no better

beauty is nothing but the beginning of terror

[milksockets]

longing for a space travel - bjørn poulsen (2008)

[dlfgjhwe90823094824-deactivated]

The Devil Rebuked (The Burial of Moses) - William Blake, c.1805

Watercolor, black ink and graphite on off-white wove paper

[jareckiworld]

Tan Mu — Bikini Atoll (oil on linen, 2020)

[jareckiworld]

Robert Lostutter — Map to the Morning Dance III (oil on canvas, 1973)

[iheartmolly]

[sordidsooth]

Bri Cene, Lejanía, 2025

[recordplayerbabyyyy]

Ascension of the soul

[berndwuersching]

Helmut Zimmermann C.L.S., 1969 Oil on canvas, 89 x 91 cm

[9e978e]

[nobrashfestivity]

Denis Forkas, Your Cup is Full, 2012

[fernpapst]

Nahrae Lee, Interdependence, 2025, Oil and Bunchae on canvas, 120 × 130 cm

[sordidsooth]

Bri Cene, Somnambulist, 2025

[purulens-kopet]

Visit Original Link

[cuties-in-codices]

neptune with his entourage

miniature from a copy of evrart de conty's livre des échecs amoureux, illuminated by robinet testard. the manuscript was produced in cognac (france), c. 1496-98

source: Paris, BnF, Français 143, fol. 130v

[milksockets]

alfredo jaar in corpus domini: from the glorified body to the ruins of the soul - francesca alfano migletti (2022)

[whatevergreen]

Dia al-Azzawi (Iraq, born 1939) - We Are Not Seen, But Corpses: The Massacre of Sabra and Shatila (1982, art 1983)

"After the Palestinian fighters left Lebanon, the Phalangists had their opportunity to take revenge on old people, women and children. I have a lot of Palestinian friends, some artists and writers, and I knew those camps. Within two days, up to 3,500 people were killed. So, this work had a moral side: to defend unarmed people with no voice." - Dia Al-Azzawi

[thunderstruck9]

Hannah Höch (German, 1889-1978), Priesterin [Priestess], 1930-34. Collage with gold and wash mounted on card, sheet: 12⅞ x 9½ in.; image: 12 x 8½ in.