Hail Mary.
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Today's Document

Discoholic 🪩

ellievsbear
he wasn't even looking at me and he found me
cherry valley forever
Jules of Nature

⁂
almost home
KIROKAZE
DEAR READER
PUT YOUR BEARD IN MY MOUTH
NASA

if i look back, i am lost
wallacepolsom
Sade Olutola

pixel skylines

No title available
$LAYYYTER

@theartofmadeline
No title available

seen from Malaysia

seen from Türkiye

seen from Argentina
seen from United Kingdom
seen from Bangladesh
seen from Bangladesh
seen from Mexico
seen from Bangladesh

seen from United States
seen from South Africa

seen from United States

seen from United States
seen from United States
seen from United States
seen from United States

seen from United States
seen from United States
seen from United States

seen from Singapore

seen from Dominican Republic
@nocturnal-mind-eater
Hail Mary.
Twitter / Instagram / Gumroad / Patreon
KnownOrigin / SuperRare / OBJKT / Zedge
california mountain ranges by wilson davis ellis, american c. 1940s-50s.
Bolivia: Laguna Colorada
Solange for Harper’s Bazaar Italia.
「陽炎座」(1981)
I /really/ love Evangelion’s user interfaces. The problem I have with most modern science fiction UIs is that they’re way too polished for no reason. Stuff like mining rigs, or military vehicles- they all have this over-nice reactive UI that bounces and squiggles whenever characters touch them. Who would program any of this shit? Not only that, but there’s a lot of bullshit shapes that show no meaningful information to the user. This is why I love the computer/set design of Evangelion (and also stuff like Alien). They look and feel beat up. Used. Real. When I look at Evangelion’s UI, I’m reminded of oscilloscopes and other things real engineers use. Sure there’s a lot of noise on the screen, but all of it feels like it could MEAN something to someone in-universe.
christian Dior by John Galliano fall 99
The Pause, Jing Weng, pigment print by Txema Yeste, 𝟤𝟢𝟣𝟩
Heather Marks photographed by Dusan Reljin. "Flair Italia", February 2004
Mayor Dutie by Brendan Wixted for Imagine Magazine June 2025
Xiuli Jiang by Als Sunxiaoran for Vogue Philippines July 2025
Zaha Hadid Heydar Aliyev Center
ALEKS USTYA
Richard Anuszkiewicz
Plus Reversed, 1960
Jennifer Matias by Indigo Lewin for Financial Times Magazine January 2025