The Marx Brothers in Animal Crackers (1930) Paramount Pictures Dir. Victor Heerman
Groucho Marx as Captain Spaulding Louis Sorin as Roscoe W. Chandler
cherry valley forever

祝日 / Permanent Vacation
"I'm Dorothy Gale from Kansas"
wallacepolsom

roma★

Kiana Khansmith
Not today Justin
No title available
Sweet Seals For You, Always
🪼
RMH
he wasn't even looking at me and he found me
Claire Keane
2025 on Tumblr: Trends That Defined the Year

blake kathryn
Monterey Bay Aquarium

if i look back, i am lost
Keni
ojovivo
hello vonnie
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@niles-cranes
The Marx Brothers in Animal Crackers (1930) Paramount Pictures Dir. Victor Heerman
Groucho Marx as Captain Spaulding Louis Sorin as Roscoe W. Chandler
Delight - Antonia Tyz Peeples
American , b. 1957 -
Oil on linen , 30 x 30. in.
Quiet Morning - Anke Roder , 2026
Dutch, b. 1964 -
Encaustic and oil on wood , 23 x 18 cm.
Deborah and Ava + Ava's hands
hacks is a show ultimately concerned with the interaction between material circumstances and the making of art. talent management being the b-plot stars of the show so the audience is forced to contend with the gears of the industry and not just the shiny finished product, deborah starting her journey in a place of material comfort but artistic stagnation, and the constant tension surrounding who most controls deborah's legacy - be it male executives, the media in their pockets, deborah's past naiveté, or deborah and her team - all contribute to a pervading sense that artistic expression is a hellish endeavor, at least if you want to do it well and sell a worthwhile product to an audience. there will be unfair constraints and devastating setbacks, and sometimes meeting that pressure head-on forces the best possible art from the artist.
having deborah ready to meet death with grace and certainty throughout the finale serves this theme so well. we've watched her toil again and again to reach new heights of creative expression, watched her set goals and meet them despite those who stood in her way. she'd be leaving the mortal coil personally and artistically fulfilled. there are no more mountains of material circumstances to climb, no more puppets of villainous misogyny to circumvent. may she rest on her laurels in perpetuity.
and yet.
deborah having a moment where she realizes that, regardless of the bigness of the creation, she's not ready to step away from the creative process subverts our expectation of her ultimate need. being an artist, at its base, is not about control or grandiosity or how long or short of a cultural shadow you cast. art is about seeing other people. it's about seeing yourself.
tinkering with her art suffuses deborah's life with meaning. of course her story ends with her alive! there's no material circumstance in the world - not even the inevitability of an end - that could stand in the way of art being made, experienced, and enriching everyone involved in its process.
4x01 || 5x10
New Girl – 1.17: Fancyman
afternoon
Felibberto Scarpa, The Cat Who Went to the Ophthalmologist (1953)
FLEABAG ↳ Season 2, Episode 1
nice try, get out the way you're in our way, get lost forever
challangers — mangetout
it’ll never be the cure
LITTLE WOMEN (2019) dir. Greta Gerwig
I never had a best friend. So, I just relied more and more on the Little Debbies, and it was as much for me as it was for them. But then I met you. And I didn’t need them so much anymore. Well, makes sense. I’m your number one fan.