nyabra

[lifeinmotion84]

Nature

[justynapolar]

"Kveikur", 2014

oil on canvas, 69x69

Painting inspired by Sigur Rós’ album “Kveikur”.

[woodendreams]

Iceland (by Daniel Bosma)

[yolandart]

[nyabra]

Philip Jackson. 1944.

Winner of National Peace Sculpture Competition, Manchester City Council, 1987. Elected Fellow Royal Society of British Sculptors.

[winterfellis]

Denis Kulikov

[thisiswander]

Jannis Rolfs Germany Nikon D3100

You’re so young, yet your perception of the world is quite mature. What message are you hoping to portray with your work?

I dont really know, I’ve never thought about a message that my pictures could express. I take photos of things that catch my eye in any way and edit them in a way that I like. Sometimes I try to create a specific look that projects a particular feeling but how someone perceives an image is entirely up to him. Maybe I’ll try to concentrate on this way when taking photos in the future!

Tumblr: @jannisrolfs

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[deeplovephotography]

flickr | facebook | society6

[leebarguss]

[nyabra]

leebarguss: On the Road | Part 3 by Justyna Zduńczyk

[thisiswander]

Freddie Ardley London, UK Canon EOS 5D Mark II

Tell us what you love about the English countryside, and how you portray romanticism through it. 

It is a beautiful place created by nature and by man. I find it amusing when you think about the English countryside compared to other places around the world. It is a very formal countryside, almost a formal wilderness. Meticulous detail has been placed down over centuries, creating everything from the position of our woodlands to the manicured hedgerows that adorn every lane.

The thing about romanticism is that it is the opposite to those things. It shuns formality and order. It is the expression of the imagination and ones emotions in what they are creating. I think that is why I so often incorporate dark, fierce, chaotic skies into my photography, it is an unpredictable, formal in no way, landscape above the ground. Emotion is key to any photography and although there is not always an immediately apparent human element to my photographs, I hope my emotions when creating them seep through.

Tumblr: @freddie-photography Website: @freddieardley Facebook: @freddieardleyphotography

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[nevver]

Up the down staircase, Michael Koller

[shutupstrax]

[newblogisjacindaelena]

rainy autumn in Poland by Erik Witsoe

[marinasdiamonds-deactivated-blog]

[bornagraphique]

Let it all out

Bornagraphique

by Bobby Born

[vincentvangoghawayfromme]

Grab the Monet and let’s Gogh

Art thieves in a bank robbery (via vincentvangoghawayfromme)

[thisiswander]

Kerensa Morris Wales, UK Canon AV-1 | Vivitar V3800N

Colour is very apparent in all your work. Tell us about how this corresponds with your thoughts and how you see the world.

When I’m taking photographs, I always have a general colour palette in mind. I focus on tones associated with surrealism and nostalgia as I have always had a sort of escapism mindset (I’ve probably watched enough movies to become a film critic) and I express perhaps how I’d like to see the world, also how I feel like I live on Mars, as I have such foreign views to everyone in my town, and how I feel like an outsider.

I’m extremely intrigued by Colour Psychology which essentially is the colours we see determining our behaviour and emotions. I have been using the colour red more so than other colours when photographing vast empty landscapes, and only after researching colour psychology did I realise it is because the colour red makes what we are seeing seem more compact and small.

As someone who has suffered anxiety for a majority of my life I prefer to feel both secluded and enclosed, and so it makes sense to photograph landscapes without people, and then make myself feel enclosed by altering the hues to red. 

Tumblr: @kerensamorris

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[newblogisjacindaelena]

 oana befort