Kathy's Stuff

[wizardarchetypes]

I want to write a book called “your character dies in the woods” that details all the pitfalls and dangers of being out on the road & in the wild for people without outdoors/wilderness experience bc I cannot keep reading narratives brush over life threatening conditions like nothing is happening.

I just read a book by one of my favorite authors whose plots are essentially airtight, but the MC was walking on a country road on a cold winter night and she was knocked down and fell into a drainage ditch covered in ice, broke through and got covered in icy mud and water.

Then she had a “miserable” 3 more miles to walk to the inn.

Babes she would not MAKE it to that inn.

[pixelartpeach]

Are there any other particularly egregious examples?

[theglintoftherail]

This book already exists, sort of! Or at least, it’s a biology textbook but I bought it for writing purposes:

It starts with a chapter about freezing to death, and it is without a doubt the scariest thing I’ve read in years (and I read a lot of horror fiction).

[wandercuriosity-deactivated2024]

This book can be downloaded for free on Researchgate, posted there by the author himself:

The Biology of Human Survival: Life and Death in Extreme Environments

[obimaya]

Me too, Exactly!

[writergeekrhw]

25 THINGS I’VE LEARNED IN 25 YEARS IN TV WRITING

Well, it’s actually been 30 years now, but here’s a spew I did 5 years ago on the bird app to commemorate my 25 years as a TV writer. 

I’ve edited it a bit for clarity. Hopefully some of you will find it useful.

1. In TV writing (and writing in general) there is only one unbreakable rule: Thou shalt not be boring.

2. Write characters people want to hang out with for an hour or so once a week for years to come. Even if they’re bad people, make them interesting, engaging bad people.

3. If your lead is a bad person, make them funny and/or sexy. Direct most of their bad behavior toward other bad people or themselves. Make them well motivated. Maintain rooting interest.

4. What makes a character special should be intertwined with what makes them struggle. Perfect people are boring.

5. Characters should complement/conflict with each other. No two characters should serve the same purpose/have the same backstory/have the same voice.

6. Cast the best actor, adjust the character to suit.

7. Give your leads the best lines/moments. No one is tuning in to watch the funny guest star. Like Garry Marshall said back on HAPPY DAYS, “I’m paying Henry Winkler $25,000 an episode. Give the Fonz the jokes.”

8. Your characters, good & bad, should reflect the reality of our wonderful, diverse world. White male shouldn’t be the default.

9. Avoid stereotypes. Stereotypes are boring.

10. If all your POV characters know some secret, the audience should know it too.

11. If your show hinges on a big mystery, know more or less what the truth is from the beginning. You can change it later if you need to, but write to a specific.

12. If your story doesn’t test your characters mentally, physically, psychologically, emotionally, or spiritually, you don’t have a story.

13. You can start by figuring out the Beginning, the Middle, or the End, but you don’t have an episode until you have all three.

14. Big suspenseful act outs (the last moments before the commercials) aren’t just a gimmick. They’re a good way to structure an hour of entertainment to make sure the audience is invested and your pacing is solid.

15. Every scene should be a consequence of the previous scene or a refutation of it.

16. A scene also needs a Beginning, Middle, and End. The end should propel the characters and/or audience into the next scene.

17. Every scene is a negotiation/confrontation between two or more characters who want different things or have different ideas on how to solve the same problem.

18. A good action scene is still a character scene. With punching. (This applies to sex scenes too, but you know, with sex.)

19. A crap page is better than a blank one.

20. It’s easier to cut than to add.

21. Good things rarely happen in the Writers Room after dinner. Go home, get some rest, write pages at home if you have to, start fresh in the morning.  Writers who have a life outside the writing room are better writers. Beware the showrunner who doesn’t want to go home to their family. That said…

22. Script by day one of Pre-Production. No matter what.

23. You’re a writer first. Almost nothing happening on set or in post is more important than the writing. Delegate when possible.

