NONWARRIOR

[nonwarrior-a]

# 𝐍𝐎𝐍𝐖𝐀𝐑𝐑𝐈𝐎𝐑 !! an independent and low activity multimuse featuring original characters from various fandoms, including stranger things, the lost boys, it and more !!

written by tig && est. 30/09/22 - FOLLOWS BACK FROM @haunthcr

𝐇𝐄𝐀𝐕𝐈𝐋𝐘 𝐀𝐅𝐅𝐈𝐋𝐈𝐀𝐓𝐄𝐃 𝐖𝐈𝐓𝐇 @luvrecords / @theinncnt / @nonsaint

carrd

[haunthcr]

MOVED TO @nonwarrior

this blog is now an archive, as is @nonwarrior-a, i can be found at this new blog with my characters, including miss martha !!

[haunthcr]

MOVED TO @nonwarrior

this blog is now an archive, as is @nonwarrior-a, i can be found at this new blog with my characters, including miss martha !!

[haunthcr]

MOVED TO @nonwarrior

this blog is now an archive, as is @nonwarrior-a, i can be found at this new blog with my characters, including miss martha !!

[lunememes]

🌙  *  ―     𝐓𝐇𝐄 𝐅𝐈𝐕𝐄 𝐒𝐄𝐍𝐒𝐄𝐒  (  prompts for the five senses. add [reversed] to reverse the action. feel free to change wording as needed & add details )

𝐓𝐎𝐔𝐂𝐇.

[ 𝐒𝐎𝐅𝐓 ] ― sender wraps a soft blanket around receiver’s shoulders [ 𝐒𝐈𝐋𝐊 ] ― sender and receiver fall into bed together on silk sheets [ 𝐏𝐔𝐋𝐋 ] ― sender pulls receiver’s hair ( gently / hard ) [ 𝐇𝐀𝐈𝐑 ] ― sender strokes receiver’s hair [ 𝐁𝐑𝐔𝐒𝐇 ] ― sender brushes receiver’s hair [ 𝐏𝐀𝐈𝐍𝐓 ] ― sender paints a picture onto part of receiver’s body ( specify what & where ) [ 𝐓𝐑𝐀𝐂𝐄 ] ― sender traces their fingertips over receiver’s body [ 𝐒𝐂𝐀𝐑 ] ― sender traces a scar on receiver’s body [ 𝐇𝐎𝐋𝐃 ] ― sender reaches out to hold receiver’s hand [ 𝐖𝐎𝐑𝐒𝐇𝐈𝐏 ] ― sender worships receiver’s body

𝐓𝐀𝐒𝐓𝐄.

[ 𝐔𝐍𝐔𝐒𝐔𝐀𝐋 ] ― sender feeds receiver something they’ve never tried before ( specify what ) [ 𝐒𝐎𝐔𝐑 ] ― sender feeds receiver something sour ( specify what ) [ 𝐒𝐖𝐄𝐄𝐓 ] ― sender feeds receiver something sweet ( specify what ) [ 𝐒𝐏𝐈𝐂𝐄 ] ― sender feeds receiver something spicy ( specify what ) [ 𝐋𝐈𝐍𝐆𝐄𝐑 ] ― sender kisses receiver to taste the lingering flavour of what they ate or drank on their lips ( specify what ) [ 𝐂𝐎𝐏𝐏𝐄𝐑 ] ― sender bites receiver hard enough to draw blood [ 𝐔𝐍𝐖𝐄𝐋𝐋 ] ― sender feeds receiver soup when they’ve fallen ill [ 𝐃𝐑𝐈𝐍𝐊 ] ― sender makes receiver a cocktail to try [ 𝐃𝐈𝐒𝐇 ] ― sender cooks receiver their favourite meal [ 𝐓𝐑𝐘 ] ―  sender gives receiver a taste of what they’re cooking / baking for their opinion

𝐒𝐈𝐆𝐇𝐓.

[ 𝐁𝐋𝐈𝐍𝐃 ] ― sender blindfolds receiver [ 𝐑𝐄𝐔𝐍𝐈𝐓𝐄 ] ― sender and receiver see each other again after a period of being apart [ 𝐂𝐇𝐀𝐍𝐆𝐄 ] ― sender notices something different about receiver ( injury / haircut / tattoo / piercing / etc ) [ 𝐅𝐎𝐑𝐌𝐀𝐋 ] ― sender greets receiver in formal partywear ( feel free to add detail ) [ 𝐋𝐀𝐍𝐓𝐄𝐑𝐍𝐒 ] ― sender takes receiver to see lanterns in the sky [ 𝐒𝐓𝐀𝐑𝐒 ] ― sender and receiver lay under the stars to stargaze [ 𝐆𝐀𝐙𝐄 ] ― sender and receiver lock eyes across the room [ 𝐒𝐇𝐀𝐃𝐎𝐖 ] ― sender and receiver see a shadow move out the corner of their eye [ 𝐁𝐔𝐑𝐍 ] ― sender and receive watch as something burns ( candles / a building / a campfire / etc ) [ 𝐅𝐈𝐒𝐇 ] ― sender takes receiver to the aquarium to watch the sea life [ 𝐌𝐀𝐒𝐊 ] ― sender recognises receiver at a masquerade party

𝐒𝐎𝐔𝐍𝐃.

