went to find an artist I had seen on the schedule website named Anna Jano. I got two prints and an owl enamel pin (it really is such a lovely thing). I also came away with a single D20 die and a keychain of the character HERO from OMORI. 

Pictured: Anna Jano prints, Anna Jano enamel pin, HERO keychain. 

My friends surprised me with a SpyXFamily poster as well. How kind of them. 

Pictured: My SpyXFamily poster hanging in my dorm room. 

Beyond the Artist Alley, we also visited a room with booths displaying other wares such as jewelry, woodwork, stuffed animals, figurines, and toys. If I had the funds I would have invested in one of the wood-carved D&D polyhedral dice boxes. Oh goodness... a girl can dream. 

By this time of day, the bustle of the day was beginning to come over me. Conventions, it seems, can take a lot of energy out of you. Before our lunch break, however, we tuned in to the Five Nights at Freddy’s lore presentation. I must admit, I am not cultured enough to understand the nuances of the bite of '87. The only significant cultural information I can offer is a reference to that one clip of Markiplier. It was fun to see my friends enthusiastic about it, though.  

Pictured: "Was that the bite of '87?"

After lunch, we returned to the convention and participated in an escape room. It was a ten-minute one that had a few puzzles to solve. We were placed in a group of around 15 people and were tasked with finding various items that culminated in a collective mental synthesis over a kind of riddle. Well—it may not have been a riddle. I don’t remember it all too clearly. But the good news is that we escaped—albeit with only a few seconds on the clock. 

Pictured: Waiting in line before our endeavor at the SwampCon escape room.

Our last stop of the day was an event that my friend had threatened to take me to for months: Bad Fanfiction Reading (18+). Well... it is what it sounds like. Two hosts read to the vast audience of conventioneers while volunteers from the crowd reenacted the fanfics like a stage play. The (18+) part is important, as it was just as much vulgar as it was silly! Hah. Well it was an experience to say the least. I did have my fair share of giggles.

Pictured: Bad Fanfiction Reading opening slide.

Pictured: "Oh... how nervous we are to witness Bad Fanfiction Reading!"

We parted ways after that and I went home to hang up my newly acquired prints and rest! 

This little reflection reminded me of all the fun I had with my friends. Conventions can be a very wonderful way to interact with others who share your interests. I will most certainly be attending next year. 

Pictured: Heading home.

[nickslays05]

Hello there! Your reflection on the anime convention was so exciting. I got my friend's story of his experience but he barely even remembers it and took no pictures. So, seeing your experience as well as all the photos you took makes your experience seem like so much fun. Personally, I love Spy x Family and definitely need to watch it again. My friend also told me about the Artist Alley, but its good to see first-hand pictures from it including the things they sold. Its also good to see that it's not just anime, but you guys did an escape room and watched FNAF lore which is so cool to me. It seems like anime conventions are much more entertaining than I thought it was at first. Awesome post!

[nickslays05]

Anime Convention

Hello everyone! This post will be a bit different. Rather than talking about an anime series or film, I will be talking about anime conventions! Now, this won't be my experience at an anime convention, however, I do have a friend who attended one before, so I will be talking about his personal experiences and how they connect with our class. Based on his experience, attending an anime convention is like stepping into another world, one where passion and creativity collide to into a bunch of shared experiences. For fans of anime, manga, and Japanese pop culture, these conventions offer a unique space to celebrate their interests, connect with like-minded individuals, and express their identities. To connect this to class, this convention can be seen as a gemeinschaft for these individuals. A small community within a large society where people come together and do things they typically wouldn't do in the larger society. This experience at an anime convention was an unforgettable journey into the heart of fandom, illuminating the profound ways in which youth culture, fandom, and cultural identity intersect.

As he walked into the convention hall for the first time, he was immediately struck by the sheer diversity of attendees. Cosplayers in elaborate costumes roamed the floors, bringing beloved characters to life with astonishing accuracy. From iconic figures like Naruto and Sailor Moon to obscure characters known only to die-hard fans, the spectrum of representation was vast. The effort and creativity that went into these costumes showed the dedication of the fans. For many, cosplay is more than just a hobby, rather it is a form of self-expression and a way to embody the characters they admire.