24. Make an extra effort to surround yourself with writers who are different from you (background, race, gender, orientation, etc). Listen to their perspectives, especially on experiences alien to you.

25. And in the end the love you take is equal to the love you make. In TV writing and life in general. 

[obimaya]

I want to frame this

[willowgarden15]

Dinovember day 20:

Yi Qi

Inspired by Chinese blue pottery

@1dinodaily

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[pygmi-says-hi]

STOP DOING THIS IN INJURY FICS!!

Bleeding:

Blood is warm. if blood is cold, you’re really fucking feverish or the person is dead. it’s only sticky after it coagulates.

It smells! like iron, obv, but very metallic. heavy blood loss has a really potent smell, someone will notice.

Unless in a state of shock or fight-flight mode, a character will know they’re bleeding. stop with the ‘i didn’t even feel it’ yeah you did. drowsiness, confusion, pale complexion, nausea, clumsiness, and memory loss are symptoms to include.

blood flow ebbs. sometimes it’s really gushin’, other times it’s a trickle. could be the same wound at different points.

it’s slow. use this to your advantage! more sad writer times hehehe.

Stab wounds:

I have been mildly impaled with rebar on an occasion, so let me explain from experience. being stabbed is bizarre af. your body is soft. you can squish it, feel it jiggle when you move. whatever just stabbed you? not jiggly. it feels stiff and numb after the pain fades. often, stab wounds lead to nerve damage. hands, arms, feet, neck, all have more motor nerve clusters than the torso. fingers may go numb or useless if a tendon is nicked.

also, bleeding takes FOREVER to stop, as mentioned above.

if the wound has an exit wound, like a bullet clean through or a spear through the whole limb, DONT REMOVE THE OBJECT. character will die. leave it, bandage around it. could be a good opportunity for some touchy touchy :)

whump writers - good opportunity for caretaker angst and fluff w/ trying to manhandle whumpee into a good position to access both sites

Concussion:

despite the amnesia and confusion, people ain’t that articulate. even if they’re mumbling about how much they love (person) - if that’s ur trope - or a secret, it’s gonna make no sense. garbled nonsense, no full sentences, just a coupla words here and there.

if the concussion is mild, they’re gonna feel fine. until….bam! out like a light. kinda funny to witness, but also a good time for some caretaking fluff.

Fever:

you die at 110F. no 'oh no his fever is 120F!! ahhh!“ no his fever is 0F because he’s fucking dead. you lose consciousness around 103, sometimes less if it’s a child. brain damage occurs at over 104.

ACTUAL SYMPTOMS:

sluggishness

seizures (severe)

inability to speak clearly

feeling chilly/shivering

nausea

pain

delirium

symptoms increase as fever rises. slow build that secret sickness! feverish people can be irritable, maybe a bit of sass followed by some hurt/comfort. never hurt anybody.

ALSO about fevers - they absolutely can cause hallucinations. Sometimes these alter memory and future memory processing. they're scary shit guys.

fevers are a big deal! bad shit can happen! milk that till its dry (chill out) and get some good hurt/comfort whumpee shit.

keep writing u sadistic nerds xox love you

ALSO I FORGOT LEMME ADD ON:

YOU DIE AT 85F

sorry I forgot. at that point for a sustained period of time you're too cold to survive.

pt 2

[contumacious-arcadia-deactivate]

REBLOG FOR REFERENCE.

[writingquestionsanswered]

Distancing Character from Person of Same Name

Anonymous asked: I'm writing a fanfiction about an obscure pairing, and some time ago I met a person who has the same name as one of the characters, and now writing about this pairing makes me a little uncomfortable. It's a pretty common name, but I also see this person quite often and it's just weird for me. Do you have any advice so I can separate the character and the person in my head?