[ 𝐌𝐔𝐒𝐈𝐂 ] ― sender puts on the radio to listen to music with receiver [ 𝐏𝐋𝐀𝐘 ] ― sender plays receiver their favourite song on an instrument ( specify what ) [ 𝐑𝐀𝐈𝐍 ] ― sender and receiver are in bed together while rain lashes against the windows / tent / etc [ 𝐖𝐇𝐈𝐒𝐏𝐄𝐑 ] ― sender whispers something in receiver’s ear ( specify what ) [ 𝐃𝐀𝐍𝐂𝐄 ] ― sender asks receiver for a dance upon hearing a song [ 𝐂𝐎𝐌𝐏𝐀𝐍𝐘 ] ― sender and receiver hear a sound when they should be alone ( footsteps / creaking floorboards / a scream / etc ) [ 𝐇𝐔𝐌 ] ― sender hums a lullaby to lull receiver to sleep [ 𝐌𝐔𝐅𝐅𝐋𝐄𝐃 ] ― sender comforts a temporally deaf receiver after a loud sound ( gunshot / explosion / etc ) [ 𝐎𝐕𝐄𝐑𝐖𝐇𝐄𝐋𝐌 ] ― sender calms receiver down from a panic attack in a loud place [ 𝐀𝐅𝐀𝐑 ] ― sender and receiver hear a muffled sound from another room / outside ( music / people / creature / etc ) [ 𝐒𝐎𝐑𝐑𝐎𝐖 ] ― sender hears receiver crying and approaches comfort them

𝐒𝐌𝐄𝐋𝐋.

[ 𝐁𝐀𝐓𝐇 ] ― sender puts a scented bath bomb into receiver’s bath [ 𝐂𝐀𝐍𝐃𝐋𝐄 ] ― sender lights a scented candle for receiver [ 𝐅𝐑𝐀𝐆𝐑𝐀𝐍𝐂𝐄 ] ― sender puts perfume / aftershave on receiver’s ( wrist / neck / cheek ) [ 𝐒𝐂𝐄𝐍𝐓 ] ― sender inhales receiver’s scent [ 𝐂𝐎𝐎𝐊 ] ― sender is drawn to the kitchen by receiver’s cooking [ 𝐂𝐋𝐎𝐓𝐇𝐄𝐒 ] ― sender steals an item of receiver’s clothes because it smells like them [ 𝐒𝐇𝐎𝐖𝐄𝐑 ] ― sender notices receiver smells of their shampoo / shower gel [ 𝐅𝐋𝐎𝐖𝐄𝐑𝐒 ] ― sender gives receiver flowers [ 𝐖𝐀𝐒𝐇 ] ― sender helps clean receiver after a long day / stressful situation [ 𝐒𝐓𝐈𝐍𝐊𝐘 ] ― sender and receiver walk through the sewers to escape capture / avoid detection / chase someone [ 𝐌𝐀𝐒𝐒𝐀𝐆𝐄 ] ― sender massages receiver with a scented oil

[ohisms]

𝟏𝟎𝟎 𝑵𝑶𝑵𝑽𝑬𝑹𝑩𝑨𝑳 𝑷𝑹𝑶𝑴𝑷𝑻𝑺 .    (  a  collection  of  100  nonverbal  action  prompts .   mature  and  potentially  triggering  themes  are  present .   add  “ + reverse ”  to  swap  assigned  roles . )

