[girlinsides]

[seasonofhorror]

THE BLAIR WITCH PROJECT

1999, dir. Daniel Myrick & Eduardo Sánchez

[jetix]

‘White Cat with Gemstones’ by Joseph Jones Oil and acrylic on linen, 2026

[untrustyou]

[cinemphatic]

The Company of Wolves (1984) dir Neil Jordan

[childoflamb]

[floejlskaersild]

unknown artist

[cosmonautroger]

[stigmatam4rtyr]

The Hull (1952, oil on canvas) | Hyman Bloom

[digitalsuicide2006]

[speciesbarocus]

The Entombment of Christ, Church of San Martino, Portofino. Detail.

[uspiria]

Ringu (1998) dir. Hideo Nakata

[nocturneandbone]

double exposure of the full moon on 35mm film

[heavensghost]

Words by Andrea Gibson

[aconissa]

“I like the paradox within horror film: take the worst of the human condition and transform it into art, into beauty. It’s the only genre that offers this kind of dialectic and I have always found this idea very moving – to create emotion with the saddest, most depressing things in existence. I’ve always felt that horror was a melancholy genre.”

— Martyrs director Pascal Laugier (for Electric Sheep Magazine)

[im-also-evil-also-into-cats]

[efedra-deactivated20160112]

Blood, 2000 by Anish Kapoor