One of the most exciting aspects of the convention was the artist alley, a bustling marketplace where independent artists showcased their work. Here, fans could purchase prints, pins, and other merchandise featuring their favorite characters. He unfortunately did not buy any merchandise but he said there was a vast amount that he wanted badly. The artist alley was a microcosm of fandom creativity, with each booth offering a unique interpretation of a popular series. This space also highlighted the entrepreneurial spirit within the fandom, as many artists turned their passion into a livelihood. Engaging with these artists and purchasing their work felt like contributing to a larger community, one that values and supports creative expression.

Panel discussions were another highlight of the convention. These panels ranged from Q&A sessions with voice actors and industry professionals to discussions on various aspects of fandom culture. One panel that stood out to him was a discussion on the evolution of anime fandom in the West. The speakers, a mix of academics and long-time fans, traced the history of anime's rise in popularity outside Japan and the role that conventions have played in fostering a sense of community. This panel does connect to our class discussions on youth culture because it highlights how anime conventions serve as a space for young people to explore and affirm their identities.

The convention also offered opportunities for fans to participate in interactive events, such as cosplay competitions and trivia contests. As he watched, the cosplay competition was particularly inspiring. Contestants not only showcased their craftsmanship but also performed skits and routines that captured the essence of their characters. It was clear that these events were not just about winning but about celebrating a shared love for anime.

Throughout the convention, he couldn't help but notice the ways in which fandom culture fosters a sense of belonging. For many attendees, anime and manga are more than just entertainment; they are a vital part of their identity. This resonates with our class discussions on cultural identity formation, where we explored how media consumption influences self-perception and community building. At the convention, fans could connect with others who shared their interests, forming bonds that transcended geographical and social boundaries. This sense of community was reinforced by the inclusive atmosphere, where fans of all backgrounds were welcomed and celebrated.

In conclusion, attending an anime convention is a profound and enriching experience. It offers fans a unique opportunity to immerse themselves in their interests, connect with a broader community, and express their identities. As we discussed in class, fandom culture plays a crucial role in shaping cultural identity, and conventions are a key part of this process. My friend's experience at the anime convention reinforced the importance of these spaces in fostering creativity, community, and self-expression, making it an essential part of the anime fandom experience.

[loquaciousstrigidae]

Wandering Son

Is it just me or is the art style of this anime really, really bright? So many scenes are colors with white and off-white colors that it often makes details hard to see for me. 

Every frame has this white vignette that blurs out much of the periphery, reminding me of an unfading dream sequence or flashback. I’m not sure whether this artistic choice is meant to symbolize something or not—it may very well just be stylistic if nothing else. Regardless, it did harm my ability to enjoy the anime a good about, as my eyes are sensitive to such bright visuals. I am curious if anyone else thought the same. 

On another note, I did appreciate the androgynous design of each of the characters. I think this supports the themes of gender-nonconformity and self-expression very well. Every character was drawn with large, glossy eyes, and overall homogenous facial features that didn’t signal any particular gender. 

Anime characters confound me sometimes. These kids have so much social tension and I often find myself puzzled where certain confrontations even come from. 

I saw this on screen, blinked, and spoke, “what...?” From my perspective, this proclamation of hate seemed to come out of nowhere. I didn’t really understand the motivation behind these words or the events that preceded it. Maybe it’s due to us skipping episodes, but through much of this anime, it was hard to discern what exactly was going through these kids’ heads. 

I think even in Western animation, queer identity and transness is encountered more in a ‘casual’ way. Examples that come to mind are Raine from The Owl House (a non-binary person) and Elle Argent from Heartstopper (a trans woman). Even when placed in their prospective shows, there is not much focus on their trans identity—they simply exist as who they are while engaging in an unrelated plot. I think that in many cases, this is a positive thing, as it normalizes transgender identity, but it does seem that many pieces of fiction are afraid to explore trans identity outright. Wandering Son does this, however, which I think is great. 

Really, though. My eyes burn.

[nickslays05]

Hello there! Honestly, now that you bring it up, they did have a good amount of extremely bright scenes. I understand your thoughts on the art style. The bright, dreamlike visuals with white and off-white colors can make it challenging to see details. However, the androgynous character designs support the themes of gender nonconformity and self-expression well. The social tensions and confrontations among the characters can be puzzling, possibly due to skipped episodes or the complexity of adolescent identity struggles. Compared to Western animation like The Owl House and Heartstopper, which normalize queer and trans identities casually, Wandering Son delves deeply into these themes, offering valuable insights. I also loved the show Heartstopper and can't wait for the next season! Great analysis!