∗ o1﹕ sender  tucks  hair  out  of  receiver’s  face . ∗ o2﹕ sender  offers  receiver  a  bite  from  their  fork . ∗ o3﹕ sender  places  their  feet / legs  in  receiver's  lap . ∗ o4﹕ sender  offers  receiver  an  earbud  to  share  their  music . ∗ o5﹕ sender  comforts  receiver  in  the  aftermath  of  a  nightmare . ∗ o6﹕ sender  gives  receiver  company  in  the  hospital . ∗ o7﹕ sender  wraps  their  arms  around  a  hysterical  receiver  to  calm  them . ∗ o8﹕ sender  shows  up  at  receiver’s  home  late  at  night . ∗ o9﹕ sender  falls  asleep  leaning  against  receiver . ∗ 1o﹕ sender  wields  a  [ gun / knife ]  at  receiver . ∗ 11﹕ sender  runs  their  fingers  through  receiver’s  hair . ∗ 12﹕ sender  invites  receiver  to  dance . ∗ 13﹕ sender  takes  a  [ picture / video ]  of  receiver . ∗ 14﹕ sender  places  their  head  in  receiver’s  lap . ∗ 15﹕ sender  and  receiver  make  eye  contact  across  a  busy  room . ∗ 16﹕ sender  pushes  receiver  against  a  wall  to  kiss  them . ∗ 17﹕ sender  and  receiver  cook  together . ∗ 18﹕ sender  comes  to  receiver  after  being  injured . ∗ 19﹕ sender  sits  in  receiver’s  lap . ∗ 2o﹕ sender  lifts  receiver's  chin ,  invoking  eye  contact . ∗ 21﹕ sender  overtakes  receiver  in  combat . ∗ 22﹕ sender  finds  receiver  [ injured / bloodied ] . ∗ 23﹕ sender  straightens  an  article  of  receiver’s  clothes . ∗ 24﹕ sender  crawls  into  bed  with  receiver . ∗ 25﹕ sender  rolls  their  eyes  at  receiver . ∗ 26﹕ sender  lights  receiver’s  [ cigarette / joint ] . ∗ 27﹕ sender  is  caught  wearing  receiver's  clothes . ∗ 28﹕ sender  strikes  receiver  with  a  pillow . ∗ 29﹕ sender  writes  a  note  on  receiver’s  skin :  [ note ] . ∗ 3o﹕ sender  wraps  a  blanket  around  receiver’s  shoulders . ∗ 31﹕ sender  runs  and  jumps  into  receiver’s  arms . ∗ 32﹕ sender  shoves  receiver  out  of  anger . ∗ 33﹕ sender  hovers  over  receiver’s  shoulder  as  they  complete  a  task . ∗ 34﹕ sender  is  found  by  receiver  somewhere  they  shouldn’t  be . ∗ 35﹕ sender  curls  up  against  receiver  in  their  sleep . ∗ 36﹕ sender  is  found  drunk  by  receiver . ∗ 37﹕ sender  throws  an  item  of  sentiment  bitterly  at  receiver . ∗ 38﹕ sender  joins  receiver  in  the  shower . ∗ 39﹕ sender  is  caught  following  receiver . ∗ 4o﹕ sender  traces  one  of  receiver’s  [ scars / bruises ] . ∗ 41﹕ sender  twines  their  fingers  with  receiver’s . ∗ 42﹕ sender  barges  into  receiver’s  home  unannounced . ∗ 43﹕ sender  kicks  receiver’s  shin  beneath  a  table . ∗ 44﹕ sender  aggressively  shoves  past  receiver . ∗ 45﹕ sender  kisses  receiver’s  [ forehead / cheek ] . ∗ 46﹕ sender  pulls  receiver  out  of  harm’s  way . ∗ 47﹕ sender  is  found  sobbing  by  receiver . ∗ 48﹕ sender  locks  receiver  out  of  their  room . ∗ 49﹕ sender  brings  receiver  [ coffee / tea ]  in  the  morning . ∗ 5o﹕ sender  rests  their  forehead  against  receiver’s . ∗ 51﹕ sender  plays  a  song  for  receiver  that  reminds  them  of  them :  [ song ] . ∗ 52﹕ sender  takes  a  [ punch / stab / bullet ]  meant  for  receiver . ∗ 53﹕ sender  buys  receiver  a  drink  at  a  bar . ∗ 54﹕ sender  needs  receiver’s  help  getting  in  the  bath . ∗ 55﹕ sender  and  receiver  cross  paths  in  the  kitchen  late  at  night . ∗ 56﹕ sender  twists  receiver’s  arm  behind  their  back . ∗ 57﹕ sender  winks  at  receiver . ∗ 58﹕ sender  is  found  collapsed  by  receiver . ∗ 59﹕ sender  prevents  an  injured  receiver  from  getting  up . ∗ 6o﹕ sender  claps  a  hand  over  receiver’s  mouth  to  silence  them . ∗ 61﹕ sender  cages  receiver  against  a  [ wall / the floor ]  with  their  arms . ∗ 62﹕ sender  storms  away  from  receiver  during  an  argument . ∗ 63﹕ sender  is  found  by  receiver  sleeping  in  receiver’s  bed . ∗ 64﹕ sender  [ applies / touches up ]  receiver’s  makeup . ∗ 65﹕ sender  throws  receiver  into  a  wall  during  combat . ∗ 66﹕ sender  dances  sensually  with  receiver . ∗ 67﹕ sender  strikes  receiver  across  the  face . ∗ 68﹕ sender  places  their  hand  on  receiver’s  leg  while  driving . ∗ 69﹕ sender  pulls  a  chair  out  from  under  receiver . ∗ 7o﹕ sender  catches  receiver’s  wrist  when  they  turn  to  leave . ∗ 71﹕ sender  leaves  an  intimate  mark  on  receiver . ∗ 72﹕ sender  beats  receiver  in  a  video  game . ∗ 73﹕ sender  and  receiver  stand  in  stunned  silence  after  a  fight . ∗ 74﹕ sender  cares  for  receiver  while  they’re  sick . ∗ 75﹕ sender  and  receiver  go  on  a  hike . ∗ 76﹕ sender  is  caught  snooping  in  receiver’s  things . ∗ 77﹕ sender  and  receiver  cuddle  while  watching  television . ∗ 78﹕ sender  throws  something  aggressively  at  receiver . ∗ 79﹕ sender  creeps  up  behind  receiver  to  scare  them . ∗ 8o﹕ sender  and  receiver  go  shopping  together . ∗ 81﹕ sender  helps  receiver  [ dye / style ]  their  hair . ∗ 82﹕ sender  draws  receiver  into  a  kiss  by  the  back  of  their  neck . ∗ 83﹕ sender  is  discovered  having  a  panic  attack  by  receiver . ∗ 84﹕ sender  accidentally  injures  receiver  during  sparring . ∗ 85﹕ sender  grabs  receiver  roughly  by  the  hair . ∗ 86﹕ sender  brings  receiver  to  their  knees  during  combat . ∗ 87﹕ sender  shows  receiver  evidence  of  a  lie  they  told . ∗ 88﹕ sender  winks  [ seductively / mockingly ]  at  receiver . ∗ 89﹕ sender  yells  at  receiver  to  put  their  hands  in  the  air . ∗ 9o﹕ sender  helps  receiver  patch  up  a  wound . ∗ 91﹕ sender  holds  receiver  as  they  cry . ∗ 92﹕ sender  silently  and  angrily  points  receiver  towards  the  door . ∗ 93﹕ sender  gestures  for  receiver  to  sit  down . ∗ 94﹕ sender  pulls  receiver  into  their  lap . ∗ 95﹕ sender  cradles  receiver’s  face . ∗ 96﹕ sender  tackles  receiver  out  of  the  way  of  danger . ∗ 97﹕ sender  has  hidden  an  injury  from  receiver ,  and  receiver  finds  out . ∗ 98﹕ sender  confronts  receiver  about  their  unhealthy  behavior . ∗ 99﹕ sender  proposes  to  receiver . ∗ 1oo﹕ sender  has  just  died ,  receiver  finds  out .