Here are some things you could try to distance this character from the person you know in real life who has the same name:

1 - Keep a Character Visual Handy - If you're writing fan-fiction about a canon character, you can search for promo pictures of the character. Or, if it's an OC or an original fiction character, you can try casting the character (see guide here: Guide: Casting Your Characters) with a real actor/model to help you visualize them. Try printing the picture out and tacking it up someplace where you can see it while you write. You could also keep it open on your phone, laptop screen, etc. This will help keep the character fresh in your mind as you write.

2 - Watch Clips or a Character Tribute - If you're writing fan-fiction and you're writing canon characters, odds are good there are clips or even fan-made character tributes of this character on YouTube. Watching some clips or a character tribute before you write is another great way to make sure the character is fresh in your head, rather than the person you know who shares their name. If you're writing an OC or original fiction and you've cast your character with a real actor or model, you could look for clips of movies or shows they're in that closely matches the vibe of your character, and watch those before you write. Or, you could put together some character aesthetics/mood boards and look at those before you write.

3 - Make a List of Differences - Try making a list of all the ways you can think of that your character and their inadvertent namesake are different. No detail is too small. When you're around the real person with that name, really try to focus on the things that make them different from your character.

4 - Change Up the Name a Bit - If you're writing a canon character, your options might be limited, but see if there's a canon nickname for this character you can lean on in your story that makes sense. For example, let's say the shared name is Madison, and the person you know in real life only ever goes by Madison. But maybe the canon character is sometimes called Madi by other characters... if you use Madi as often as it makes sense, that can help to create some distance.

If you're writing an OC or original fiction, you have more room to give your character a nickname of your choosing, and most names have a variety of possible nicknames. You could also try altering the spelling or changing the name to something that sounds very similar.

5 - Talk About It - If you're comfortable talking to this person about that fact that you're a writer, see if you can find an opportunity to share that you happen to be writing about a character with the same name. If it's a fan-fiction character, you can say something like, "Have you ever heard of the TV show ----? There's a character in it named -----, and I've been writing about her and another character, so I always think about that character when I see you." Or, something like that. Sometimes, just getting it out of your head (if possible) can sort of interrupt the connection in your head.

I hope that helps!

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[obimaya]

Characters

[writingwithcolor]

Wouldn’t my writing be worse off if I forced in elements like diversity?

If you are asking this question, you have yet to challenge the “default” of your culture’s media. Consider that the majority of modern Western media fill their casts with white men, and when there are women or POC, they stick out conspicuously. Many people view adding diversity as tweaking some white man characters by toggling race or gender. But this assumes that “white man” is some default, standard character template.

If you feel pressured to include diversity in your writing, distance yourself from this pressure and ask yourself why you feel it. If you feel attacked when seeing campaigns for more diversity or criticism of all-white, uninclusive media, sit with the discomfort and ask yourself why those who are different from you say they need diverse media.

These are people whose voices and faces are rarely visible in entertainment. Despite this, they enjoy an adventure as much as anyone, and have become accustomed to projecting onto white characters. Yet, when the reverse is asked of white audiences to acknowledge protagonists of color, it becomes a difficult ask. These character choices are immediately questioned, discredited, fought against, and accused of being “woke” or “unrelatable.”

This resistance reflects a larger issue: the imbalance between audiences’ empathy towards the majority/“default” and empathy towards those perceived as Other.

By mostly reading about white people, they become easier to relate to. By the same token, if we are not reading media and histories from the perspective of POC, we end up with more people who literally fail to relate to POC. When we talk about hope-deficits, increased alienation and lower self-worth among marginalized populations, underrepresentation in media is a big factor. Imagine for a moment: never the beautiful princess in the tower, never the badass hero riding dragons; always the two-second sidekick.

People of color are people and want to be seen and treated as such. Not as a burden to devote your time to, but people who have a place in the world, fictional or no. Really, writing a world in your story that is all or mostly white is more unrealistic, more forced—after all, there are far more non-white people on Earth. Becoming comfortable with diversity requires unlearning White as the Default and POC as the Other. It takes setting aside feelings of pressure to emphasize, open your heart and listen.

