𝙸𝙻 ࿇ 𝖈͟𝙰𝙿𝙸𝚃𝙰𝙽𝙾;

[nighinvincible-moved]

⠀

────⚔️ᝰ

⠀「 IL CAPITANO 」

Greetings! I'm Vali and this is an indie roleplay account for Il Capitano, from the game Genshin Impact.

In my portrayal of him i take into consideration my personal headcanons, as well as canon lore for the character.

That being said, welcome! Should you feel interested in rping with me, please send an ask! Check my meme tag, or message me to plot something. I'm friendly, i promise!

Here's some navigational tags, and there's more information under the cut.

Happy writing!

CHAR. BASICS、

MEMES、 OPEN STARTERS、

SOLOS、 CHAR. STUDY、

art by gwinshin

𝐖𝐑𝐈𝐓𝐄𝐑 ;; ⠀⠀⠀the writer is called Vali. uses he/him pronouns and is +21 y/o. english isn't my mother language so please, bear that in mind.

friendly but a bit selective. IMs open to plotting and chatting. i accept asks/memes at any time.

i will write with people outside my comfort zone, and might attempt to write with non-mutuals too. i encourage you to do the same to me! i love random asks&starters.

𝐀𝐂𝐓𝐈𝐕𝐈𝐓𝐘 ;;⠀⠀ activity might be sporadic, seeing as the writer tends to get distracted easily and might hyperfocus on specific things at a time.

𝐃𝐍𝐈 ;;⠀⠀do not interact if you're a non-rp account, or if you condone racism of any kind, homophobia, transphobia, pedophilia, misogyny, ableism, etc. i won't interact with pro-shippers.

𝐓𝐇𝐄𝐌𝐄𝐒 ;;⠀⠀this account will have content such as mentions of violence, foul language, suggestive themes, blood, death, manipulation, etc.

my preferred genres to write are: action, adventure, angst (bonus points if it comes with comfort at the end), romance, slice of life, humor.

𝐒𝐇𝐈𝐏𝐏𝐈𝐍𝐆 ;;⠀⠀i love writing shippy stuff! but i won't let rps take this turn if you or your muse is a minor.

This blog is multiship and muse is bisexual.

[nighinvincible-moved]

sighhh, what a bummer tumblr. Lemme reply to posts and message people!

[soulprompts]

REASONS TO CARRY SOMEONE. ( A PROMPT LIST! )

listen, i'm back home now, i'm thinking about things, and i saw the maxton hall gifset floating around and i was like. yk what. carrying people is elite content, and gdi y'all deserve elite content! as always, DO NOT ADD OR EDIT THIS LIST! and there's a lil spicy addition under the readmore, but i left it there just in case people prefer to have a not-so-spicy version.

[ SLUMBER ]: sender picks up and carries the receiver because they're so sound asleep that they won't easily wake up.

[ INTERCEPT ]: sender picks up and carries the receiver out of the room because they're angry and on the brink of engaging in a fight with someone.

[ ASSIST ]: sender picks up and carries the receiver away for medical attention because they've been injured and can't walk easily.

[ HELP ]: sender picks up and carries the badly wounded receiver as fast as possible to the nearest hospital or the nearest place to administer urgent first-aid.

[ ELATION ]: sender scoops up the receiver and carries them away after a mutual victory, or having just received very good news (or maybe they're both just very happy for some reason!)

[ HOME ]: sender picks up the receiver to carry them over the threshold of their new home.

[ AID ]: sender finds the receiver too weak to move, and scoops them up to carry them to get some help.

[ UP ]: sender finds the receiver and picks them up to carry them a distance after learning they're unable to get up.

[ BAREFOOT ]: the sender picks up the receiver and carries them inside because they're not wearing any shoes.

[ WEARY ]: sender notices the receiver about to fall asleep during a task, and picks them up to carry them to bed so that they can actually sleep properly for once.