[nonwarrior-a]

i may be writing without icons for certain muses for a little while as I’m remaking a load of icons for the muses, with like things on the icons that relate to the characters

[soulprompts]

𝐒𝐇𝐈𝐍𝐈𝐍𝐆 𝐀𝐑𝐌𝐎𝐑 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

i rewatched the etern.als. and then i got thinkin. and now you guys are on the receiving end of more protective prompts, but these little beauties are aimed more for the act of actually saving a life! bon appetit!

DIALOGUE PROMPTS.

“ what the hell were you thinking?! you could’ve been killed! “

“ hey! get away from them! “

“ if you wanna hurt them, you’re going to have to get through me, first. “

“ you underestimate how much you mean to me. i wasn’t about to let them hurt you. and i certainly wasn’t about to let them even consider killing you. “

“ i told you before. i’m not gonna let anything in this world nor the next harm you. “

“ you need to get out of here! go! i’ll buy you some more time! “

“ what are you doing?! i told you, get out of here! now! “

“ get it through your head, i’m not gonna just leave you here! “

“ now’s not the time to play the martyr, got it? you’ve got a good long life ahead of you, and i intend to keep it that way. “

“ you need to go now, okay? don’t worry. i’ve got this. they’ll want to be trying a lot harder if they want to keep me from protecting you. “

“ don’t worry about me; are YOU okay? “

“ damnit, [NAME]! i TOLD you not to play the hero! “

“ i can look after myself, you know. but… i do appreciate you stepping in back there. you saved my life. “

“ why are you so invested in keeping me alive? “

“ that was for saving my life. “

“ it’s alright, they’re gone now… are you alright? hey, look at me; are you hurt at all? “

“ are you insane?! run! “

“ were you preoccupied, or did you just really want a dramatic heroic entrance before you saved my ass? “

“ are you okay? “

“ yeah, yeah, i’m okay… are you okay? “

“ hey! why don’t you try picking on someone your own size! “

“ hurry! take my hand! “

“ get in the car! now! “

“ i’m sorry i was late… are you alright? they didn’t hurt you too badly, did they? “

ACTION PROMPTS.

add a “+ REVERSE” to switch the roles around!

