High Hopes

Dreams and life are the same,or life's not worth living.

[vintageeveryday]

Photos of female motorcycle riders in the early 20th century.

[huariqueje]

Bleed for us    -   Thomas Broomé

Swedish, b. 1971 -

Acrylic on canvas, 200 x 150 cm

[arsarteetlabore]

Carl Gustav Carus, ‘Cemetery in the Moonlight’

[last-picture-show]

Bert Hardy, Frog-Hopping Gravestones, Glasgow, 1948

[fuckyeahvintage-retro]

1969 Palm Springs house (via)

[iansimpson]

[warmspringnights]

[my-retro-vintage]

Listening to music in art class   Photo by Francis Miller     1957

[weltschmerzzz]

Vedreba (The Plea), 1968 - Tengiz Abuladze

[aqua-regia009]

Winter Evening in Fischerhude (1935) - Friedrich Wilhelm Otto Modersohn

[the-paintrist]

Friedrich Wilhelm Otto Modersohn (22 February 1865, Soest – 10 March 1943, Rotenburg) was a German landscape painter. He was a co-founder of the Art Colony at Worpswede.

Worpswede is a municipality in the district of Osterholz, in Lower Saxony, Germany. It is situated in the Teufelsmoor, northeast of Bremen. The small town itself is located near the Weyerberg hill. It has been the home to a lively artistic community since the end of the 19th century, with over 130 artists and craftsmen working there.

Worpswede is famous nationwide for its long tradition as an artists’ colony. Nowadays, about 130 artists and craftsmen and women live there permanently; though one should really include most of the inhabitants of Worpswede, since many are artists or have at least to do with any kind of arts. As an example, the owner of the small “Café Vernissage” also displays her paintings in the Café.

[huariqueje]

Twilight    -    Harald Slott-Møller , 1918.

Danish, 1864-1937

Oil on canvas, 58 x 81 cm. 

[artist-gericault]

Head of a Drowned Man via Theodore Gericault

Size: 38.2x46.4 cm Medium: oil, canvas, paper

[just-shower-thoughts]

There will be many people,who over the next couple of days will be experiencing a hard and difficult time alone. Thoughts and best wishes are with you. Take care.

[nowheregoingtime]

Have not been here for ages. Does anyone remember me?

[desnos]

[yesterdaysprint]

The Brattleboro Daily Reformer, Vermont, March 24, 1916

[rivjudephoenix]

“He was always very much concerned about the quiet person in the room or the person who was misunderstood and that extended to his art and his activism for the voiceless, the animals. He was somebody that was always concerned for those who couldn’t speak for themselves or were afraid to”

— Rain Phoenix, People Magazine, October 2019