[ TWIRL ]: sender catches the receiver in their arms and spins them in a neat twirl just because they want to.

[ HERO ]: sender notices the receiver about to fall from a height, and manages to intervene just in time, catching them before they get hurt.

[ FLASH ]: the sender and receiver are part of a photoshoot, and in order to finish the last of the photos, the sender scoops up the receiver in their arms for the final pose.

[ TRAIN ]: during a training session (for a fight or a performance, dealer's choice!) the sender ends up holding the receiver in their arms during their session together.

[ URGENCY ]: sender carries the receiver away from danger after the receiver is revealed to be unable to move, either due to panic or injury.

[ OUT ]: sender grabs the receiver and lifts them into their arms after noticing them swaying and beginning to lose consciousness.

[ SCREAM ]: sender spots the receiver in a terrified or considerably panicked state, and picks them up to carry them to a less terrifying place to calm down.

[ LAZY ]: sender concedes to receiver's requests for a piggy-back ride home because they don't want to walk anymore, and carries them the rest of the distance home.

[ CAREFUL ]: sender gently lifts the receiver out of their seat and carries them carefully to bed after noticing they fell asleep and not wanting to waken them.

[ HASTE ]: in urgent need of getting to safety as fast as possible, the sender scoops up the receiver and starts running because it's quicker and easier to just carry them than expect them to keep pace.

[ FURTHER ]: sender, during an increasingly passionate make-out session with the receiver, suddenly takes them in their arms and carries them towards the bedroom to continue their evening in private.

[soulprompts]

KNOCK - KNOCK PROMPTS.

listen i recently became obsessed with the amount of television shows that have a mystery person knocking on the protagonist's door as a major finale cliffhanger, and it got me thinking, and now we have this list that a few immensely talented people helped me with! that said, we know the drill by now. DO NOT ADD TO THIS LIST OR CLAIM IT AS YOUR OWN! IF YOU HAVE IDEAS FOR MORE PROMPTS SEND THEM TO ME AND I WILL ADD THEM!

[ KISS ]: sender shows up at the receiver's door and impulsively pulls them in for a passionate kiss that punctuates a lengthy slow-burn between the two.

[ WOUNDED ]: sender arrives at the receiver's door with considerable injuries, in dire need of help and emergency care that only the receiver is either trusted enough or convenient enough to provide.

[ TEARS ]: sender shows up at the receiver's door in tears and in need of comfort after a long day (or week, or month…)

[ DEFEATED ]: sender arrives at the receiver's door after having lost a considerably important battle (metaphorical or literal) and needing a place to recuperate from the loss.

[ FUGITIVE ]: sender, having just become a fugitive from the law, runs to the receiver's home in the hopes of finding shelter and safety with them.

[ GIFTS ]: sender arrives at the receiver's house with gifts for the homeowner themselves.

[ APOLOGY ]: sender goes to the receiver's house to apologize to them for a past wrong-doing (specify if you wish!)

[ DATE ]: sender arrives at the receiver's house to take them on a romantic date.

[ HANG OUT ]: sender arrives at the receiver's house to hang out with them for the day.

[ GO OUT ]: sender heads to the receiver's house to take them out for a day of fun/relaxation.

[ COLLECT ]: sender shows up at the receiver's house to collect something that the receiver has either purchased for them or borrowed from them.

[ DELIVER ]: sender shows up at the receiver's house to deliver something to them that either the sender borrowed or the receiver requested from them.

[ CONFRONT ]: sender goes to the receiver's house to confront them about an on-going problem between the two of them.

[ FAVOR ]: sender goes to the receiver's house to ask them for a favour.

[ RECRUIT ]: sender goes to the receiver's house to recruit them for an upcoming task that the sender is unable to do alone.

[ ROOMIE ]: sender goes to the receiver's house to move in with them.

[ COMFORT ]: sender goes to the receiver's house to comfort them after the receiver has a difficult time or experiences a significantly difficult event.