[ SHIELD ]:     sender uses their own body to shield the receiver from an attack.

[ EMBRACE ]:     sender quickly wraps the receiver in a protective hug and turns so the sender’s back might take on the brunt of an on-coming attack.

[ SHOVE ]:     seeing the receiver is in immediate danger, the sender runs to them and shoves them out of the line of fire.

[ YANK ]:     seeing the receiver is in immediate danger, the sender hastily grabs them and pulls them against them, out of harm’s way.

[ TACKLE ]:     sender physically tackles the receiver out of the line of fire.

[ THROW ]:     sender throws themselves between the receiver and an on-coming attack, taking on an injury that might have been fatal to the receiver otherwise.

[ DISTRACT ]:     sender causes a distraction to draw the receiver’s attacker/s away from them.

[ FIGHT ]:     just as the receiver is about to be attacked, the sender arrives suddenly and begins to physically fight off their assailant.

[ CATCH ]:     sender manages to intervene and catch the falling receiver before they fall to their death.

[ SACRIFICE ]:     sender sacrifices themselves, either fatally or otherwise, in order to save the receiver’s life.

[ HIDE ]:     sender quickly pulls the receiver into a hiding place, hiding them from their pursuers.

[ KILL ]:     sender, seeing the receiver in immediate and intentionally fatal danger, intervenes by killing their assailant before they can kill the receiver.

[ INCAPACITATE ]:     sender, seeing the receiver in immediate danger, intervenes by knocking out their assailant before they can harm the receiver.

[ AFAR ]:     sender, having been watching the receiver’s interactions with a threat from afar, saves them from an impending attack while remaining distant from them.

[ SECRET ]:     sender, having been secretly following the receiver, saves their life from an immediate threat while remaining hidden from the receiver.

[ REVEALED ]:     sender, having been secretly following the receiver, reveals themselves in the process of saving the receiver’s life from an unexpected threat.

[ REUNION ]:     after spending a considerable length of time apart, the sender reunites with the receiver after saving their life from an immediate and potentially lethal threat.

[ KISS ]:     after having been saved from immediate danger by the receiver, the sender, in a state of intense emotion and relief, kisses them to express these feelings.

[ HUG ]:     sender, having just saved the receiver’s life, pulls them into a tight hug out of relief and a need to steady and support both themselves and the receiver.

[soulprompts]

𝐒𝐄𝐓𝐓𝐋𝐈𝐍𝐆 𝐃𝐔𝐒𝐓 𝐏𝐑𝐎𝐌𝐏𝐓𝐒.

basically i was looking over the protective prompts and the hero prompts and it hit me that like. the unbridled angst and vibes of the whole “post-battle” scene, or a scene set after an attack or a disaster or smth, needs to be ADDRESSED!!! and so y’all get the full weight of my angst today, sprinkled with a lot of teamwork and selfless and sacrificing vibes. i hope you enjoy! do NOT add further contributions to this list!!! i will curse your potato crops!!!

DIALOGUE PROMPTS.

“ can you hear me? hey… [NAME], can you hear my voice? “

“ come on… wake up. please… please wake up… “

“ oh! oh, thank god! i thought we lost you… “

“ hey, hey… look at me, okay? you gotta get up now. you think you might be able to walk? ‘cause they sent for back-up, and if they find us… we cannot let them find us. understand? “

“ go, go! save yourself! i’ll buy you some time! “

“ we both know i’m not walking out of this one. it’s okay, alright? it’s okay… just… do me a favor, will you? will you make them pay for this? i don’t care how. but… don’t let them get away with it. “

“ hey, how badly are you hurt? can you move? you think you can walk? “

“ if you can’t walk, i’m gonna have to carry you, alright? we can’t stay here. “

“ hey, look at me. i’m slowing you down, we both know it. it’s okay. i’ll hide and wait for back-up; you get yourself out of here. “

“ you’re gonna need to climb up on my back, you’re slowing us down with that injury. “

“ will you quit talking like that?! i’m not leaving you behind! “

“ what the hell are you doing here?! i told you to get out of here! “

“ you’re shivering… hey. hey, listen to me, okay? everything’s gonna be alright, i promise. here… take my jacket. don’t worry, i’m warm-blooded. “

