âThe Nail in the Wallâ (2020) ⊠Paul Rouphail
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âThe Nail in the Wallâ (2020) ⊠Paul Rouphail
THE SPIRAL STAIRCASE 1946ă»dir. Robert Siodmak
Maria Magdalena by Guido Cagnacci (1601 â 1663) | Germanic warrior with helmet by Osmar Schindler (1867 â 1927)
minimalist pencil sketches of cats by Shou Xin (æèš«)
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Shawn Braley Illustration
Illustration of Dante and Virgil leaving Hell ~ Unknown Italian Artist, 1477.
The Cold Constellations, Ana Popescu
Stipan TadiÄ aka ĐĄŃĐžĐżĐ°Đœ ĐąĐ°ĐŽĐžŃ (Croatian, b.1986, Zagreb, Croatia, based Greenpoint, Brooklyn, NY, USA) - Bodega Cat - 50 St, 2023, Paintings: Oil on Canvas
'winged lady,' 1985 in let them eat cheesecake: the art of olivia - olivia de berardinis (1993)
I Just Heard the Universe Sigh, Shana Tugbert, 1976
Les deux tĂȘtes (1898) - Auguste Leroux for Victor Hugoâs âLa confiance du marquis Fabriceâ
Alexander McQueenâs âItâs Only a Gameâ 2005
Nadia Waheed (Pakistani, 1992) - Giving Tree (2025)
âExcuse me⊠who are you?â
Architecture of return, escape (The British Museum) 2022 Pigment and acrylic on deer hide, 36 x 55 in. (91.4 x 139.7 cm) Nicholas Galanin Born 1979, Tlingit/UnangaxÌ
"Galaninâs work engages themes of persistence, power, and survival in the face of settler colonialism and its legacies of institutional racism and collective amnesia. Here, the floor plan of the British Museum is painted over a blue field. Pictograms of baskets, masks, woven hats, weapons, tools, and textiles reference the contested objects held in the museumâs collection, while a red line maps an escape route for these examples of Indigenous cultural production. In many Native cultures, hide paintings relay histories across generations and objects embody lineages; in referencing both, Galanin is proposing a getaway plan for his ancestors."
Komorebi, Duri Baek
Berglzimmer - one of the apartments in Hofburg palace, painted in 1766 by Johann Wenzel Bergl for Empress Maria Theresia | Hofburg Palace, Vienna, Austria | photo by Alexander Eugen Koller.