[ HELP ]: sender goes to the receiver's house to help them with something that the receiver is either procrastinating or unable to accomplish on their own.

[ LEISURE ]: sender goes to the receiver's house for a movie night or a game night.

[ WARN ]: sender goes to the receiver's house to warn them against doing something that they suspect the receiver is preparing to do.

[ THREATEN ]: sender goes to the receiver's house in order to threaten them.

[ REUNITE ]: sender returns to the receiver's house after having been away for a while, intending to reunite with them.

[ GOODBYE ]: sender goes to the receiver's house to say a final farewell after learning they're due to leave town, possibly for good.

[ SECRET ]: sender sneaks out to the receiver's house to meet with them in secret.

[ BAD NEWS ]: sender arrives at the receiver's doorstep to deliver some bad news to them (SPECIFY THE NEWS).

[ PARTY ]: sender arrives at the receiver's house to attend a party that the receiver is hosting.

[ NEIGHBOUR ]: sender, having just moved in next door, arrives at the receiver's house to introduce themselves.

[ ENGINE ]: sender's car breaks down in the same street that the receiver lives on, leading the sender to knock on their door to ask for help.

[ PRETEND ]: sender knocks on the receiver's door to ask them to pretend to know them for the sake of a cover story.

[ VISIT ]: sender goes to the receiver's house for a casual visit.

[crownmemes]

Angry & Irritated Sentences, Vol. 23

(Angry and irritated sentences from various sources. Adjust phrasing where needed)

"I just figured 'don't eat the evidence' went without saying!"

"I still don't think there's anything impressive or romantic about this."

"You realise I'm still here, right?"

"Nothing ever changes with you, does it?"

"I'm sure you have an abundance of questions, but I doubt I'll answer any of them."

"Must you always be such a smartass?"

"Unless you have an IQ higher than mine, I'm not interested in what you think."

"How come every time you come around, someone ends up getting hurt?"

"Don't you dare follow me!"

"You understand better than most the pain a lie can inflict."

"You used me."

"You don't believe I can do it? Well, I can!"

"I think this is a conversation for another time."

"I really don't want to have this conversation right now."

"You don't know what you're talking about. Can we not do this right now?"

"Don't worry about me. I don't want it, I don't need it. Just don't do it."

"Why would you say something like that? What kind of person says something like that?"

"Am I to take it you believe in this quote-unquote 'plan'?"

"You know what? My offer just expired."

"Didn't your mother ever teach you not to touch other people's things?"

"You're stepping over a line here. You might want to step back."

"Oh, you really love yourself, don't you?"

"That's rather petty, even for you!"

"You could have killed me! You didn't, but you could have!"

"This isn't a game."

"So now you're a psychologist too?"

"You know, maybe I'm not the problem? Maybe it's you!"

"If you want to complain about life, you're talking to the wrong guy."

"You're giving me orders now?"

"I'm awfully bored of your shouting."

"You're not lying to me, are you?"

[nighinvincible-moved]

i can't see asks :') might have to move to a new blog if this keeps up.

[soulprompts]

" WILL THEY, WON'T THEY? " A LIST OF PROMPTS:

first off, mega massive thanks to my lovely and brilliant friend @whatspoilers for the EXCELLENT title!! hi my loves! so this is a list of scenarios in which the receiver has an opportunity to look at the sender in a different light, resulting in... something. a kiss? a punch? a declaration? a confession? i know you guys, i know how spicy your brains are, so spice away! i do want to stress that the outcome of the "feelings" does NOT necessarily need to be a romantic one. it could be anger, it could be a sudden revelation, a betrayal, a heartbreaking plot twist, whatever you want! i insist on making this very clear: if you send this, there is NO expectation of the receiver to make it romantic UNLESS they want to. likewise, if the feelings ARE romantic, it's not force-shipping, this is just the receiver's muse getting a minute to evaluate their relationship with the sender and how they want it to continue! and ofc DO NOT ADD TO OR EDIT THIS LIST!