“ i’ll get blood on your shirt… “

“ hey, don’t you dare close your eyes, you hear me? you die in my arms, and i’m gonna stick the dry-cleaning bill for this shirt in your coffin, that’s a promise! “

“ i know we almost died just now, but… am i the only one who’s hungry? “

“ we need to get you to a hospital… “

“ hey, come on now… you’re okay. you’re good, right? “

“ i must be hurt pretty bad if you’re being this nice to me. “

“ quit playing the martyr. we’re not leaving you behind. “

“ you know, i hate to be the negative voice, but… did… did we just lose? “

“ look at me… i’m not gonna make it. it’s okay, i’m fine with that. but… you can’t stay here. you’ve got a good long life ahead of you. and you’re smart, too; too smart to wait around here and waste that long life. so you get out of here, and you go live that life. live it for both of us. will you promise me you’ll do that? “

“ back-up isn’t coming. is it? we’re on our own, right? “

“ can’t sleep, huh? it’s okay. it’s probably all that adrenaline and shock; i can’t sleep, either. wanna keep each other company? “

“ i don’t give two shits about the back-up; i’m just happy you’re alive. “

ACTION PROMPTS.

as always, add a “+ REVERSE” to switch the roles!

[ CARRY ]:     having found the receiver in an injured/weak/unconscious state, the sender carries them in their arms to safety.

[ TILT ]:     the sender gently tilts the receiver’s chin up so that they can check to see if they’re okay.

[ PULL ]:     sender takes the fallen receiver’s hands and carefully pulls them up so that they’re standing once more.

[ WAIST ]:     sender, while physically supporting and steadying the receiver, loops an arm around their waist for extra support.

[ BACK ]:     sender crouches down slightly to let the wounded receiver climb on their back, giving them a piggy-back ride to safety afterwards.

[ HAIR ]:     while in the process of checking the receiver for injuries or other signs of harm, the sender gently brushes several strands of hair from their eyes.

[ TEND ]:     sender begins to care for the receiver’s injuries.

[ LEAN ]:     the wounded sender leans against the receiver for physical support.

[ SUPPORT ]:     the sender encourages the wounded receiver to lean against them for physical support.

[ PUSH ]:     the sender gently pushes the receiver back to lie down so they can check them properly for injuries.

[ COAT ]:     sender removes their jacket and drapes it around the shoulders of the trembling receiver.

[ BLANKET ]:     just as they’re all about to go to sleep, the sender covers the receiver with their own blanket.

[ AWAKE ]:     the sender, unable to sleep, gets up to go for a walk, and finds that the receiver is also unable to sleep.

[ TOGETHER ]:     when the receiver awakens, they discover that the sender has been sleeping next to them, arms wrapped around one another for warmth, comfort, protection ( or something more… )

[ BANDAGE ]:     the sender sits down across from the receiver and begins to bandage their wounds.

[ DRAG ]:     unable to leave them behind, the sender drags the wounded receiver out of danger and into a safe hiding place for both of them to wait until help arrives.

[ TOUCH ]:     the sender nudges or touches the receiver to check and see if they’re alright after the attack.

[ CLEAN ]:     the sender gently and carefully begins to bathe the blood/soot/ash/dirt from the receiver’s skin during a moment of calm.

[ PRIORITY ]:     when they arrive at a designated safe place, the sender refuses to be examined or cared for until the receiver is taken care of first.

[ PROMISE ]:     before leaving to get help/food/water/a rescue mission etc, the sender assures and promises the receiver that they’ll return safely, refusing to bring them along or to stay behind.

[ BROKEN ]:     after having promised the receiver that they’d return, it’s learned that the sender died during their mission. how does the receiver respond?

[ TRAPPED ]:     after having promised the receiver that they’d return from a mission, the receiver learns that the sender has been kidnapped or otherwise trapped, requiring a rescue mission to bring them home.

[ RESCUE ]:     the sender and receiver reunite after the sender embarked upon an infamously perilous rescue mission to save the receiver.

[ FOUND ]:     after a massive rescue mission to try and find the missing receiver, the sender is the first to find them just as the efforts are about to be abandoned.

[ HOPE ]:     just as the receiver is about to lose hope in ever finding the sender again, a message or clue of some kind is discovered that essentially guarantees that the sender is still alive, restoring the receiver’s hope once more.

[ CLING ]:     having finally been reunited, the sender pulls the receiver into a tight, overwhelmingly relieved embrace, clinging to them and burying their face in their shoulder. the whole deal. make it EMOTIONAL–

[ TEARS ]:     having finally found the receiver, or having finally been found by the receiver, the sender breaks down in tears of relief, fear, and many other emotions as they officially reunite.

