#SouMari #today #traveling together #hot springs #end of Summer Paradise #peaceful atmosphere #carefree
Marius
#MARRY_POTTER #Slow Jam #stage props #did you guys notice? #the back cover is a joke #my weird face #a surprise from fuma #but nobody laughed... #failed surprise
do you ever bite into a piece of cheese on bread and immediately find yourself as a true and honest shepherd boy in the 1300s who sometimes steals apples but is overall hale and truehearted
I’ve translated Sexy Zone’s interview in the latest issue of TVnavi SMILE! As it is my first translation project and I’m still learning Japanese, there are bound to be some inaccuracies and mistakes. Nevertheless, I hope you enjoy this interview! I had a lot of fun translating it and look forward to posting more of my translations.
Credits for the original scans are to yoshiko_mama on LJ!
Sexy Zone has released their single ‘Gyutto’, the theme song for the drama ‘Wagahai no Heya de Aru’ starring Kikuchi Fuma. From these five people with sharp feelings and senses, we received their confessions and views on their work and motivations.
Q. What was a recent moment where you felt warm or healed?
Marius: I was healed when I watched the news about the pandas at Ueno Zoo. But because I was watching it for a while, I guess I felt somewhat sorry for them. Later at a big retail store, I bought about four cheap and soft cushions. Because they were so fluffy and I put them on top of the sofa, I felt so comfortable even by myself. I thought about watching my favorite drama and while I was watching, I didn’t realize that I fell asleep. When I noticed it was something like 2 AM in the morning, I said ‘Oh no, I have to brush my teeth’. I was troubled because it was too comfortable (lol).
Shori: Because I’m a little embarrassed about being healed, I honestly do not want to say much as a guy (lol). Well, I guess it’s the parakeet I own named ‘Ki’. Because she’s lonely, if I take her out of the bird cage, she goes on my shoulder and always follows me. It didn’t feel like I worked hard to tame her, since the beginning she follows me. Well, I’m certainly healed (lol).
Sou: When I work with Marius, I feel warm and healed. Even if Marius doesn’t concentrate and I get a little irritated, I still fawn over him and feel that he’s cute and I forgive everything (lol). When I say things like ‘Marius is cute today, too~’, he cutely replies with ‘Sou-chan, thank you~’. Because this kind of thing seems like Marius, even if he’s becoming more and more of an adult, I want this Marius as he is now always.
Fuma: We went to an elementary school to record the PV for our new song ‘Gyutto’, and there were notices for the PV screening telling fathers, mothers, and friends to ‘Please come and see it’. When I picked up one such notice, a child had written ‘If you can, please come and see it.’ I was almost crying because of such kindness. When I was 4 years old, it was such an ordinary feeling for my parents to come see me (lol). Because I saw that as I’m now becoming an adult, I thought it was a caring and kind child and it healed me.
Kento: I went to see an original animated American movie, but, ah….is it okay if I only talk about movies? Anyways…I was healed by the cuteness of the leading actress (lol)! She is a princess who grew up on an island with only women, but one day, she meets a lost pilot who changes her life. When the two of them are about to kiss, the scene is zoomed out. Somehow, this becomes more effective than directly showing the kiss. I don’t know why, but I was strangely healed.
Q. What is something you’ve received recently that motivated you?
Shori: I guess it’s Mr. Children’s single ‘himawari’. The songs are awesome, and I watched a documentary that comes with the CD. It shows how Sakurai (Kazutoshi) san makes songs, and things like how the members of Mr. Children produce those songs and thus their production process is followed. I’ve always liked Mr. Children. I somehow thought Sakurai-san was the center of the group, but in reality, all four members work together. They would say, ‘Okay, let’s try changing the drums a little bit’, and the instruments are changed. Then the bass is also slightly changed to match the rhythm, and the small details are steadily adjusted by the four members. All the members of the band become able to derive one sound. Because that was the first time I became aware of this, it was fun and I learned a lot.
Sou: If it’s other than Johnny’s, I watch overseas artists’ performances that I think would be good to draw motivation from. Right now, I’m watching overseas dramas. People from overseas, and Marius too, their gestures are amazing. It’s because of their expressive ability. If it’s in a drama it will be exaggerated, but because on stage you’re asked for it, when I watch overseas performances I think I can make some use of the stage.