[ DANCE ]: while the sender and receiver are slow dancing together, their close proximity and the intimacy of the situation causes feelings to rise to the surface.

[ BED ]: while the sender is sleeping beside them, the receiver has a moment to watch them and consider their own feelings, resulting in clarity and a realization.

[ CONSTELLATION ]: as the pair lie down in a field and watch the stars overhead, the receiver turns to watch the sender gazing skywards, leading to them confronting their own feelings.

[ NURSE ]: after a battle gone wrong, the receiver begins to tend to the sender's wounds, fading adrenaline and rising fear causing them to realize their feelings.

[ OBSERVATION ]: when showing the sender something they've been working on, the receiver can't help but address their feelings as the sender gazes in wonder at their work.

[ ENTRANCED ]: while the sender works on something they're passionate about, the receiver has a chance to look at them properly and consider their own feelings for them.

[ DEFENCE ]: when the sender rushes to defend the receiver against a threat of any description, the receiver takes a moment to consider how they feel about the sender.

[ COLLABORATION ]: as they work together on a project, the receiver has a moment in which they contemplate their true feelings regarding the sender.

[ CONFLICT ]: during an argument with the sender, the receiver realizes there's an unspoken depth to their feelings, and takes a second to consider them closer.

[ DEFIANCE ]: after realizing there's a situation which could threaten one of their lives in order to protect a larger group, the receiver and sender have a fierce argument in private, leading to a realization of their real feelings.

[ TRAINING ]: during a sparring session, the sender and receiver end up on the floor, leading one of them to seizing the upper hand and straddling the other. the receiver has an unexpected realization of their feelings regarding their sparring partner in the process.

[ FAMILY ]: watching the sender interacting fondly with others, the receiver (from afar) takes a moment to take a closer look at their relationship.

[ STORM ]: when the two of them get caught outside in a rainstorm, the receiver uses an umbrella/jacket as a shelter, which the sender shares with them, causing the receiver to be confronted with the truth of their relationship with the sender.

[soulprompts]

REASONS TO TACKLE. [ a prompt list! ]

listen. tackling is a language that can convey many many things. and once again, this is a list that may be edited down the line to capture those languages, but in the meantime! we have this! bc i saw One Scene in a film and made it the dashes problem! bon appetit, enjoy! DO NOT ADD TO OR EDIT THIS LIST, NOR CLAIM AS YOUR OWN.

[ ANGER ]: sender tackles the receiver in a fit of rage.

[ DODGE ]: sender tackles the receiver out of the way of an attack.

[ LOVE ]: sender tackles the receiver onto a bed/sofa to give them some attention of a romantic or similarly heated nature.

[ TRAIN ]: sender tackles the receiver as part of a sparring or training exercise.

[ SLEEP ]: sender tackles the receiver on top of a bed in order to insist that they get some sleep.

[ HUG ]: sender tackles the receiver to the ground in their enthusiasm to give them a hug.

[ CALM ]: sender tackles the receiver to the ground in an effort to both restrain and calm them down.

[ STOP ]: sender launches themselves at the receiver and tackles them in order to stop them from doing something.

[ FIGHT ]: sender, in the midst of a physical fight with the receiver, tackles them to try and gain the upper hand.

[ RESTRAIN ]: sender tackles the receiver to try and physically restrain them.

[ HIDE ]: sender tackles the receiver to the ground, out of sight, in order to stop them from being seen.

[ SHIELD ]: sender throws themselves over the receiver's body to shield them from an attack.

[ INTERVENE ]: sender tackles the receiver to prevent them from attacking another person.

[ WHISPER ]: sender tackles the receiver so as to distract on-lookers from seeing them whisper something into the receiver's ear.

[ COLLAPSE ]: sender, weak due to previous conditions, collapses on top of the receiver, inadvertently tackling them to the ground in the process.

