machiavelli disguised as a debutante

At your age, nothing is in vain. Life’s never what you expect. Your relationship with the world is always unpredictable. It’s up to you to transform it to something deeper, more true. Only then you’ll become yourself .

[mashamorevna]

Amy Adams for So It Goes Magazine (2018)  

[toryburch]

M is for Making Waves

Françoise Hardy, style icon and one of the headliners of the Yé-Yé movement. Learn more about the Yé-Yés here… 

Françoise Hardy, 1964, photographed by Steve Schapiro/Corbis

[flmblr]

Maybe because I don’t really believe that it’s gonna work. And then I make sure it doesn’t work.

[amorenelcine]

[somethbydrcyvubibkvjf-deactivat]

It’s not ‘clever lonely’ (like Morrissey) or ‘interesting lonely’ (like Radiohead); it’s ‘lonely lonely,’ like the way it feels when you’re being hugged by someone and it somehow makes you sadder.

Chuck Klosterman (via loveyourchaos)

[chaesong-hwa]

Just between us, do you remember it all too well?

[depressionparty]

Nowhere was I at home; the house in which I lived had never been a home to me: it was an encampment. This century was not my century, and this life of mine which was so relentlessly prolonged was not my life.

Simone de Beauvoir, All Men are Mortal (via depressionparty)

[pierreism]

La jalousie (2013), dir. Philippe Garrel

With wonderful widescreen cinematography by Willy Kurant (Masculin Féminin, Trans-Europ-Express, Pootie Tang*)

*this is NOT A JOKE.

[letusignite-blog]

[maia-roberts]

5 years from now: *wakes up from a dead sleep* “WHY DID YOUSEF GO TO TURKEY!”

[nightsofcabiria]

4 years have passed and...

WHAT WAS THE REASON?

[thnkfilm]

“I wrote a song about you. It’s called ‘Bitch in a Uniform’. I wrote it when I was pissed off with you. But I still like you, Georgia. Even though you are mad.”

Angus, Thongs and Perfect Snogging (2008) dir. Gurinder Chadha

[dinnerwithannawintour-deactivat]

[alsk00]

La belle personne (2008)

[yvesolade]

“Sometimes I really believe it, that I am going to save my life a little.”

— Mary Oliver, from section 4 of “The Return,” What Do We Know: Poems and Prose Poems (Da Capo Press, 2002)

[alexcabotgf]

ANYA TAYLOR-JOY 1883 Magazine | © Pip

[thefemmenist]

20th century women, dir. Mike Mills

[petrasvonkant]

L’Avenir (2016) dir. Mia Hansen-Løve