Marius: The other day when I went to Harajuku for shopping, a huge crowd of people were lined up to buy a brand’s collaboration bag. It felt like you couldn’t go through the road at all. Although it’s an incredibly popular brand, the more I think about it, everyone wanted that one bag, and I thought it was amazing that hundreds of people were lined up. The power that “thing” has is enough to attract everyone into making them believe they like it. I am not a “thing”, but I’d like to think I have that kind of charm. And Sexy Zone also. I feel that I do my own shopping after deciding the basics. I go shopping slowly, but if I have no time, I look at a store’s stock in advance and buy things only by fitting the size.
Kento: The other day, I cried in a movie theater after a long time. Originally, I wanted to watch a film by Tsukikawa Sho, who was the same director as ‘Kurosaki-kun no Iinari ni Nante Naranai’, and by chance my friend recommended it to me, saying “It was good so you should go see it”. The heroine’s indescribable idol feeling contrasted with the main hero’s real feeling. Already then, the main hero’s feeling of emptiness is really painful….my heart was pained. I still have not been able to meet the director, but I want to tell him soon that it was awesome!!!
Fuma: I was motivated by Eito-niisan’s (Kanjani 8) live performance. 50 minutes after the opening, I was surprised that it become an all-band performance. They really didn’t move from the stage, and because I like bands it was cool. When I want to see them, they made a mistake, but then the members laughed after. They said, “Sorry, sorry, let’s try one more time!”, and then decided to completely start over from the beginning. I got goosebumps from wondering if there was ever a living feeling like this seen in Johnny’s live performances so far. The feeling of the members and the fans was also really nice. After that, they came out with completely sparkling costumes as if it was the opening once more. The non-moving band was intense, and it seemed that the audience was getting really excited because a part of them was kept in suspense.
Q. What is something you’ve learned in a recent work?
Shori: As expected it’s my ‘Summer Paradise’ live performance. It was hard for me to make, so I learned a lot. Since I had been making the original draft since May while on tour with Sexy Zone, I wondered if it was possible to complete it. Creating a live performance is sometimes fun or painful, but either way it’s normal to have both feelings. I think that in work it’s also basic.
Sou: In specific terms, although it’s difficult, it’s more fun to do something with goals in mind so I become aware that I’m trying to create tasks one by one and clear them. For example, on a variety show communication is important, so first you remember the names of the performers, and then you speak on your own accord, and if you act frankly it becomes easier to speak on the show. In that case, it would be good if I can get a chance to do this. Since I already know the position of where I stand in the group, it’s a question as to how I can make use of it and respond to myself. But if I go overboard in trying to be funny, it becomes a type that’s not funny at all (lol). I normally try to challenge myself as much as possible, and when the members pick up on it at an irrelevant time, I guess it becomes something like flowers blooming (lol)?
Marius: I saw Shori-kun’s Summer Paradise concert and his balance was amazing and easy to see. I didn’t get tired like at an ordinary concert, and I felt refreshed while watching it. Every segment flowed with the selected songs, making a concert where it’s easy to see the direction of its course. Unlike I imagined, I became really energetic. For our concerts also, I discussed how to skillfully combine my ideas with Sou-chan’s and I learned a lot.
Q. What are you learning on set of your movie ‘Miseinen Dake Kodomo Janai’?
Kento: Director Hanabusa’s stance on set is truly amazing. I’m learning a lot from him, or perhaps I should say I’ve completely fallen in love with him (lol). Before filming, he always comes to the makeup room where the cast is preparing. ‘How are you today? Nao-kun (my character’s name) how are you?’, he tells me. And then, while explaining the scene we’re to shoot that day, he tells us in the kitchen how he wants to film the scene. His sincere attitude in approaching his work is cool, and he’s also really funny and makes us laugh a lot. I’m learning a lot through his personality and his way of creating an atmosphere on set. I love you, Director Hanabusa!
Q. What are you learning on set of your leading drama ‘Wagahai no Heya de Aru’?
Fuma: Because I’m by myself in the drama I have a lot of lines, and although I managed to get two episodes in my head before we started filming, I shot one episode in two days and just like that I’ve exhausted my memory (lol). In the morning I memorize my lines, and then again during lunch breaks, and also during my evening breaks. It’s a drama, but it’s also an everyday challenge on the limit of my memorization ability (lol).
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