[ SACRIFICE ]:     knowing that the circumstances only allow one of them to survive, the sender sacrifices their life in order to guarantee the receiver’s survival and safety.

[nonwarrior-a]

below the cut is a list of plots / thread idea / connection ideas for some of my muses:

𝚂𝚈𝙳𝙽𝙴𝚈 𝚂𝚆𝙴𝙴𝚃:

idea one:  sydney doesn’t really appear on the avengers radar as a person with gifts until after ultron, most likely due to an incident involving a loss of control of her powers   -   which has become rare   -   exposing her to the world around her. she’s dismissive of them and bordering on avoidant of them, she doesn’t want to change her life, she wants to keep being normal and not return to being this special person   -   last time she was considered special she was locked in a lab and accidentally killed her brother, so . . . not a good experience. i really want threads to build up that relationship between syd and the avengers, because i have her joining the fights in infinity war and end game. 

idea two:  syd doesn’t get snapped and is sort of left behind due to being one of few supers that weren’t dropped into dust, so whilst yes she does offer her help to nat, she does try to fall back into as normal a life as is possible. during the five years her powers develop and the interest in power spikes bring her family out of the gutters, her parents watchdogs returning to spy on the preschool teacher. i would love threads exploring the loss of control over the five years, the emotional breakdown of losing friends and family, the anxiety and paranoia of syd caused by her parents and of course . . . the return of those snapped.

idea three:  sydney is a maternal figure in every aspect, it is one of the most overpowering natural instincts to mother and care for those in need and younger than her, hence her choice of career. so, you know if someone injures, kills, takes or maims the ones she’s dear of then there would be hell to pay   -   this includes the younger heroes, such as peter, kate and america. i really want to explore the aftermath of losing control due to emotional distress, to going overboard, to a wounded mother wolf continuing to insist on protecting her cubs.

idea four:  sydney is infertile, this is due to the various dangerous chemicals and concoctions she was pumped with as a child and the stress her body was put under due to extreme conditions and experiments. it is something i would really want to explore with her character and how it impacts her mental perspective, her relationships and choices.

𝚅𝙴𝚁𝙸𝚃𝚈 𝚂𝙰𝙶𝙴:

idea one:  verity is part of a larger group of time hoppers from the future, however, due to an infraction of code where verity willingly changed the course of history  (  to save a child  )  she was labelled as a fugitive, causing her to continuously jump through time periods. i would love to explore her past as a time hopper officially and the people she worked with, maybe even some of them still keep in contact secretly and are joining her revolution. i would especially love love love to explore the main pursuer and verity, as they were once partners and now sworn enemies.

ideo two:  verity uses a time watch  (  a leather sweatband looking thing  )  to hop through time periods and although it isn’t easily broken, i’d love to explore what would happen if it did end up breaking and her getting stuck in a period era and learning to not only fit in, but continue to hide.

𝚁𝙴𝙱𝙴𝙲𝙲𝙰 𝙷𝙾𝙻𝙼𝙴𝚂:

idea one:  rebecca went missing at the end of season one until the end of season two, escaping through a tear in the upside down back into her hawkins, however, she obviously had to survive under harsh conditions within the hellscape, so i really want to explore either herself and another person surviving in the upside down, the person who finds her after returning, the recounting tale, the ptsd.

[nonwarrior-a]

below the cut is a list of plots / thread idea / connection ideas for some of my muses:

𝚂𝚈𝙳𝙽𝙴𝚈 𝚂𝚆𝙴𝙴𝚃:

idea one:  sydney doesn’t really appear on the avengers radar as a person with gifts until after ultron, most likely due to an incident involving a loss of control of her powers   -   which has become rare   -   exposing her to the world around her. she’s dismissive of them and bordering on avoidant of them, she doesn’t want to change her life, she wants to keep being normal and not return to being this special person   -   last time she was considered special she was locked in a lab and accidentally killed her brother, so . . . not a good experience. i really want threads to build up that relationship between syd and the avengers, because i have her joining the fights in infinity war and end game. 

idea two:  syd doesn’t get snapped and is sort of left behind due to being one of few supers that weren’t dropped into dust, so whilst yes she does offer her help to nat, she does try to fall back into as normal a life as is possible. during the five years her powers develop and the interest in power spikes bring her family out of the gutters, her parents watchdogs returning to spy on the preschool teacher. i would love threads exploring the loss of control over the five years, the emotional breakdown of losing friends and family, the anxiety and paranoia of syd caused by her parents and of course . . . the return of those snapped.

idea three:  sydney is a maternal figure in every aspect, it is one of the most overpowering natural instincts to mother and care for those in need and younger than her, hence her choice of career. so, you know if someone injures, kills, takes or maims the ones she’s dear of then there would be hell to pay   -   this includes the younger heroes, such as peter, kate and america. i really want to explore the aftermath of losing control due to emotional distress, to going overboard, to a wounded mother wolf continuing to insist on protecting her cubs.

idea four:  sydney is infertile, this is due to the various dangerous chemicals and concoctions she was pumped with as a child and the stress her body was put under due to extreme conditions and experiments. it is something i would really want to explore with her character and how it impacts her mental perspective, her relationships and choices.