[ SLIP ]: sender slips on something and trips, bringing the receiver down with them in their descent.

[ POCKET ]: sender tackles the receiver in order to distract witnesses from seeing them put something into the receiver's pocket.

[ CONVINCE ]: sender tackles the receiver to convince on-lookers that they're enemies.

[plotbunnie]

Nonverbal RP Starters

I’m finding it difficult to find memes for nonverbal characters ( be they mute, or just not fond of talking ) so I thought I’d make a few!

Neutral

☝️ Tap my muse on the shoulder

👉 Point to something for my muse to see

🤙 Bump into my muse

😊 Sit down next to my muse

🤨 Sit down across from my muse

📓 Push/Slide [an object] across a table to my muse

✍️ Pass my muse a note

🙄 Roll their eyes at my muse

🚪 Tap on a table/door/wall/chair to get my muse’s attention without speaking

Aggressive

🐺 Growl at my muse

😬 Snarl/show teeth at my muse

😠 Death Glare at my muse

🙌 Push/Shove my muse

👊 Punch my muse

👖 Kick my muse in the shin

👠 Stomp on my muse’s foot

😵 Knee my muse in the gut

💀 Knee my muse in the groin

🔪 Point a weapon at my muse

🖕 Flip my muse the bird/a similar gesture

👔 Roughly pull my muse down by the collar

💢 Bang on a door/wall/table to get my muse’s attention- angrily

Angst

👩‍⚕️ Put pressure on my muse’s wound

🌡 Push my muse down to give them medical attention

🥣 Bring my muse soup/medicine when they are sick

🤢 Hold my muse’s hair back/Rub my muse’s back while they are sick/throwing up

👐 Hold my muse when they are badly wounded/dying

👁 Wake my muse up during a nightmare

🐱 Hold my muse after a nightmare

😭 Hold my muse when they are crying

😢Touch my muse’s shoulder while they are crying in secret

💧 Wipe away my muse’s tears

💥 Try to calm my muse during an overwhelming emotional moment

⛈ Find my muse after some kind of trauma

Soft

👕 Tug on my muse’s sleeve/shirt/skirt

🐈 Lean against my muse’s side

🤝 Hold my muse’s hand

🤗 Pull my muse into a hug

🐕 Rest their head on my muse’s shoulder/knee

🐶 Nuzzle my muse with their nose [specify a location]

✋ Touch the back of my muse’s hand

🤝 Reach for my muse’s hand to hold it

👗 Fix/Straighten my muse’s clothes

😴 Stand by the bed to see if my muse will let you under the covers with them

🛌 Crawl under the covers with my muse

🥪 Set a plate/tray/bowl of food down for my muse

😚 Kiss my muse on the cheek

Playful

🌸 Put a flower in my muse’s hair

✨ Playfully shove my muse’s shoulder

💃 Pull my muse onto a dance floor/up to dance

🤞 Come up beside them and tap the shoulder opposite where they’re standing

😈 Jump out of the shadows to scare/startle my muse

😛 Stick their tongue out at my muse

😱 Make a silly face at my muse

🤭 Tickle my muse

👃 Poke my muse’s nose

💪 Pick my muse up

Sensual/Sexual

💘 Pull my muse in for a rough kiss

💕 Pull my muse in for a tender kiss

💞 Pull my muse in for a messy/desperate kiss

💖 Lean in to give my muse a sweet/chaste kiss

❤️ Lean in to give my muse a tender kiss

🔥 Pull my muse down by the collar/by their clothes - in a sexy way

😉 Pull my muse in by the hips

😲 Smack my muse’s butt

💋 Kiss my muse’s neck

👌 Push my muse down and give them a massage

👙 Pull [an article of clothing] off my muse

👀 Push my muse down on the bed

👄 Pull my muse onto the bed

[nighinvincible-moved]

i just got here and have a feeling this blog is glitchy....... great.

