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2025 on Tumblr: Trends That Defined the Year
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Few Bits - The Wolves
First Renee's Strawberry Stains, and now Few Bits' The Wolves... The Belgium based Zeal Records is turning into a veritable treasure trove of interesting new talent. Click play and dive into the swampy drug dream that is The Wolves.
Leon Vynehall - Step or Stone (Breath or Bone)
Leon Vynehall is a force of nature. His sublime synth pads and bizarre samples counterbalance the straight ahead nature of this track nicely. Vynehall is clearly a house DJ, but he brings a fresh energy to the genre which is heartening to hear.
Elder Island - What It's Worth
This is awfully nice. I get really disappointed when music isn't available on my music streaming service, but I will definitely be keeping my eye on this artist.
Blackbird Blackbird - Rare Candy
Intricate and exultant, let the infectious pop melodies of Blackbird Blackbird wash over you. Rare Candy is the perfect summertime song. It's the type of tune that begs for a road trip.
The Wood Brothers - The Muse
Perfect. Just perfect.
Eaters - Through All
This is the best God damn thing I have heard all week. I have had it on repeat for the last 45 minutes, and I have been acutely aware of the fact that I am in danger of slipping further into the void of insanity and anti-logic with each repetition. But instead of chaos, what I have found at the heart of this track is a story of unconditional love for one's family, and more than a small dose of the anxiety that can accompany it.
Rock on, Eaters. Rock the fuck on.
Parquet Courts - Instant Disassembly
Garagey, in the manner of The Velvet Underground. Talk-sing that shit. Chorus shimmers, de-tunes guitars. Abraisive. Cyclical. White noise murmur of the A.M. band.
Discover - Archis
Archis is a collaboration between vocalist Dia Frampton (Meg and Dia, the Voice) and composer and film scorer Joseph Trapanese (Tron). Following her time under the glaring, white washing lights of the Hollywood hills, Dia Frampton felt the need to retreat from the world of sticky sweet power pop anthems.
Dia contacted her close friend Joseph Trapanese. Dia wanted to change direction. She wanted to tap what she saw as a more authentic, more personal fount of creativity which had been stifled by the music industry's unflagging quest for eternally unoffensive ear worms. Dia wanted to explore feminine vulnerability, as well as feminine strength. There is an honesty to the dichotomy between vulnerability and strength, each trait accentuating the other.
While Dia's influence still lands the fruits of Archis' labor firmly in the pop world, Joseph Trapanese creates wonderfully textured cinematic moments. He performs his function admirably, creating a supremely emotionally stimulating soundtrack for Dia's confessions.
"Blood", the first single off Archis' upcoming EP is stunning. The first third of the song is delicate. A nine piece orchestra performs a harmonically complex dance with intertwining drones. As the drone fades, Frampton enters, her vocal melody bouncing off of a synth piano. The dark, melancholic malaise lifts as drum line style snares begin their rigid march towards more well trodden pop territory. Soon, soaring electric guitars join the wall of sound, and we are catapulted into the heart of the song. "Let's go for blood" Frampton's refrain, at once disturbing and uplifting, repeats. I truly hope that Archis becomes a center piece, rather than hanging out in side project limbo.
Todd Terje - Delorean Dynamite
Todd Terje is a Norwegian producer, and he means business. His new record It's Album Time is the result of Terje's time spent spinning old disco tracks at night clubs in Oslo Norway. Todd Terje has forged a style of electronic dance music at once physical and cerebral. In contrast with many contemporary dj's, he doesn't shy away from complex tonal centers or funky key changes.
Large swaths of Delorean Dynamite are straight ahead dance fair, but it's those interesting moments in the choruses that really put the track over the top. Sit down, relax, throw on some headphones, and prepare to be taken care of by the man with the mustache.
Ought - Habit
Ought's debut More Than Any Other Day is a messy, expressive punk album filled with angsty anthemic pop songs. Habit is an extended metaphor which compares the release provided from artistic creation with a the relief felt when a junky shoots up.
Guardian Alien live at Glasslands
If your sanity is tenuous, do no to push play.
King Khan and The Shrines live on KEXP
In doing my homework on bands performing at The Free Press Summer Festival, I came upon this video of King Khan. I must say that I was undecided on them until I started listening to the lyrics to "Took My Lady to Dinner". This band isn't going to wow you, but they have the entertainment factor in spades.
Houndmouth performs a Take Away Show
The only thing better than a Houndmouth performance is a Houndmouth Take Away Show.
I saw Houndmouth at The Local 662 in Saint Petersburg a few nights ago, and man did they ever exceed my expectations. I had been very into a handful of songs off of their first full length release From the Hills Below the City, but had never made it past the first third of the album. On record Houndmouth's songwriting shines, but in a live setting this band can really cut loose on their instruments. Houndmouth is planning to hit the studio this summer, so look for a new release in early 2015.
J. Roddy Walston & the Business - Heavy Bells
J. Roddy Walston is pissed off about something or other, and he's going to tell you about it. Letterman has really brought his A game with the musical guests lately.
Eaters - Bury the Lines
This is so German. This is so krautrock. This is so great.
The album dropped on April 15th. It is full of dance-able mayhem, and maybe a little bit of robot gore. Careful, you might get lost in there.
Bear Hands - Crime Pays
"Crime Pays" really shines live. It relies heavily on a steady beat to anchor the listener as angular, frenetic guitar melodies jut threateningly out of the sonic landscape. Go ahead. Get the f**k down.
James Supercave - The Afternoon
Who is James Supercave? Virtually the only information I can find on this artist is that he is based out of L.A. I may know much about the man, but the music is certainly intriguing. Skittering electronic beats are fleshed out with orchestral synth and piano lines. "I've got a robot, a robot on tape for a friend". I'm sure you do James. I'm sure you do.