𝚅𝙴𝚁𝙸𝚃𝚈 𝚂𝙰𝙶𝙴:

idea one:  verity is part of a larger group of time hoppers from the future, however, due to an infraction of code where verity willingly changed the course of history  (  to save a child  )  she was labelled as a fugitive, causing her to continuously jump through time periods. i would love to explore her past as a time hopper officially and the people she worked with, maybe even some of them still keep in contact secretly and are joining her revolution. i would especially love love love to explore the main pursuer and verity, as they were once partners and now sworn enemies.

ideo two:  verity uses a time watch  (  a leather sweatband looking thing  )  to hop through time periods and although it isn’t easily broken, i’d love to explore what would happen if it did end up breaking and her getting stuck in a period era and learning to not only fit in, but continue to hide.

𝚁𝙴𝙱𝙴𝙲𝙲𝙰 𝙷𝙾𝙻𝙼𝙴𝚂:

idea one:  rebecca went missing at the end of season one until the end of season two, escaping through a tear in the upside down back into her hawkins, however, she obviously had to survive under harsh conditions within the hellscape, so i really want to explore either herself and another person surviving in the upside down, the person who finds her after returning, the recounting tale, the ptsd.

[nonwarrior-a]

𝐂𝐇𝐀𝐑𝐀𝐂𝐓𝐄𝐑 𝐄𝐃𝐈𝐓𝐒          🠪          𝐒𝐘𝐃𝐍𝐄𝐘 𝐒𝐖𝐄𝐄𝐓   (  1/?  )

UMBRAKENESIS:  the ability to control and manipulate already existing shadows.

ILLUSIONS:  the ability to manipulate shadows and distort light in a way that defies the eyes - a number of things could be created from this.

SIMULACRUM:  shadows manipulated into shapes resembling living things such as people and animals or objects such as weapons.

SHADOW WALKING:  the ability to go into and move through shadows.

UMBRAPORTATION:  the ability to teleport via the shadows and darkness  (  post snap  )

[nonwarrior-a]

STARTER CALL !!

let's kick this off then ! give this a LIKE and specify a muse for a starter of varying length !

[nonwarrior-a]

                                        𝐚𝐡 𝐬𝐡𝐢𝐭 … 𝐡𝐞𝐫𝐞 𝐰𝐞 𝐠𝐨 𝐚𝐠𝐚𝐢𝐧

                                               independent multimuse written by tig                                                                        carrd

[nonwarrior-a]

i'm full of head cold right now but i'm brimming with ideas, so tomorrow after work i'm gonna be posting a wanted plots / connections thing for the kiddos !!

[nonwarrior-a]

legs shake anxiously as she waits for the lock to click, for the door to swing open to the small shoebox flat they were hiding out in thanks to her parents’ goons   -   hands fumble needlessly with the creases in her shirt and the buttons of her cardigan. guilt simmers away in her gut as the ticking of the clock goes by   -   tick tock tick tock tick tock   -   then click. sydney is stumbling to her feet the moment she hears the door shut and the deep curse of bucky from the entrance, barefeet padding clumsily across hardwood floors. 

staring at his towering form now crumpled against the peeling paint job of the apartment, movement slows as she begins to scan torn clothes and exposed flesh   -   this was all her fault, she dragged him into this mess, she pulled him into her world the moment she told him of her past and the watchdogs. this was all her fault.

“ oh . . . oh fuck . . . ” closing the distance between them, trembling fingers reach out to graze the gash on his right arm, flesh marred and pulled apart almost by force was now weeping with traces of blood. features scrunch up in worry and concern at the sight, perhaps even a bit of churning of her stomach over it   -   she never had gotten used to the sight of blood, not even her own   -   but even so, he was hurt and was at risk of infection. this was bad. “ oh this is all my fault, isn’t it ? ” voice shakes as she holds his arm for a moment, not too tight, but enough to offer grounding as she fights back tears    -    then just as quick, she is releasing him, hands ( now stained with his blood ) drag down panicked features. “ we need . . . we need bandages and . . . a-and antiseptic. ”

@centurie​

[sinfxlmemes]

Send ♏ to find my muse in nothing but their underwear!