[sentinelprompts]

━━ ⟢ SENTENCE STARTERS : WARRIORS ( 2024 ). pulled from the genius lyrics of eisa davis and lin manuel miranda's concept album, based on the 1979 movie of the same name. feel free to edit as needed.

❛ at midnight, there’s a gathering after dark in [place]. ❜

❛ the truce is on. no weapons but your fists, she insists. ❜

❛ time it just right and you might just survive the night. ❜

❛ warriors, come out to play ! ❜

❛ miracles can happen when we gather in the dark. ❜

❛ ‘cause you could do ninety-nine things right, but meet the wrong cop at night and it’s brrap on sight, ya dig ? ❜

❛ survival all depends upon the corner you run to. ❜

❛ what a fuckin’ pain, takin’ a train to a boat to another train ? ❜

❛ come out, come out… ❜

❛ when shit goes down, we intervene. ❜

❛ why the fuck we gotta go uptown ? ❜

❛ we’ve never gone that far uptown… ❜

❛ if the night goes sideways… ❜

❛ hey ! you better have my back, ‘cause this is happening. ❜

❛ [name], you bring the cans and keep taggin’ our sweet graphic. ❜

❛ anybody testin’ these hands will see static, capiche ? ❜

❛ leave your weapons back at home, don’t pack no chrome. ❜

❛ oh please, you know my style. ❜

❛ they call me cowgirl ‘cause i like to ride ! ❜

❛ i’m the youngest and the prettiest, they call me [name] ! ❜

❛ i got two f’s for y’all, fuck around, find out ! ❜

❛ there’s peace so far, but i’m in your corner if that shit goes down. ❜

❛ can you count, suckas ? ❜

❛ nobody’s wastin’ nobody, and that’s a miracle. ❜

❛ can you see how strong we can be if we can agree that it’s all our turf ? ❜

❛ imagine what i had to do to stay on top. ❜

❛ now imagine what we could do if you and your crew got with me and my crew - ❜

❛ you are brothers and sisters now, and anywhere you go, you are home free. ❜

❛ no, i didn’t do this ! i’d never do this ! ❜

❛ i don’t see a way to escape from the crowd ! ❜

❛ get away from the crowd ! make your way downtown ! ❜

❛ go the other way or there’s no getting out ! ❜

❛ who will save us now ? ❜

❛ punch your fuckin’ way through the gate ‘til it breaks down ! ❜

❛ when you woke up today, you didn’t think you could die. neither did i. ❜

❛ i guess we’re running ! ❜

❛ everybody make it ? ❜

❛ we gotta go back and find [her/him/them] ! ❜

❛ it is way too soon to mourn [her/him/them]. ❜

❛ knowing [her/him/them], [she/he/they] probably tried to make things right. ❜

❛ is the truce still on ? ❜

❛ when the night goes sideways, get back home alive. ❜

❛ if the night divides us, meet back up in [place]. ❜

❛ and who decided to make you war chief ? ❜

❛ no, i wanna know ! who gave you the right ? ❜

❛ make your move or fall in line. ❜

❛ we gotta stick together. ❜

❛ we lost [name], we can’t lose you too. ❜

❛ i’ll get us home alive. ❜

❛ [name], just before we go - make our mark and let ’em know that we were here tonight. ❜

❛ we’ll live to see tomorrow if we just survive the night. ❜

❛ looks like they forgot about the truce… ❜

❛ we gotta get past ‘em to catch that train ! ❜

❛ on my signal, five, four, three, two, one, run ! ❜

❛ you won’t leave [place] alive. ❜

❛ why we leavin' ? all the amenities, i really coulda stayed. ❜

❛ [place/group] pissed on us, if you didn’t notice. ❜

❛ you weren’t supposed to bring any liquor. you aren’t supposed to drink on duty, period ! ❜