Further Reading:

“Diversity has gone too far!”

Diversity is for everyone.

Children and the Myth of Colorblind Youth

Those who read about aliens learn to emphasize with aliens. Those who read about wizards empathize with wizards.

---

This Q&A is an excerpt from our General FAQ for Newcomers, which can be found in our new Masterpost of rules and FAQs. If you liked this post, we have more recommended reading there!

-Writing With Color

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[ihni]

Tags by @feedthefandomfest

[obimaya]

Writer’s Portfolio

Everyone says just publish your stuff on a blog, but I do not have a narrow portfolio, it is a hot mess of expository, technical and creative writing. Do I need to three blogs? I already have a technical writing blog and one for fun, do I need two more?  

[obimaya]

Getting to Know VLANs

VLANs, a very brief overview The term VLAN stands for virtual local area network. It operates at layer 2 of the OSI Model (Protocol Layer), the Ethernet Layer. In general, we know that a LAN (local area network) is composed of devices and nodes, interacting through protocols. Sample VLAN Diagram What if the network grows and needs a speedier response?   The devices have been configured to act…

View On WordPress

[goodoldfreshair]

#tbt to the many cold and snowy days spent exploring the Roan bald’s. (at Roan Mountain, Tennessee)

[animentality]

[neil-gaiman]

Because you are a cat person and you wrote A Dream of a Thousand Cats I wanted your input. A stray cat has adopted me. I realized today she is pregnant. There are so many strays and so many cats and kittens being put down everyday it feels wrong not to get her an abortion but I wonder if she wants to have kittens... if she'd be depressed. I personally don't have the means to take care of an entire cat family. But I can spare what it'll cost to get her spayed and vaccinated. What would you do?

I'd read an article like this, and then I'd talk to my vet. When it's happened to me in the past (and it has) we found homes for kittens and then had the mother spayed, but we tended to realize that the cats arriving were pregnant very late in the process.

What to Do If Your Cat Is Pregnant

Your cat got pregnant or a pregnant stray adopted you. Should you spay your pregnant cat or let her have the litter?

[neil-gaiman]

hi! i'm sure you get 2939393 asks a day and aren't going to see this one, but i thought it'd be nice to send anyway. my whole life i just really always wanted a bookshelf with many many books, bookworm with a library card that i was. i wanted books for myself, to be able to read. last summer, i finally was able to buy myself books at a half price books in austin tx with my own hard-earned money, and it felt great! last week i got a bookshelf from target using a gift card, and of course had to display the books on it... especially the ones i have that you've written, as you're one of my favorite authors!

have a good day!

That's really marvellous. There's nothing like your own books on your own bookshelf.

[neil-gaiman]

We are on strike. I wish it wasn't happening, wish that the producers would negotiate in good faith, and support the strike 100%.

WGA on Strike

We have not reached an agreement with the studios and streamers. We will be on strike after the contract expires at midnight.

[neil-gaiman]

hiii neil !! hope you’re doing well and all that !!!!

the people need to know !! do their wings make a heart ? 🙏🙏🙏🙏🙏🙏🙏

If you're asking about the new poster...

Obviously the wings do not make a heart. They make the dread black and white sigil Puehtni in the language of ancient Mu, and are there to indicate the exact day of release, because as anyone familiar with ancient Mu knows, Puehtni-Nwod was also the Murian Falling Bluebird Festival, when clouds of toxic smoke were released from the Temple of All the Gods Save One, rendering flying temple bluebirds unconscious, and causing a hazard to traffic.

I hope this clarifies matters for you.

[neil-gaiman]

I told my friend “Hey, Y’know that author, Neil Gaiman? He’s on Tumblr.” My friend just asked “…Why..?” I simply responded with “He kinda just chills here and we can’t get him to leave.”

Long story short, my friend compared you to a stray cat.

This is why you’re a blessing on Tumblr.

[obimaya]

Neil Gaiman, the stray cat howling by your window 🤣