❛ we coulda stomped ‘em. 'least i flipped ‘em the bird. ❜

❛ it’s alright, nobody can read these maps anyway. ❜

❛ shit, this train’s had it, is that a track fire ? ❜

❛ they want ‘em alive, we don’t. ❜

❛ they’re looking for [person/group], remember ? we can do some lookin’ too. ❜

❛ can’t you see ? i’m havin’ a good time ! ❜

❛ i came to make your dad shit his depends. ❜

❛ let’s kick this town, watch the whole skyline come tumbling down ! ❜

❛ light one match, don’t be scared. you just might watch the world burn. ❜

❛ be a star. better yet, be a shooting star. ❜

❛ let me do the talking, be easy. ❜

❛ what is this, a late-night cosmetology class ? ❜

❛ you dare to cross our lawn ? with your colors on ? ❜

❛ easy, easy, we’re only passing through. ❜

❛ we’ve got no beef with you. ❜

❛ i’m sensing a little condescension. do you think we’re not big time ? ❜

❛ we’re known for our compassion when the chips are down. oh ! and also known for bashin’ in our deadly foes. ❜

❛ hey, i like your vest. you wanna gimme one ? ❜

❛ help us get through and i’ll see what i can do. ❜

❛ bitch, i don’t want a new one, i want the vest offa you. ❜

❛ you really gonna let ‘em walk around all through your little territory ? ❜

❛ i’m losing my cool. ❜

❛ pssh, you ain’t never once been cool. ❜

❛ fuck you, we’re walking home. ❜

❛ you made us get our weapons, now you see what you get ! ❜

❛ hey, let me go to wherever you’re going. ❜

❛ what do you do when they kill everything you believe in, but you still breathin’ ? ❜

❛ i wish i shared your dream of peace, but it’s killing season. ❜

❛ [name], wake the fuck up and tell me what your story is. ❜

❛ we decide if you get to live, see ? ❜

❛ [name], you in a pickle. if i were you, i would start talking right now. ❜

❛ i’m not your judas. ❜

❛ cut me or kill me or riddle my body with bruises, that’s what the truth is. ❜

❛ the truth is you have me confused with my accusers. ❜

❛ so where’s the rest of your crew, then ? ❜

❛ c’mon, let me be and set me free. ❜

❛ if i am guilty then where is my gun ? ❜

❛ you gonna kill me ? then have it be done. ❜

❛ i’mma help you find the one who killed [her/him/them]. ❜

❛ this city will never forgive what you did. ❜

❛ there’s a price on your head for the shit that you did. ❜

❛ go back to the gutter with your late night dates ! ❜

❛ oh, so you’re innocent. ❜

❛ running makes you look guilty. ❜

❛ you got some to say, let ‘em know. ❜

❛ if you wanna survive, burn bright. ❜

❛ quiet girls don’t make it home. ❜

❛ let’s fight, ‘cause i’m sick of being wimps. ❜

❛ i’m sick of running. ❜

❛ we keep runnin’ when we can take these clowns. ❜

❛ we ain’t come this far just to run and hide. ❜

❛ i’ll fight my way to wherever you’re going. ❜

❛ yoo hoo, ladies, you look lost and exhausted. ❜

❛ you’d look prettier if you’d smile. ❜

❛ you wanna show me how you play ? ❜

❛ but you wanted to play, right ? old ass predator looking for prey, right ? ❜

❛ talkin’ that shit, but got nothin’ to say, right ? ❜

❛ this is judge, jury and trial, motherfucker ! ❜

❛ i’m sick of runnin’ when i’ve done nothing wrong. ❜

❛ picked the wrong fight, now you’re in for a long night. ❜

❛ ‘why cause pain ?’ life is pain. ❜

❛ [name]’s just an extra soldier to help us get back home. ❜

❛ if we get home tonight, what’ll we have left ? ❜

❛ matching cardigans ? that’s cute. ❜

❛ where you headed ? look like you’ve been on the run. ❜

❛ now we got a place next door. that might be what you’re looking for. ❜

❛ i will shield you from all harm ‘cause you’ve been through hell, and your shelter is here in my arms. ❜

❛ how are you so beautiful tonight ? ❜

❛ if you need my place to hide, take my hand. ❜

❛ everybody needs a soft place to land. ❜

❛ can we stay on track ? ❜

❛ why’re you being so quiet in this subway tunnel ? whaddaya think, i bite or somethin’ ? ❜

❛ ha. i don’t think you’d like initiation. ❜

❛ so whatcha wanna do, jump me into the crew ? ❜

❛ well, you split from [group]. are you loyal ? ❜

❛ i’m loyal to you. ❜

❛ what’s wrong ? kiss me. ❜

❛ if i’m everything wrong, why’d you keep me along ? ❜

❛ why stick up for a stranger, in spite of the danger ? ❜

❛ i followed the night just to be in your corner. ❜

❛ i’d fight by your side. i would stay in your corner and you know it. ❜

❛ i wanna live, not just live to survive. ❜

❛ don’t know what you think you see in me. ❜

❛ don’t tell me you believe in me. you don’t even know me. ❜

❛ i’m broken, so don’t put your hope in me. ❜

❛ what do you want me to say ? that you’re beautiful ? ‘cause i think we both know that. ❜

❛ you’re more than beautiful. ❜

❛ you’re more than your body. you’re more than these lips, or this face - ❜

❛ if we ever somehow get out of this place, then we’ll go find something new. ❜

❛ the light at the end of this tunnel’s got nothing on you. ❜

❛ i think i see a light or somethin’. ❜

❛ i smell good cookin’ and i haven’t had a bite all night. ❜

❛ they’re so good-looking that i don’t know who to decide i like. ❜

❛ watch ‘em drop with a kick to the dick or the kidney ! ❜

❛ that pretty boy just bit me ! ❜

❛ never follow a beautiful face to a second location. ❜

❛ you can’t kill an idea whose time has come. ❜

❛ he’s waiting for us on our turf. ❜

❛ someday in the city we won’t have to run. ❜

❛ let’s find the train that gets us home. ❜

❛ hey yo, this hot dude bit me ! ❜

❛ i smashed that bad guy with his own chair ! ❜

❛ i’m a walkin’ talkin’ fire-breathing controversy ! ❜

❛ hands where we can see ‘em, if you please. ❜

❛ i’m sick of being afraid of you. ❜

❛ why can’t we just go back home ? why we always on the run from you ? ❜

❛ we put 'them in their place. you want some too ? ❜

❛ oh, you wanna rumble ? no problem ! ❜

❛ mission accomplished, i’ll see you in [place] ! ❜

❛ [name] would’ve beat him, but i am no [name]. ❜

❛ everyone you ever lost is still around, yes. see them in the flickers of the train’s fluorescent light, here in the night… ❜

❛ we’re all on the same train home. ❜

❛ oh, let them stare in judgment, let them witness this. ❜

❛ all we got is us. ❜

❛ we made it home alive. ❜

❛ it’s been a long fight just to see the ocean. ❜

❛ i’ve never seen the ocean. ❜

❛ how do we carry on without them ? ❜

❛ if [name] were alive, we’d be home free. ❜

❛ stay behind me, let [him/her/them] find me. ❜

❛ i am the ghost and i’ve hunted you. ❜

❛ stop. who the fuck are you and why are you here ? ❜

❛ don’t you know i killed [name] ? ❜

❛ you missed me ! and what ? ❜

❛ no one is coming to lend you a hand. ❜

❛ you only know how to break shit apart. ❜

❛ your crew is scared of you, see how it scatters ! ❜

❛ my crew would die for me. loyalty matters. ❜

❛ that’s where the glory is, not in blowing it up but in holding it down. ❜

❛ i don’t know why i’m still alive and some of us gone. i don’t think i’m special. ❜

❛ even though i’m home, i’ve got a knot in my chest that i can’t untangle. ❜

[nighinvincible-moved]

Meme tag